1-3-5-9 hexany: Difference between revisions
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Suggested keyboard mapping: Start on C, using all white notes except the F. | Suggested keyboard mapping: Start on C, using all white notes except the F. | ||
== Expansions == | |||
As this is comprised entirely of simple 5-limit intervals, using one of those as an offset interval to produce a bihexany will produce a scale with less than 12 notes. While still usable, these 7 scales will not give you the greatest possible variety of options. | |||
* [[1-3-5-9 by 4/3 bihexany]] | |||
* [[1-3-5-9 by 6/5 bihexany]] | |||
* [[1-3-5-9 by 8/5 bihexany]] | |||
* [[1-3-5-9 by 10/9 bihexany]] | |||
* [[1-3-5-9 by 16/9 bihexany]] | |||
* [[1-3-5-9 by 16/15 bihexany]] | |||
* [[1-3-5-9 by 27/20 bihexany]] | |||
Instead, an interval that is either close to a tritone, or falls precisely between the cracks of the 12edo keyboard will give you the most harmonic and melodic utility. | |||
* [[1-3-5-9 by 7/5 bihexany]] | |||
* [[1-3-5-9 by 64/45 bihexany]] | |||
* [[1-3-5-9 by 17/12 bihexany]] | |||
* [[1-3-5-9 by 13/9 bihexany]] | |||
* [[1-3-5-9 by 11/9 bihexany]] | |||
Dekanies follow a similar pattern, with the extra four notes always forming a 1 9/8 5/4 3/2 tetrad, but its position related to the other 6 notes and number of overlaps varies widely. | |||
* [[1-3-5-7-9 dekany]] | |||
* [[1-3-5-9-11 dekany]] | |||
* [[1-3-5-9-13 dekany]] | |||
* [[1-3-5-9-15 dekany]] | |||
* [[1-3-5-9-17 dekany]] | |||
* [[1-3-5-9-19 dekany]] | |||
* [[1-3-5-9-21 dekany]] | |||
* [[1-3-5-9-23 dekany]] | |||
* [[1-3-5-9-25 dekany]] | |||
* [[1-3-5-9-27 dekany]] | |||
* [[1-3-5-9-45 dekany]] | |||
* [[1-3-5-9-81 dekany]] | |||
== Music == | == Music == | ||