User:Holger Stoltenberg/embed: Difference between revisions

Line 88:

~~'''WORK IN PROGRESS'''~~ Fig.8 shows four varieties of what I call a ''crossover (x-over)'' triad, all rooted at the same pitch of 0 cents. Crossover triads are neither diminished nor augmented. From a major point of view, x-over chords incorporate a flattened third and a raised fifth.

Fig.8 shows four varieties of what I call a ''crossover (x-over)'' triad, all rooted at the same pitch of 0 cents. Crossover triads are neither diminished nor augmented. From a major point of view, x-over chords incorporate a flattened third and a raised fifth.

[[File:Fig-8_tonal_space_867j_x-over_03.png|thumb|430px|right|Fig.8: Selection of 4 different ''crossover (x-over)'' triads.

Unlike minor or major chords, crossover triads are neither diminished nor augmented and do not incorporate a pure fifth.]]

Line 95:

!Play

|-

|~~mode26 min~~ (26:30:39) ||[[File:~~TS_min_L26_D_V01~~.mp3|80px]]

|mode17 x-over (17:20:26) ||[[File:TS_xover_L17-20-26_C++_V03.mp3|80px]]

|-

|~~mode16 min~~ (16:19:24) ||[[File:~~TS_min_L16_D_V01~~.mp3|80px]]

|mode14 x-over (14:17:22) ||[[File:TS_xover_L14-17-22_C++_V03.mp3|80px]]

|-

|~~mode12 min~~ (12:14:18) ||[[File:~~TS_min_L12_D_V01~~.mp3|80px]]

|mode11 x-over (11:13:17) ||[[File:TS_xover_L11-13-17_C++_V03.mp3|80px]]

|-

|~~mode10 min~~ (10:12:15) ||[[File:~~TS_min_L10_D_V01~~.mp3|80px]]

|mode9 x-over (9:11:14) ||[[File:TS_xover_L9-11-14_C++_V03.mp3|80px]]

|}

@@ Line 88: / Line 88: @@
 <br><br><br><br>
-'''WORK IN PROGRESS''' Fig.8 shows four varieties of what I call a ''crossover (x-over)'' triad, all rooted at the same pitch of 0 cents. Crossover triads are neither diminished nor augmented. From a major point of view, x-over chords incorporate a flattened third and a raised fifth. <br>
+Fig.8 shows four varieties of what I call a ''crossover (x-over)'' triad, all rooted at the same pitch of 0 cents. Crossover triads are neither diminished nor augmented. From a major point of view, x-over chords incorporate a flattened third and a raised fifth. <br>
 [[File:Fig-8_tonal_space_867j_x-over_03.png|thumb|430px|right|<u>Fig.8</u>: Selection of 4 different ''crossover (x-over)'' triads.<br>
 Unlike minor or major chords, crossover triads are neither diminished nor augmented and do not incorporate a pure fifth.]]
@@ Line 95: / Line 95: @@
 !Play
 |-
-|mode26 min (26:30:39)<br> ||[[File:TS_min_L26_D_V01.mp3|80px]]
+|mode17 x-over (17:20:26)<br> ||[[File:TS_xover_L17-20-26_C++_V03.mp3|80px]]
 |-
-|mode16 min (16:19:24)<br> ||[[File:TS_min_L16_D_V01.mp3|80px]]
+|mode14 x-over (14:17:22)<br> ||[[File:TS_xover_L14-17-22_C++_V03.mp3|80px]]
 |-
-|mode12 min (12:14:18)<br> ||[[File:TS_min_L12_D_V01.mp3|80px]]
+|mode11 x-over (11:13:17)<br> ||[[File:TS_xover_L11-13-17_C++_V03.mp3|80px]]
 |-
-|mode10 min (10:12:15)<br> ||[[File:TS_min_L10_D_V01.mp3|80px]]
+|mode9 x-over (9:11:14)<br> ||[[File:TS_xover_L9-11-14_C++_V03.mp3|80px]]
 |}
 <br>