Kite Guitar: Difference between revisions
No edit summary |
No edit summary |
||
| Line 567: | Line 567: | ||
#IVv7 . 13 13 12 10 . (4,10) (4,13) Should be a v9 chord, but I only have 4 fingers! | #IVv7 . 13 13 12 10 . (4,10) (4,13) Should be a v9 chord, but I only have 4 fingers! | ||
3 4 2 1 ^b6 b7 Could have a low-5 voicing | 3 4 2 1 ^b6 b7 Could have a low-5 voicing. | ||
9 v10 | 9 v10 | ||
#I^m9 11 10 10 9 9 . (2,9) (2,1) (3,12) If the melody supplies the 9th, could be a ^m7 chord. | #I^m9 11 10 10 9 9 . (2,9) (2,1) (3,12) If the melody supplies the 9th, could be a ^m7 chord. | ||
4 3 2 2 1 ^b10 ^10 #8 The ^b10 can be thought of as a #9 | 4 3 2 2 1 ^b10 ^10 #8 The ^b10 from the tonic can be thought of as a #9. | ||
9 ^b10 8 | 9 ^b10 8 | ||
| Line 582: | Line 582: | ||
9 ^b10 8 | 9 ^b10 8 | ||
~VIIv7 . 12 14 14 . 11 (3,11) (3,14) (2,11) (2,13) | ~VIIv7 . 12 14 14 . 11 (3,11) (3,14) (2,11) (2,13) Again, should really be a v9 chord. | ||
2 3 4 1 ^^8 ^9 ^10 ~11 | 2 3 4 1 ^^8 ^9 ^10 ~11 | ||
9 v10 b12 12 | 9 v10 b12 12 | ||
| Line 590: | Line 590: | ||
^b10 ^b3 4 5 v6 ^b7 | ^b10 ^b3 4 5 v6 ^b7 | ||
VIv7b9b12 4 . 3 1 0 2 (1,2) (1,4) If the melody supplies the b12th, could be a v7b9 chord | VIv7b9b12 4 . 3 1 0 2 (1,2) (1,4) If the melody supplies the b12th, could be a v7b9 chord, | ||
4 3 1 2 b10 10 | 4 3 1 2 b10 10 played as 4 4 3 1 0 . | ||
b12 12 | |||
II^m7 . 6 5 5 4 . (1,6)(4,5)(4,8)(3,5)(3,8)(2,4) (3,8) could be (2,2) = 7 = 6, or even (3,9) = ^7 = ^6 | II^m7 . 6 5 5 4 . (1,6)(4,5)(4,8)(3,5)(3,8)(2,4) (3,8) could be (2,2) = 7 = 6, or even (3,9) = ^7 = ^6 | ||
| Line 599: | Line 599: | ||
Vv7b5 . 6 8 8 5 5 (2,5) Should be a v7b9b12 chord, not enough strings or fingers! | Vv7b5 . 6 8 8 5 5 (2,5) Should be a v7b9b12 chord, not enough strings or fingers! | ||
2 3 4 1 1 b9 (Vv7b5 means add a flat 5, Vv7(b5) means flatten the 5.) | 2 3 4 1 1 b9 (Vv7b5 means add a flat 5, and Vv7(b5) means flatten the 5.) | ||
b5 | b5 | ||