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|-
|-
|10\7-22\15
|10\7-22\15
| rowspan="3" |Ambiguous
| rowspan="3" |''Ambiguous''
|Natural-Harmonic/Acoustic Major/Diminished
|''Natural-Harmonic/Acoustic Major/Diminished''
|Intense Ionian-Lydian/Locrian
|''Intense Ionian-Lydian/Locrian''
|-
|-
|22\15-23\15
|22\15-23\15
|Acoustic Major/Diminished
|''Acoustic Major/Diminished''
|Lydian/Locrian
|''Lydian/Locrian''
|-
|-
|23\15-11\7
|23\15-11\7
|Acoustic Major/Diminished/Neapolitan Minor
|''Acoustic Major/Diminished/Neapolitan Minor''
|Lydian/Locrian-Soft Phrygian
|''Lydian/Locrian-Soft Phrygian''
|-
|-
|11\7-19\12
|11\7-19\12
| rowspan="11" |Pluperfect/Abundant Minor  
| rowspan="11" |''Pluperfect/Abundant Minor''
| rowspan="2" |Neapolitan
| rowspan="2" |''Neapolitan''
|Soft Phrygian
|''Soft Phrygian''
|-
|-
|19\12-8\5
|19\12-8\5
|Intense Phrygian
|''Intense Phrygian''
|-
|-
|8\5-47\29
|8\5-47\29
|Neapolitan/Natural-Harmonic
|''Neapolitan/Natural-Harmonic''
|Intense Phrygian-Subpental Aeolian
|''Intense Phrygian-Subpental Aeolian''
|-
|-
|47\29-48\29
|47\29-48\29
| rowspan="4" |Natural-Harmonic
| rowspan="4" |''Natural-Harmonic''
|Intense Subpental Aeolian
|''Intense Subpental Aeolian''
|-
|-
|48\29-5\3
|48\29-5\3
|Soft Subpental Aeolian
|''Soft Subpental Aeolian''
|-
|-
|5/3-27\16
|5/3-27\16
|Pental Aeolian
|''Pental Aeolian''
|-
|-
|27\16-17\10
|27\16-17\10
|Superpental Aeolian
|''Superpental Aeolian''
|-
|-
|17\10-12\7
|17\10-12\7
|Natural-Harmonic/Melodic
|''Natural-Harmonic/Melodic''
|Aeolian-Dorian
|''Aeolian-Dorian''
|-
|-
|12\7-19\11
|12\7-19\11
| rowspan="3" |Melodic
| rowspan="3" |''Melodic''
|Subpental Dorian
|''Subpental Dorian''
|-
|-
|19\11-7\4
|19\11-7\4
|Pental Dorian
|''Pental Dorian''
|-
|-
|7\4-16\9
|7\4-16\9
|Superpental Dorian
|''Superpental Dorian''
|-
|-
|16\9-9\5
|16\9-9\5
| colspan="2" |Pluperfect/Abundant "Neutral"
| colspan="2" |''Pluperfect/Abundant "Neutral"''
|Superpental Dorian-Soft Mixolydian
|''Superpental Dorian-Soft Mixolydian''
|-
|-
|9\5-11\6
|9\5-11\6
| rowspan="8" |Pluperfect/Abundant Major
| rowspan="8" |''Pluperfect/Abundant Major''
| rowspan="3" |Melodic
| rowspan="3" |''Melodic''
|Pluperfect Soft Mixolydian
|''Pluperfect Soft Mixolydian''
|-
|-
|11\6-13\7
|11\6-13\7
|Pluperfect Mixolydian
|''Pluperfect Mixolydian''
|-
|-
|13\7-15\8
|13\7-15\8
|Pluperfect Intense Mixolydian
|''Pluperfect Intense Mixolydian''
|-
|-
|15\8-17\9
|15\8-17\9
|Melodic/Natural-Harmonic
|''Melodic/Natural-Harmonic''
|Pluperfect Intense Mixolydian-Soft Ionian
|''Pluperfect Intense Mixolydian-Soft Ionian''
|-
|-
|17\9-19\10
|17\9-19\10
| rowspan="4" |Natural-Harmonic
| rowspan="4" |''Natural-Harmonic''
|Pluperfect Soft Ionian
|''<u>Pluperfect Soft Ionian</u>''
|-
|-
|''19\10-29\15''
|''19\10-29\15''
| rowspan="2" |''Pluperfect Ionian''
| rowspan="2" |''<u>Pluperfect Ionian</u>''
|-
|-
|''29\15-41\21''
|''29\15-41\21''
|-
|-
|''41\21-2\1''
|''41\21-2\1''
|''Pluperfect Intense Ionian''
|''<u>Pluperfect Intense Ionian</u>''
|}
|}
The names "Perfect" and "Pluperfect/Abundant" refer to the common limitation of a vocal melody to within an eleventh for the sake of overall perceptual coherence. The "Perfect" modes also match where LCP may consider just a triad (or tetrad) to be reasonably complete and therefore the basic chordal harmony.  
The names "Perfect" and "Pluperfect/Abundant" refer to the common limitation of a vocal melody to within an eleventh for the sake of overall perceptual coherence. The "Perfect" modes also match where LCP may consider just a triad (or tetrad) to be reasonably complete and therefore the basic chordal harmony.  
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'''3L 7s and 7L 3s - Bolivar'''
'''3L 7s and 7L 3s - Bolivar'''


Diminshed Twelfths - ''Locrian Mode''
''Diminshed Twelfths -'' ''Locrian Mode''


Perfect Twelfths - Phrygian Mode  
''Perfect Twelfths - Phrygian Mode''


Sigmatic
''Sigmatic''


5L 6s and 6L 5s - Sesquimachine
''5L 6s and 6L 5s - Sesquimachine''


'''4L 7s and 7L 4s, 3L 8s and 8L 3s - (Un)Fair Sigma and Mu'''
'''''4L 7s and 7L 4s, 3L 8s and 8L 3s - (Un)Fair Sigma and Mu'''''


2L 9s and 9L 2s - Arcturus[11]
''2L 9s and 9L 2s - Arcturus[11]''


Minor Thirteenths - Aeolian Mode
''Minor Thirteenths - Aeolian Mode''


Major Thirteenths - Dorian Mode (aka Kiriage Magan)
''Major Thirteenths - Dorian Mode (aka Kiriage Magan)''


Bijou deck of scales
''Bijou deck of scales''


'''2L 10s and 10L 2s,  3L 9s and 9L 3s, 4L 8s and 8L 4s - Macro-augmented[12], Macro-diminished[12], (Bifold, Trifold, Quadrifold) Symmetric; Hexachordal, Pentachordal, Tetrachordal Major'''
'''''2L 10s and 10L 2s,  3L 9s and 9L 3s, 4L 8s and 8L 4s - Macro-augmented[12], Macro-diminished[12], (Bifold, Trifold, Quadrifold) Symmetric; Hexachordal, Pentachordal, Tetrachordal Major'''''


6L 6s - Macro-Hexe
''6L 6s - Macro-Hexe''


5L 7s and 7L 5s - Chromatic Major
''5L 7s and 7L 5s - Chromatic Major''


Minor Fourteenths - Mixolydian Mode
''Minor Fourteenths - Mixolydian Mode''


''Major Fourteenths - Ionian Mode (aka Nagashi)''
''<u>Major Fourteenths - Ionian Mode (aka Nagashi)</u>''


''(Tetrad and Pentatonic - Mangan Temperament''
''<u>(Tetrad and Pentatonic - Mangan Temperament</u>''


''Hexa- and Heptatonic - Haneman Temperament''
''<u>Hexa- and Heptatonic - Haneman Temperament</u>''


''Enneatonic plus or minus one - Baiman Temperament''
''<u>Enneatonic plus or minus one - Baiman Temperament</u>''


''Hen- and dodecatonic - Sanbaiman Temperament)''
''<u>Hen- and dodecatonic - Sanbaiman Temperament)</u>''


Triskaidekatonic - Yakuman Temperament List
''Triskaidekatonic - Yakuman Temperament List''


''(1L 12s and 12L 1s - Kazoe Yakuman'')
<u>''(1L 12s and 12L 1s - Kazoe Yakuman'')</u>


7L 6s and 6L 7s - Daichīsei and Daisharin
''7L 6s and 6L 7s - Daichīsei and Daisharin''


'''9L 4s and 4L 9s - Shōsūshī and Daisūshī'''
'''''9L 4s and 4L 9s - Shōsūshī and Daisūshī'''''


'''10L 3s and 3L 10s - Shōsangen and Daisangen'''
'''''10L 3s and 3L 10s - Shōsangen and Daisangen'''''


5L 8s and 8L 5s - Ryūīsō
''5L 8s and 8L 5s - Ryūīsō''


2L 11s and 11L 2s - Kokushimusō
''2L 11s and 11L 2s - Kokushimusō''


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