User:Moremajorthanmajor/Hierarchy of soid-family modes: Difference between revisions
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| rowspan="8" |''Pluperfect/Abundant Major'' | | rowspan="8" |''Pluperfect/Abundant Major'' | ||
| rowspan="3" |''Melodic'' | | rowspan="3" |''Melodic'' | ||
|'' | |''Soft Mixolydian'' | ||
|- | |- | ||
|11\6-13\7 | |11\6-13\7 | ||
|'' | |''Mixolydian'' | ||
|- | |- | ||
|13\7-15\8 | |13\7-15\8 | ||
|'' | |''Intense Mixolydian'' | ||
|- | |- | ||
|15\8-17\9 | |15\8-17\9 | ||
|''Melodic/Natural-Harmonic'' | |''Melodic/Natural-Harmonic'' | ||
|'' | |''Intense Mixolydian-Soft Ionian'' | ||
|- | |- | ||
|17\9-19\10 | |17\9-19\10 | ||
| rowspan="4" |''Natural-Harmonic'' | | rowspan="4" |''Natural-Harmonic'' | ||
|''<u> | |''<u>Soft Ionian</u>'' | ||
|- | |- | ||
|''19\10-29\15'' | |''19\10-29\15'' | ||
| rowspan="2" |''<u> | | rowspan="2" |''<u>Ionian</u>'' | ||
|- | |- | ||
|''29\15-41\21'' | |''29\15-41\21'' | ||
|- | |- | ||
|''41\21-2\1'' | |''41\21-2\1'' | ||
|''<u> | |''<u>Intense Ionian</u>'' | ||
|} | |} | ||
The names "Perfect" and "Pluperfect/Abundant" refer to the common limitation of a vocal melody to within an eleventh for the sake of overall perceptual coherence. The "Perfect" modes also match where LCP may consider just a triad (or tetrad) to be reasonably complete and therefore the basic chordal harmony. | The names "Perfect" and "Pluperfect/Abundant" refer to the common limitation of a vocal melody to within an eleventh for the sake of overall perceptual coherence. The "Perfect" modes also match where LCP may consider just a triad (or tetrad) to be reasonably complete and therefore the basic chordal harmony. | ||