The Library: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2012-08-28 08:18:12 UTC</tt>.

: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2012-08-28 08:27:38 UTC</tt>.

: The original revision id was <tt>~~360403718~~</tt>.

: The original revision id was <tt>360405108</tt>.

: The revision comment was: <tt></tt>

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Signell, Karl L, The Turkish "makam" system in contemporary theory and practice. XXX, Ph. D., 1973

Battan, Suzette Mary, [[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&versionNumber=1|Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]], University of Rochester, Ph. D., 1980

Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995.

Skinner. Myles, [[http://www.tierceron.com/diss/index.php|Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky]], Buffalo University, Ph. D., 2006

Yarman, Ozan, [[http://www.ozanyarman.com/files/doctorate_thesis.pdf|79-Tone Tuning & Theory for Turkish Maqam Music]]. Istanbul Technical University, Ph. D., 2008

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Signell, Karl L, The Turkish &quot;makam&quot; system in contemporary theory and practice. XXX, Ph. D., 1973

Battan, Suzette Mary, <a class="wiki_link_ext" href="https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;versionNumber=1" rel="nofollow">Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems</a>, University of Rochester, Ph. D., 1980

Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995.

Skinner. Myles, <a class="wiki_link_ext" href="http://www.tierceron.com/diss/index.php" rel="nofollow">Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky</a>, Buffalo University, Ph. D., 2006

Yarman, Ozan, <a class="wiki_link_ext" href="http://www.ozanyarman.com/files/doctorate_thesis.pdf" rel="nofollow">79-Tone Tuning &amp; Theory for Turkish Maqam Music</a>. Istanbul Technical University, Ph. D., 2008

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 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2012-08-28 08:18:12 UTC</tt>.<br>
+: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2012-08-28 08:27:38 UTC</tt>.<br>
-: The original revision id was <tt>360403718</tt>.<br>
+: The original revision id was <tt>360405108</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 27: / Line 27: @@
 Signell, Karl L, &lt;span class="Z3988"&gt;The Turkish "makam" system in contemporary theory and practice. XXX, Ph. D., 1973&lt;/span&gt;
 Battan, Suzette Mary, [[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;versionNumber=1|Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]], University of Rochester, Ph. D., 1980
+Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995.
 Skinner. Myles, [[http://www.tierceron.com/diss/index.php|Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky]], Buffalo University, Ph. D., 2006
 Yarman, Ozan, [[http://www.ozanyarman.com/files/doctorate_thesis.pdf|79-Tone Tuning &amp; Theory for Turkish Maqam Music]]. Istanbul Technical University, Ph. D., 2008
@@ Line 60: / Line 61: @@
 Signell, Karl L, &lt;span class="Z3988"&gt;The Turkish &amp;quot;makam&amp;quot; system in contemporary theory and practice. XXX, Ph. D., 1973&lt;/span&gt;&lt;br /&gt;
 Battan, Suzette Mary, &lt;a class="wiki_link_ext" href="https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;amp;versionNumber=1" rel="nofollow"&gt;Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems&lt;/a&gt;, University of Rochester, Ph. D., 1980&lt;br /&gt;
+Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995.&lt;br /&gt;
 Skinner. Myles, &lt;a class="wiki_link_ext" href="http://www.tierceron.com/diss/index.php" rel="nofollow"&gt;Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky&lt;/a&gt;, Buffalo University, Ph. D., 2006&lt;br /&gt;
 Yarman, Ozan, &lt;a class="wiki_link_ext" href="http://www.ozanyarman.com/files/doctorate_thesis.pdf" rel="nofollow"&gt;79-Tone Tuning &amp;amp; Theory for Turkish Maqam Music&lt;/a&gt;. Istanbul Technical University, Ph. D., 2008&lt;br /&gt;