Kite's thoughts on pergens: Difference between revisions

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For (P8, P5), the pergen square has 4 notes, shown here with octave numbers (ignore the periods).
For (P8, P5), the pergen square has 4 notes, shown here with octave numbers (ignore the periods).


C2 -- G2
C2 -- G2<br>
 
| . . . . |<br>
| . . . . |
 
C1 -- G1
C1 -- G1


Splitting the 8ve or the multigen adds notes to the square. For (P8/2, P5), there are 6 notes. The new notes fall halfway between each 8ve:
Splitting the 8ve or the multigen adds notes to the square. For (P8/2, P5), there are 6 notes. The new notes fall halfway between each 8ve:


C2 --- G2
C2 --- G2<br>
 
F#v1 C#v2<br>
F#v1 C#v2
 
C1 --- G1
C1 --- G1


A pergen square shows all alternate gens and multigens. The unreduced form of (P8/2, P5) is (P8/2, M2/2). The M2 becomes visible only after tiling the pergen square. From C2 to D2 is a M2, and C#v2 bisects it. G#v2 bisects the G2-A2 M2. Every "downed" note bisects an 8ve, a M2, a Wm7 (e.g. D1 to C3), a WM9 (e.g. C1 to D3), and many other intervals.
A pergen square shows all alternate gens and multigens. The unreduced form of (P8/2, P5) is (P8/2, M2/2). The M2 becomes visible only after tiling the pergen square. From C2 to D2 is a M2, and C#v2 bisects it. G#v2 bisects the G2-A2 M2. Every "downed" note bisects an 8ve, a M2, a Wm7 (e.g. D1 to C3), a WM9 (e.g. C1 to D3), and many other intervals.


C2 --- G2 --- D3 --- A3
C2 --- G2 --- D3 --- A3<br>
 
F#v1 C#v2 G#v2 D#v3<br>
F#v1 C#v2 G#v2 D#v3
 
C1 --- G1 --- D2 --- A2
C1 --- G1 --- D2 --- A2


Splitting the 5th adds notes to the horizontal edges of the square:
Splitting the 5th adds notes to the horizontal edges of the square:


C2 Ev2 G2
C2 Ev2 G2<br>
 
| . . . . . . |<br>
| . . . . . . |
 
C1 Ev1 G1
C1 Ev1 G1


Each downed note also bisects a P11 (e.g. G1-C3), as well as many other intervals.
Each downed note also bisects a P11 (e.g. G1-C3), as well as many other intervals.


C3 Ev3 G3
C3 Ev3 G3<br>
 
| . . . . . . |<br>
| . . . . . . |
C2 Ev2 G2<br>
 
| . . . . . . |<br>
C2 Ev2 G2
 
| . . . . . . |
 
C1 Ev1 G1
C1 Ev1 G1


From G1 to C2 is a 4th, so splitting the 4th adds a note halfway between them, in the center of the square.
From G1 to C2 is a 4th, so splitting the 4th adds a note halfway between them, in the center of the square.


C2 ---- G2
C2 ---- G2<br>
 
| . A^1 . |<br>
| . A^1 . |
 
C1 ---- G1
C1 ---- G1