4:6:7:9: Difference between revisions
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added 6:7:8:9 to see also |
removed "condensed" -- that refers to octave-reducing each step interval, often sorely needed for the all-odd voicing, e.g. 1:3:7 -> 4:6:7. "condensed" when applied to a random voicing just means no step interval > 2/1, which is extremely common and not noteworthy. I think what you meant is 6:7:8:9 is a close voicing, but all these chords are presented in a close voicing, so that's redundant. |
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* [[4:5:6:9]] | * [[4:5:6:9]] | ||
* [[4:5:7:9]] | * [[4:5:7:9]] | ||
* [[6:7:8:9]] | * [[6:7:8:9]] | ||
{{stub}} | {{stub}} | ||
Revision as of 20:11, 4 December 2025
| Chord information |
har-9 no-3 or h9no3
sus-2 zo-7 or 2,z7
4:6:7:9 can be thought of as either a thirdless dom ninth chord or a sus-2 dom seventh chord, especially if voiced 8:9:12:14.
See also
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