The Library: Difference between revisions

: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2018-01-10 15:08:06 UTC</tt>.<br>

: The original revision id was <tt>624695313</tt>.<br>

* Whaley, David Robert. [[https://www.researchgate.net/publication/36375527_The_microtonal_capability_of_the_horn_microform?_sg=b3UJaF_eSdScr3IkY4lvc8Cl7ZJPVluJjXXlbCIoDCsVaGsZUoEJ6VHHIY-mi1DTam52oWhky5cqZC8|//The Microtonal Capability of the Horn//]]. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.

&lt;ul&gt;&lt;li&gt;Smith, Charles Samuel, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Smith%20-%20Eulers%20Tentamen.PDF" rel="nofollow"&gt;Leonhard Euler's Tentamen Novae Theoriae Musicae: A Translation and Commentary&lt;/a&gt;&lt;/em&gt; . Indiana University, Ph.D., 1960.&lt;/li&gt;&lt;li&gt;Mandelbaum, Joel, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.anaphoria.com/mandelbaum.html" rel="nofollow"&gt;Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament&lt;/a&gt;&lt;/em&gt;, Indiana University, Ph.D., 1961.&lt;/li&gt;&lt;li&gt;Adkins, Cecil Dale, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF" rel="nofollow"&gt;The Theory and Practice of the Monochord&lt;/a&gt; .&lt;/em&gt; State University of Iowa, Ph.D., 1963.&lt;/li&gt;&lt;li&gt;Farhat, Hormoz, &lt;em&gt;The Dastgah Concept in Persian Music&lt;/em&gt;. University of California, Los Angeles,, Ph.D., 1965.&lt;/li&gt;&lt;li&gt;Green, Burdette Lamar, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF" rel="nofollow"&gt;The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music&lt;/a&gt;&lt;/em&gt; . The Ohio State University, Ph.D., 1969.&lt;/li&gt;&lt;li&gt;Signell, Karl L, &lt;span class="Z3988"&gt;&lt;em&gt;The Turkish &amp;quot;makam&amp;quot; system in contemporary theory and practice&lt;/em&gt;. XXX, Ph.D., 1973.&lt;/span&gt;&lt;/li&gt;&lt;li&gt;Whaley, David Robert. &lt;a class="wiki_link_ext" href="https://www.researchgate.net/publication/36375527_The_microtonal_capability_of_the_horn_microform?_sg=b3UJaF_eSdScr3IkY4lvc8Cl7ZJPVluJjXXlbCIoDCsVaGsZUoEJ6VHHIY-mi1DTam52oWhky5cqZC8" rel="nofollow"&gt;//The Microtonal Capability of the Horn//&lt;/a&gt;. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.&lt;/li&gt;&lt;li&gt;Battan, Suzette Mary, &lt;em&gt;&lt;a class="wiki_link_ext" href="https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;amp;versionNumber=1" rel="nofollow"&gt;Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems&lt;/a&gt;&lt;/em&gt;, University of Rochester, Ph.D., 1980.&lt;/li&gt;&lt;li&gt;Maltz, Richard Steven, &lt;a class="wiki_link_ext" href="https://www.researchgate.net/publication/35073444_Microtonal_techniques_in_Charles_Ives%27s_%27Three_quarter-tone_pieces_for_two_pianos_%27_Harry_Patch%27s_%27And_the_seventh_day_petals_fell_in_Petaluma%27_and_Ben_Johnston%27s_%27Fourth_string_quartet%27" rel="nofollow"&gt;Microtonal techniques in Charles Ives's 'Three quarter-tone pieces for two pianos, ' Harry Patch's 'And the seventh day petals fell in Petaluma', and Ben Johnston's 'Fourth string quartet'&lt;/a&gt;, University of South Carolina, Ph.D., 1991.&lt;/li&gt;&lt;li&gt;Ayers, Lydia, &lt;a class="wiki_link_ext" href="https://www.researchgate.net/publication/34958258_Exploring_microtonal_tunings_a_kaleidoscope_of_extended_just_tunings_and_their_compositional_applications" rel="nofollow"&gt;Exploring microtonal tunings : a kaleidoscope of extended just tunings and their compositional applications&lt;/a&gt;, University of Illinois at Urbana-Champaign, D.M.A thesis, 1994,&lt;/li&gt;&lt;li&gt;Djordjevic, Michael, L., &lt;em&gt;Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum&lt;/em&gt;. Radio Belgrade, Ph.D., 1995.&lt;/li&gt;&lt;li&gt;Kassel, Richard M., &lt;em&gt;The Evolution of Harry Partch's Monophony&lt;/em&gt;. CUNY, Ph.D., 1996.&lt;/li&gt;&lt;li&gt;Clampitt, David, &lt;em&gt;Pairwise Well-formed Scales: Structural and Transformational Properties&lt;/em&gt;. SUNY at Buffalo, Ph.D., 1997.&lt;/li&gt;&lt;li&gt;Carey, Norman A., &lt;em&gt;&lt;a class="wiki_link_ext" href="https://www.researchgate.net/publication/235712212_Distribution_modulo_1_and_musical_scales" rel="nofollow"&gt;Distribution Modulo 1 and Musical Scales&lt;/a&gt;&lt;/em&gt;. University of Rochester, Ph.D., 1998.&lt;/li&gt;&lt;li&gt;Douthett, Jack, &lt;em&gt;&lt;a class="wiki_link_ext" href="https://www.researchgate.net/publication/234262980_The_theory_of_maximally_and_minimally_even_sets_the_one-_dimensional_antiferromagnetic_Ising_model_and_the_continued_fraction_compromise_of_musical_scales" rel="nofollow"&gt;The Theory of Maximally and Minimally Even Sets, the One-Dimensional Antiferromagnetic Ising Model, and the Continued Fraction Compromise of Musical Scales&lt;/a&gt;&lt;/em&gt;. University of New Mexico, Ph.D., 1999.&lt;/li&gt;&lt;li&gt;Werntz, Julia Catherine, &lt;em&gt;Toward an understanding of expanded equal temperament (Joseph Maneri)&lt;/em&gt;. Brandeis University, Ph.D., 2000.&lt;/li&gt;&lt;li&gt;Quinn, Ian, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://canonsrythmiques.free.fr/gueststars/diss.pdf" rel="nofollow"&gt;A Unified Theory of Chord Quality in Equal Temperaments&lt;/a&gt;&lt;/em&gt;, Eastman School of Music, Ph.D., 2004.&lt;/li&gt;&lt;li&gt;Baker, Gene V. , &lt;a class="wiki_link_ext" href="https://www.researchgate.net/publication/35951304_The_name_of_Zeus_notions_of_trance_and_the_17-note_microtonal_Chancey?_sg=5zT2E0Kg9plvizwlhc4wdx_8gjpxSIqq8vOS5AAHANkleXHctHfkMRCmHRoT5mMlm1KCpQ6Rt57WIa0" rel="nofollow"&gt;The name of Zeus : notions of trance and the 17-note microtonal &amp;quot;Chancey&amp;quot;&lt;/a&gt;, Mills College, M.F.A thesis, 2004.&lt;/li&gt;&lt;li&gt;Telese, Marciano, &lt;a class="wiki_link_ext" href="https://www.researchgate.net/publication/317101330_Spectral_tuning_and_its_application_to_instrumental_and_vocal_composition" rel="nofollow"&gt;Spectral tuning and its application to instrumental and vocal composition&lt;/a&gt;, thesis, 2005.&lt;/li&gt;&lt;li&gt;Skinner. Myles, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.tierceron.com/diss/index.php" rel="nofollow"&gt;Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky&lt;/a&gt;&lt;/em&gt;, Buffalo University, Ph.D., 2006.&lt;/li&gt;&lt;li&gt;Ferrer, Rafael,&lt;em&gt;&lt;a class="wiki_link_ext" href="https://www.researchgate.net/publication/215646531_The_role_of_timbre_in_the_memorization_of_microtonal_intervals" rel="nofollow"&gt;The Role of Timbre in the Memorization of Microtonal Intervals&lt;/a&gt;, Tecnológico de Monterrey, Ph. D., 2007.&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Yarman, Ozan,&lt;/em&gt; &lt;a class="wiki_link_ext" href="http://www.ozanyarman.com/files/doctorate_thesis.pdf" rel="nofollow"&gt;79-Tone Tuning &amp;amp; Theory for Turkish Maqam Music&lt;/a&gt;&lt;em&gt;. Istanbul Technical University, Ph.D., 2008.&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Pohlit, Stefan,&lt;/em&gt; &lt;a class="wiki_link_ext" href="http://stefanpohlit.com/dissertation.engl..htm" rel="nofollow"&gt;Julien Jalâl Ed-Dine Weiss: A Novel Tuning System for the Middle-Eastern Qanun&lt;/a&gt;&lt;em&gt;, Istanbul Technical University, Ph.D., 2011.&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Ederer, Eric,&lt;/em&gt; &lt;a class="wiki_link_ext" href="http://www.ericederer.com/diss/diss.html" rel="nofollow"&gt;The Theory and Praxis of Makam in Classical Turkish Music 1910-2010&lt;/a&gt;&lt;em&gt;, University of California Santa Barbara, Ph.D., 2011.&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Heraty, Johanne Paula,&lt;/em&gt; &lt;a class="wiki_link_ext" href="http://www.ams-net.org/ddm/fullResult.php?id=15022" rel="nofollow"&gt;The Microtonal Music of Ezra Sims&lt;/a&gt;&lt;em&gt;, University College Dublin, Ph.D., 2011.&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Milne, Andrew J.,&lt;/em&gt; &lt;a class="wiki_link_ext" href="https://www.researchgate.net/publication/258121094_A_computational_model_of_the_cognition_of_tonality" rel="nofollow"&gt;A Computational Model for the Cognition of Tonality&lt;/a&gt;&lt;em&gt;, Western Sydney University, Ph.D., 2013.&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Burle, Jan,&lt;/em&gt; &lt;a class="wiki_link_ext" href="https://www.researchgate.net/publication/275654070_An_Application_of_Calculated_Consonance_in_Computer-Assisted_Microtonal_Music" rel="nofollow"&gt;An Application for the Calculated Consonance in Computer-Assisted Microtonal Music&lt;/a&gt;, Ph.D., 2013.&lt;/li&gt;&lt;li&gt;Hearne, Gareth, &lt;em&gt;&lt;a class="wiki_link_ext" href="https://www.facebook.com/l.php?u=https%3A%2F%2Fwww.dropbox.com%2Fs%2F8hp3421ne7tjnha%2FGareth%2520Hearne%2520Dissertation.pdf%3Fdl%3D0&amp;amp;h=TAQFNBDai" rel="nofollow"&gt;Towards a new model of microtonal music: The regular temperaments of 22TET&lt;/a&gt;&lt;/em&gt;, UWA School of Music, honors thesis dissertation, 2014.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;