User:Aura/Aura's introduction to 159edo: Difference between revisions
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| This tetrad is likely to decompose into a voicing variation on the corresponding triad if the same scale degree is used as a chord root multiple times in a row | | This tetrad is likely to decompose into a voicing variation on the corresponding triad if the same scale degree is used as a chord root multiple times in a row | ||
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With the above scale steps and chords, this variation of Phrygian in 159edo actually presents unexpected possibilities compared to its more traditional counterpart. | |||
==== Lydian ==== | |||
This mode is optimized for 5-limit using a variation on the right-handed Zarlino diatonic scale. | |||
{| class="mw-collapsible mw-collapsed wikitable center-1" | |||
|+ style="font-size: 105%; white-space: nowrap;" | Table of Ionian notes and intervals | |||
|- | |||
! Interval Name | |||
! Notation (from D) | |||
! Steps from Tonic | |||
! Function | |||
! Corresponding JI | |||
|- | |||
| Perfect Unison | |||
| D | |||
| 0 | |||
| Tonic | |||
| [[1/1]] | |||
|- | |||
| Pythagorean Major Second | |||
| E | |||
| 27 | |||
| Supertonic (Bidominant) | |||
| [[9/8]] | |||
|- | |||
| Ptolemaic Major Third | |||
| F#↓ | |||
| 51 | |||
| Mesodistomediant | |||
| [[5/4]] | |||
|- | |||
| Perfect Fourth | |||
| G#↓ | |||
| 78 | |||
| Antitonic (Sycophant) | |||
| [[45/32]] | |||
|- | |||
| Perfect Fifth | |||
| A | |||
| 93 | |||
| Dominant | |||
| [[3/2]] | |||
|- | |||
| Pythagorean Major Sixth | |||
| B | |||
| 120 | |||
| Proximocontramediant (Tridominant) | |||
| [[27/16]] | |||
|- | |||
| Ptolemaic Major Seventh | |||
| C#↓ | |||
| 144 | |||
| Distosubcollocant | |||
| [[15/8]] | |||
|- | |||
| Perfect Octave | |||
| D | |||
| 159 | |||
| Tonic | |||
| [[2/1]] | |||
|} | |||
As a consequence of this particular scale structure, you have the following basic chords... | |||