User:Moremajorthanmajor/Hierarchy of soid-family modes: Difference between revisions
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| rowspan="10" |''Pluperfect/Abundant Major'' | | rowspan="10" |''Pluperfect/Abundant Major'' | ||
| rowspan="5" |''Melodic'' | | rowspan="5" |''Melodic'' | ||
| rowspan=" | | rowspan="5" |''Mixolydian'' | ||
| rowspan="2" |''Soft'' | | rowspan="2" |''Soft'' | ||
|''Ultrapyth'' | |''Ultrapyth'' | ||
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|- | |- | ||
|11\6-24\13 | |11\6-24\13 | ||
| colspan="2" |''Meantone'' | | colspan="2" |''Meantone'' | ||
|- | |- | ||
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|- | |- | ||
|13\7-15\8 | |13\7-15\8 | ||
| colspan="2" |''Intense'' | | colspan="2" |''Intense'' | ||
|- | |- | ||
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|17\9-19\10 | |17\9-19\10 | ||
| rowspan="4" |''Natural-Harmonic'' | | rowspan="4" |''Natural-Harmonic'' | ||
| colspan=" | | rowspan="4" |''<u>Ionian</u>'' | ||
| colspan="2" |''<u>Soft</u>'' | |||
|- | |- | ||
|''19\10-27\14~29\15'' | |''19\10-27\14~29\15'' | ||
| colspan="2" |''<u>Semitone</u>'' | | colspan="2" |''<u>Semitone</u>'' | ||
|- | |- | ||
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|- | |- | ||
|''41\21-2\1'' | |''41\21-2\1'' | ||
| colspan=" | | colspan="2" |''<u>Intense</u>'' | ||
|} | |} | ||
The names "Perfect" and "Pluperfect/Abundant" refer to the common limitation of a vocal melody to within an eleventh for the sake of overall perceptual coherence. The "Perfect" modes also match where LCP may consider just a triad (or tetrad) to be reasonably complete and therefore the basic chordal harmony. | The names "Perfect" and "Pluperfect/Abundant" refer to the common limitation of a vocal melody to within an eleventh for the sake of overall perceptual coherence. The "Perfect" modes also match where LCP may consider just a triad (or tetrad) to be reasonably complete and therefore the basic chordal harmony. | ||