15edo/Interval names: Difference between revisions
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! [http://musictheory.zentral.zone/huntsystem4.html Aaron's Answer] | ! [http://musictheory.zentral.zone/huntsystem4.html Aaron's Answer] | ||
! [[Extra-Diatonic Intervals|Igs' Input]] | ! [[Extra-Diatonic Intervals|Igs' Input]] | ||
! [http://dkeenan.com/Music/EdoIntervalNames.pdf Keenan Category] | ! [http://dkeenan.com/Music/EdoIntervalNames.pdf Keenan Category] | ||
! [http://www.bestii.com/~mschulter/IntervalSpectrumRegions.txt Margo's Method] | ! [http://www.bestii.com/~mschulter/IntervalSpectrumRegions.txt Margo's Method] | ||
| Line 19: | Line 18: | ||
| 0 | | 0 | ||
| P1 | | P1 | ||
| Unison | | Unison | ||
| P1 | | P1 | ||
| Line 32: | Line 30: | ||
| 80 | | 80 | ||
| m2 | | m2 | ||
| Subminor 2nd | | Subminor 2nd | ||
| m2 | | m2 | ||
| Line 45: | Line 42: | ||
| 160 | | 160 | ||
| NM2 (Narrow M2) | | NM2 (Narrow M2) | ||
| Neutral 2nd | | Neutral 2nd | ||
| M2 | | M2 | ||
| Line 58: | Line 54: | ||
| 240 | | 240 | ||
| LM2 | | LM2 | ||
| Supermajor 2nd | | Supermajor 2nd | ||
| A2/d3 | | A2/d3 | ||
| Line 71: | Line 66: | ||
| 320 | | 320 | ||
| Lm3 | | Lm3 | ||
| Minor 3rd | | Minor 3rd | ||
| m3 | | m3 | ||
| Line 84: | Line 78: | ||
| 400 | | 400 | ||
| M3 | | M3 | ||
| Major 3rd | | Major 3rd | ||
| M3 | | M3 | ||
| Line 97: | Line 90: | ||
| 480 | | 480 | ||
| S4 (Small 4) | | S4 (Small 4) | ||
| Sub 4th | | Sub 4th | ||
| P4 | | P4 | ||
| Line 111: | Line 103: | ||
| Na4/Sd5 | | Na4/Sd5 | ||
| Narrow Tritone | | Narrow Tritone | ||
| A4 | | A4 | ||
| Small Tritone | | Small Tritone | ||
| Line 124: | Line 115: | ||
| La4/Wd5 | | La4/Wd5 | ||
| Wide Tritone | | Wide Tritone | ||
| d5 | | d5 | ||
| Large Tritone | | Large Tritone | ||
| Line 136: | Line 126: | ||
| 720 | | 720 | ||
| L5 | | L5 | ||
| Super 5th | | Super 5th | ||
| P5 | | P5 | ||
| Line 149: | Line 138: | ||
| 800 | | 800 | ||
| m6 | | m6 | ||
| Minor 6th | | Minor 6th | ||
| m6 | | m6 | ||
| Line 162: | Line 150: | ||
| 880 | | 880 | ||
| SM6 | | SM6 | ||
| Major 6th | | Major 6th | ||
| M6 | | M6 | ||
| Line 175: | Line 162: | ||
| 960 | | 960 | ||
| SM7 | | SM7 | ||
| Subminor 7th | | Subminor 7th | ||
| A6/d7 | | A6/d7 | ||
| Line 188: | Line 174: | ||
| 1040 | | 1040 | ||
| Wm7 | | Wm7 | ||
| Neutral 7th | | Neutral 7th | ||
| m7 | | m7 | ||
| Line 201: | Line 186: | ||
| 1120 | | 1120 | ||
| M7 | | M7 | ||
| Supermajor 7th | | Supermajor 7th | ||
| M7 | | M7 | ||
| Line 214: | Line 198: | ||
| 1200 | | 1200 | ||
| P8 | | P8 | ||
| Octave | | Octave | ||
| P8 | | P8 | ||
Revision as of 04:01, 14 October 2018
If you haven't made an interval naming system yet, make one and add a column when you finish your notation system!
| steps | cents | Aaron's Answer | Igs' Input | Keenan Category | Margo's Method | Piotr Grochowski | SagiSpeak | Ups and Downs | Gareth's Go | ratios |
|---|---|---|---|---|---|---|---|---|---|---|
| 0 | 0 | P1 | Unison | P1 | Unison | unison | P1 | P1, m2 | P1 | 1/1 |
| 1 | 80 | m2 | Subminor 2nd | m2 | Minor 2nd | augmented unison | pai-P1 | ^1, ^m2 | S1/Sm2 | 25/24, 21/20, 16/15 |
| 2 | 160 | NM2 (Narrow M2) | Neutral 2nd | M2 | Large Neutral 2nd | high neutral second | pao-M2 | vM2 | sM2 | 11/10, 12/11, 10/9 |
| 3 | 240 | LM2 | Supermajor 2nd | A2/d3 | Large Major 2nd | second–third | M2 | M2, m3 | M2/m3 | 8/7, 7/6, 9/8 |
| 4 | 320 | Lm3 | Minor 3rd | m3 | Large Minor 3rd | minor third | pai-m3 | ^m3 | Sm3 | 6/5, 11/9 |
| 5 | 400 | M3 | Major 3rd | M3 | Major 3rd | major third | pao-M3 | vM3 | sM3 | 5/4, 14/11 |
| 6 | 480 | S4 (Small 4) | Sub 4th | P4 | Small Perfect 4th | low fourth | P4 | M3, P4, d5 | P4 | 4/3, 9/7, 21/16 |
| 7 | 560 | Na4/Sd5 | Narrow Tritone | A4 | Small Tritone | low augmented fourth | pai-P4 | ^4, ^d5 | S4 | 11/8, 7/5 |
| 8 | 640 | La4/Wd5 | Wide Tritone | d5 | Large Tritone | high diminished fifth | pao-P5 | vA4, v5 | s5 | 16/11, 10/7 |
| 9 | 720 | L5 | Super 5th | P5 | Large Perfect 5th | high fifth | P5 | A4, P5, m6 | P5 | 3/2, 14/9, 32/21 |
| 10 | 800 | m6 | Minor 6th | m6 | Minor 6th | minor sixth | pai-m6 | ^5, ^m6 | Sm6 | 8/5, 11/7 |
| 11 | 880 | SM6 | Major 6th | M6 | Small Major 6th | major sixth | pao-M6 | vA5, vM6 | sM6 | 5/3, 18/11 |
| 12 | 960 | SM7 | Subminor 7th | A6/d7 | Small Minor 7th | sixth–seventh | m7 | M6, m7 | M6/m7 | 7/4, 12/7, 16/9 |
| 13 | 1040 | Wm7 | Neutral 7th | m7 | Small Neutral 7th | low neutral seventh | pai-m7 | ^m7 | Sm7 | 20/11, 11/6, 9/5 |
| 14 | 1120 | M7 | Supermajor 7th | M7 | Major 7th | diminished octave | pao-P8 | vM7, v8 | sM7/s8 | 48/25, 40/21, 15/8 |
| 15 | 1200 | P8 | Octave | P8 | Octave | octave | P8 | M7, P8 | P8 | 2/1 |