The Library: Difference between revisions
Wikispaces>hstraub **Imported revision 360405108 - Original comment: ** |
Wikispaces>hstraub **Imported revision 360405518 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2012-08-28 08: | : This revision was by author [[User:hstraub|hstraub]] and made on <tt>2012-08-28 08:30:09 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>360405518</tt>.<br> | ||
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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=__Dissertations__= | =__Dissertations__= | ||
Smith, Charles Samuel, //[[http://dav.ols16.com/nagarjuna/harmonic/Smith%20-%20Eulers%20Tentamen.PDF|Leonhard Euler's Tentamen Novae Theoriae Musicae: A Translation and Commentary]]// . Indiana University, Ph.D., 1960 | Smith, Charles Samuel, //[[http://dav.ols16.com/nagarjuna/harmonic/Smith%20-%20Eulers%20Tentamen.PDF|Leonhard Euler's Tentamen Novae Theoriae Musicae: A Translation and Commentary]]// . Indiana University, Ph.D., 1960. | ||
Mandelbaum, Joel, [[http://www.anaphoria.com/mandelbaum.html|Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament]], Indiana University, Ph. D., 1961 | Mandelbaum, Joel, [[http://www.anaphoria.com/mandelbaum.html|Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament]], Indiana University, Ph. D., 1961. | ||
Adkins, Cecil Dale, //[[http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF|The Theory and Practice of the Monochord]] .// State University of Iowa, Ph.D., 1963 | Adkins, Cecil Dale, //[[http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF|The Theory and Practice of the Monochord]] .// State University of Iowa, Ph.D., 1963. | ||
Farhat, Hormoz, The Dastgah Concept in Persian Music. University of California, Los Angeles,, Ph. D., 1965 | Farhat, Hormoz, The Dastgah Concept in Persian Music. University of California, Los Angeles,, Ph. D., 1965. | ||
Green, Burdette Lamar, //[[http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF|The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music]]// . The Ohio State University, Ph.D., 1969 | Green, Burdette Lamar, //[[http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF|The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music]]// . The Ohio State University, Ph.D., 1969. | ||
Signell, Karl L, <span class="Z3988">The Turkish "makam" system in contemporary theory and practice. XXX, Ph. D., 1973</span> | Signell, Karl L, <span class="Z3988">The Turkish "makam" system in contemporary theory and practice. XXX, Ph. D., 1973.</span> | ||
Battan, Suzette Mary, [[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&versionNumber=1|Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]], University of Rochester, Ph. D., 1980 | Battan, Suzette Mary, [[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&versionNumber=1|Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]], University of Rochester, Ph. D., 1980. | ||
Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995. | Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995. | ||
Skinner. Myles, [[http://www.tierceron.com/diss/index.php|Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky]], Buffalo University, Ph. D., 2006 | Carey, Norman, A, Distribution Modulo 1 and Musical Scales. University of Rochester, Ph. D., 1998. | ||
Yarman, Ozan, [[http://www.ozanyarman.com/files/doctorate_thesis.pdf|79-Tone Tuning & Theory for Turkish Maqam Music]]. Istanbul Technical University, Ph. D., 2008 | Skinner. Myles, [[http://www.tierceron.com/diss/index.php|Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky]], Buffalo University, Ph. D., 2006. | ||
Pohlit, Stefan, [[http://stefanpohlit.com/dissertation.engl..htm|Julien Jalâl Ed-Dine Weiss: A Novel Tuning System for the Middle-Eastern Qanun]], Istanbul Technical University, Ph. D., 2011 | Yarman, Ozan, [[http://www.ozanyarman.com/files/doctorate_thesis.pdf|79-Tone Tuning & Theory for Turkish Maqam Music]]. Istanbul Technical University, Ph. D., 2008. | ||
Pohlit, Stefan, [[http://stefanpohlit.com/dissertation.engl..htm|Julien Jalâl Ed-Dine Weiss: A Novel Tuning System for the Middle-Eastern Qanun]], Istanbul Technical University, Ph. D., 2011. | |||
=__Books__= | =__Books__= | ||
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<!-- ws:start:WikiTextHeadingRule:2:&lt;h1&gt; --><h1 id="toc1"><a name="Dissertations"></a><!-- ws:end:WikiTextHeadingRule:2 --><u>Dissertations</u></h1> | <!-- ws:start:WikiTextHeadingRule:2:&lt;h1&gt; --><h1 id="toc1"><a name="Dissertations"></a><!-- ws:end:WikiTextHeadingRule:2 --><u>Dissertations</u></h1> | ||
<br /> | <br /> | ||
Smith, Charles Samuel, <em><a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Smith%20-%20Eulers%20Tentamen.PDF" rel="nofollow">Leonhard Euler's Tentamen Novae Theoriae Musicae: A Translation and Commentary</a></em> . Indiana University, Ph.D., 1960<br /> | Smith, Charles Samuel, <em><a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Smith%20-%20Eulers%20Tentamen.PDF" rel="nofollow">Leonhard Euler's Tentamen Novae Theoriae Musicae: A Translation and Commentary</a></em> . Indiana University, Ph.D., 1960.<br /> | ||
Mandelbaum, Joel, <a class="wiki_link_ext" href="http://www.anaphoria.com/mandelbaum.html" rel="nofollow">Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament</a>, Indiana University, Ph. D., 1961<br /> | Mandelbaum, Joel, <a class="wiki_link_ext" href="http://www.anaphoria.com/mandelbaum.html" rel="nofollow">Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament</a>, Indiana University, Ph. D., 1961.<br /> | ||
Adkins, Cecil Dale, <em><a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF" rel="nofollow">The Theory and Practice of the Monochord</a> .</em> State University of Iowa, Ph.D., 1963<br /> | Adkins, Cecil Dale, <em><a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF" rel="nofollow">The Theory and Practice of the Monochord</a> .</em> State University of Iowa, Ph.D., 1963.<br /> | ||
Farhat, Hormoz, The Dastgah Concept in Persian Music. University of California, Los Angeles,, Ph. D., 1965<br /> | Farhat, Hormoz, The Dastgah Concept in Persian Music. University of California, Los Angeles,, Ph. D., 1965.<br /> | ||
Green, Burdette Lamar, <em><a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF" rel="nofollow">The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music</a></em> . The Ohio State University, Ph.D., 1969<br /> | Green, Burdette Lamar, <em><a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF" rel="nofollow">The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music</a></em> . The Ohio State University, Ph.D., 1969.<br /> | ||
Signell, Karl L, <span class="Z3988">The Turkish &quot;makam&quot; system in contemporary theory and practice. XXX, Ph. D., 1973</span><br /> | Signell, Karl L, <span class="Z3988">The Turkish &quot;makam&quot; system in contemporary theory and practice. XXX, Ph. D., 1973.</span><br /> | ||
Battan, Suzette Mary, <a class="wiki_link_ext" href="https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;versionNumber=1" rel="nofollow">Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems</a>, University of Rochester, Ph. D., 1980<br /> | Battan, Suzette Mary, <a class="wiki_link_ext" href="https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;versionNumber=1" rel="nofollow">Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems</a>, University of Rochester, Ph. D., 1980.<br /> | ||
Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995.<br /> | Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995.<br /> | ||
Skinner. Myles, <a class="wiki_link_ext" href="http://www.tierceron.com/diss/index.php" rel="nofollow">Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky</a>, Buffalo University, Ph. D., 2006<br /> | Carey, Norman, A, Distribution Modulo 1 and Musical Scales. University of Rochester, Ph. D., 1998.<br /> | ||
Yarman, Ozan, <a class="wiki_link_ext" href="http://www.ozanyarman.com/files/doctorate_thesis.pdf" rel="nofollow">79-Tone Tuning &amp; Theory for Turkish Maqam Music</a>. Istanbul Technical University, Ph. D., 2008<br /> | Skinner. Myles, <a class="wiki_link_ext" href="http://www.tierceron.com/diss/index.php" rel="nofollow">Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky</a>, Buffalo University, Ph. D., 2006.<br /> | ||
Pohlit, Stefan, <a class="wiki_link_ext" href="http://stefanpohlit.com/dissertation.engl..htm" rel="nofollow">Julien Jalâl Ed-Dine Weiss: A Novel Tuning System for the Middle-Eastern Qanun</a>, Istanbul Technical University, Ph. D., 2011<br /> | Yarman, Ozan, <a class="wiki_link_ext" href="http://www.ozanyarman.com/files/doctorate_thesis.pdf" rel="nofollow">79-Tone Tuning &amp; Theory for Turkish Maqam Music</a>. Istanbul Technical University, Ph. D., 2008.<br /> | ||
Pohlit, Stefan, <a class="wiki_link_ext" href="http://stefanpohlit.com/dissertation.engl..htm" rel="nofollow">Julien Jalâl Ed-Dine Weiss: A Novel Tuning System for the Middle-Eastern Qanun</a>, Istanbul Technical University, Ph. D., 2011.<br /> | |||
<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:4:&lt;h1&gt; --><h1 id="toc2"><a name="Books"></a><!-- ws:end:WikiTextHeadingRule:4 --><u>Books</u></h1> | <!-- ws:start:WikiTextHeadingRule:4:&lt;h1&gt; --><h1 id="toc2"><a name="Books"></a><!-- ws:end:WikiTextHeadingRule:4 --><u>Books</u></h1> | ||