Kite's Genchain mode numbering: Difference between revisions
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=Temperaments with split octaves= | =Temperaments with split octaves= | ||
If a rank-2 temperament's [[pergen]] has a split octave, the temperament has multiple genchains running in parallel. Multiple genchains occur because a rank-2 genchain is actually a 2-dimensional lattice with vertical periods and horizontal generators that's been octave-reduced | If a rank-2 temperament's [[pergen]] has a split octave, the temperament has multiple genchains running in parallel. Multiple genchains occur because a rank-2 genchain is actually a 2-dimensional lattice with vertical periods and horizontal generators that's been octave-reduced. For example, here's Meantone's non-octave-reduced lattice, with vertical octaves and horizontal fifths: | ||
F2 --- C3 --- G3 --- D4 --- A4 --- E5 --- B5 | F2 --- C3 --- G3 --- D4 --- A4 --- E5 --- B5 | ||
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F0 --- C1 --- G1 --- D2 --- A2 --- E3 --- B3 | F0 --- C1 --- G1 --- D2 --- A2 --- E3 --- B3 | ||
Because the period is an octave, the | Because the period is an octave, the lattice octave-reduces to a single horizontal genchain: | ||
F --- C --- G --- D --- A --- E --- B | F --- C --- G --- D --- A --- E --- B | ||
But if the period is a half-octave, the | But if the period is a half-octave, the lattice has vertical half-octaves, which octave-reduces to two parallel genchains. Temperaments with third-octave periods reduce to a triple-genchain, and so forth. For example, the unreduced lattice of [[Diaschismic_family|Shrutal]] [10] might look like this: | ||
F#^3 -- C# | F#^3 -- C#v4 -- G#v4 -- D#v5 -- A#v5 | ||
C3 ----- G3 ----- D4 ----- A4 ----- E5 | C3 ----- G3 ----- D4 ----- A4 ----- E5 | ||
F# | F#v2 -- C#v3 -- G#v3 -- D#v4 -- A#v4 | ||
C2 ----- G2 ------ D3 ----- A3 ----- E3 | C2 ----- G2 ------ D3 ----- A3 ----- E3 | ||
F# | F#v1 -- C#v2 -- G#v2 -- D#v3 -- A#v3 | ||
C1 ----- G1 ------ D2 ----- A2 ----- E2 | C1 ----- G1 ------ D2 ----- A2 ----- E2 | ||
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which octave-reduces to two genchains: | which octave-reduces to two genchains: | ||
F# | F#v -- C#v -- G#v -- D#v -- A#v | ||
C ----- G ------ D ----- A ----- E | C ----- G ------ D ----- A ----- E | ||
Moving from C to F# | Moving from C to F#v moves up or down a half-octave. See the [[pergen]] page for an explanation of the notation. It would be equally valid to write the half-octave not as an up-fourth but as a down-fifth. | ||
Gbv -- Dbv -- Abv -- Ebv -- Bbv | Gbv -- Dbv -- Abv -- Ebv -- Bbv | ||
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Gbv -- Dbv -- Abv -- Ebv -- Bbv | Gbv -- Dbv -- Abv -- Ebv -- Bbv | ||
In order to be a MOS scale, the parallel genchains must | In order to be a MOS scale, the parallel genchains must not only be the right length, and without any gaps, but also must line up exactly, so that each note has a neighbor immediately above and/or below. In other words, every column of the lattice must be complete. | ||
If the period is a fraction of an octave, 3/2 is still preferred over 4/3, even though that makes the generator larger than the period. A generator plus or minus a period is still a generator. | If the period is a fraction of an octave, 3/2 is still preferred over 4/3, even though that makes the generator larger than the period. A generator plus or minus a period is still a generator. Srutal's generator could be thought of as either ~3/2 or ~16/15, because ~16/15 would still create the same mode numbers and thus the same scale names: | ||
F# | F#v -- G --- G#v -- A --- A#v | ||
C --- C# | C --- C#v -- D --- D#v -- E | ||
All five Srutal [10] modes, using ups and downs. Every other scale note has an up. | All five Srutal [10] modes, using ups and downs. Every other scale note has an up. | ||
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|- | |- | ||
! | scale name | ! | scale name | ||
! | | ! | Ls pattern | ||
! | example in C | ! | example in C | ||
! | 1st genchain | ! | 1st genchain | ||
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| | 1st Srutal [10] | | | 1st Srutal [10] | ||
| | ssssL-ssssL | | | ssssL-ssssL | ||
| | C C | | | C C#v D D#v E F#v G G#v A A#v C | ||
| | <u>'''C'''</u> G D A E | | | <u>'''C'''</u> G D A E | ||
| | F | | | F#v C#v G#v D#v A#v | ||
|- | |- | ||
| | 2nd Srutal [10] | | | 2nd Srutal [10] | ||
| | sssLs-sssLs | | | sssLs-sssLs | ||
| | C C | | | C C#v D D#v F F#v G G#v A Bv C | ||
| | F <u>'''C'''</u> G D A | | | F <u>'''C'''</u> G D A | ||
| | | | | Bv F#v C#v G#v D#v | ||
|- | |- | ||
| | 3rd Srutal [10] | | | 3rd Srutal [10] | ||
| | ssLss-ssLss | | | ssLss-ssLss | ||
| | C C | | | C C#v D Ev F F#v G G#v Bb Bv C | ||
| | Bb F <u>'''C'''</u> G D | | | Bb F <u>'''C'''</u> G D | ||
| | | | | Ev Bv F#v C#v G#v | ||
|- | |- | ||
| | 4th Srutal [10] | | | 4th Srutal [10] | ||
| | sLsss-sLsss | | | sLsss-sLsss | ||
| | C C | | | C C#v Eb Ev F F#v G Av Bb Bv C | ||
| | Eb Bb F <u>'''C'''</u> G | | | Eb Bb F <u>'''C'''</u> G | ||
| | | | | Av Ev Bv F#v C#v | ||
|- | |- | ||
| | 5th Srutal [10] | | | 5th Srutal [10] | ||
| | Lssss-Lssss | | | Lssss-Lssss | ||
| | C | | | C Dv Eb Ev F F#v Ab Av Bb Bv C | ||
| | Ab Eb Bb F <u>'''C'''</u> | | | Ab Eb Bb F <u>'''C'''</u> | ||
| | | | | Dv Av Ev Bv F#v | ||
|} | |} | ||