User:Holger Stoltenberg/embed: Difference between revisions
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Audio embedding test III |
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'''Intonalism''' [9:12], '''Xenharmonic''' [10:46]|frame|start=552&end=721}} | '''Intonalism''' [9:12], '''Xenharmonic''' [10:46]|frame|start=552&end=721}} | ||
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Fig.5 shows a comparison of four augmented chords that sound quite different: | Fig.5 shows a comparison of four augmented chords that sound quite different: | ||
[[File:Fig-5 tonal space 753i aug.png|380px|right]] | [[File:Fig-5 tonal space 753i aug.png|thumb|380px|right|<u>Fig.5</u>: Selection of different augmented chords]] | ||
Listen to the following four audio examples... | Listen to the following four audio examples... | ||
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|...an inserted <br>''intermediary chord'' <br>on the 2nd beat||[[File:Audio2_tonal_space_I-min+I-augmin+IV-min.mp3|72px]]||<math>I</math>min, <math>I</math>xen-augmin, <math>IV</math>min, <br><math>IV</math>min, <math>I</math>min ... <small>''(2 times)''</small> | |...an inserted <br>''intermediary chord'' <br>on the 2nd beat||[[File:Audio2_tonal_space_I-min+I-augmin+IV-min.mp3|72px]]||<math>I</math>min, <math>I</math>xen-augmin, <math>IV</math>min, <br><math>IV</math>min, <math>I</math>min ... <small>''(2 times)''</small> | ||
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Revision as of 17:33, 12 January 2026
** This page is used to check out the embedding of media **
The fret marks guide the player to 12edo intervals, while the intervals between the strings are often tuned differently (i.e. just intervals, meantone tuning, various best-practice tunings)
Audio only
Link to Wikipedia source
Link with single brackets: steelguitar
_used_in_playing_steel_guitar.jpg)
- ↑ Video 1 - Webressource and licensing:
DaveB11th, CC BY 4.0 , via Wikimedia Commons
The original video is 3:14 minutes long. For demonstration purposes, an excerpt from 0:01 to 01:55 is shown here. - ↑ Eagledj, CC BY-SA 4.0 , via Wikimedia Commons
_used_in_playing_steel_guitar.jpg){kind=link}
7 Levels of Jazz Harmony
Neely-intonalism
In 2020 music educator Adam Neely picked up the term intonalism and used it in his Seven Levels of Jazz Harmony, with a somewhat different and rather ambiguous intent, where he seemed to describe the use of a tempered scale (often 12edo) for the lead melody of a piece. The current melody note at any given point in time is then treated as a reference pitch, and the current backing chord uses pure just intonation, tuned relative to the current reference pitch. In a sense this is an inverse form of adaptive just intonation where the bass line adjusts to a tempered scale and the melody and harmony notes tune to it.
To distinguish this form of intonalism from the other, you could call it Neely-intonalism.[idiosyncratic term]
Intonalism [9:12], Xenharmonic [10:46]
Fig.5 shows a comparison of four augmented chords that sound quite different:
Listen to the following four audio examples...
Listen to Control Info ...a sequence of five
beatless minor chords[math]\displaystyle{ I }[/math]min, [math]\displaystyle{ I }[/math]min, [math]\displaystyle{ IV }[/math]min,
[math]\displaystyle{ IV }[/math]min, [math]\displaystyle{ I }[/math]min...an inserted
intermediary chord
on the 2nd beat[math]\displaystyle{ I }[/math]min, [math]\displaystyle{ I }[/math]xen-augmin, [math]\displaystyle{ IV }[/math]min,
[math]\displaystyle{ IV }[/math]min, [math]\displaystyle{ I }[/math]min ... (2 times)