4:5:7: Difference between revisions

Revision as of 15:19, 9 November 2025

4:5:7 is a 7-limit chord found as a subset of the harmonic seventh chord, 4:5:6:7. It is used as a tuning target for the Italian augmented sixth chord in septimal meantone.

4:5:7 "Root position"

5:7:8 "1st inversion"

7:8:10 "2nd inversion"

Chords related to this triad (5-limit except where noted):

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 {{Infobox Chord|ColorName=yo zo-7 no-5 or y,z7no5, har-7 no-5 or h7no5}}
-'''4:5:7''' is a 7-limit chord found as a subset of the harmonic seventh chord, [[4:5:6:7]]. It is used as a tuning target for the [[Italian sixth chord]] in [[septimal meantone]].
+'''4:5:7''' is a 7-limit chord found as a subset of the harmonic seventh chord, [[4:5:6:7]]. It is used as a tuning target for the [[Italian sixth chord|Italian augmented sixth chord]] in [[septimal meantone]].
+== <span data-darkreader-inline-color="">Rotations around the octave</span> ==
+[[File:SculpEufaDem4-5-7-onD.mp3|none|thumb|4:5:7 "Root position"]]
+[[File:SculpEufaDem5-7-8-onD.mp3|none|thumb|5:7:8 "1st inversion"]]
+[[File:SculpEufaDem7-8-10-onD.mp3|none|thumb|7:8:10 "2nd inversion"]]
+== Related chords ==
+Chords related to this triad (5-limit except where noted):
+* 4:7:10 - open voicing
+* [[4:6:7]] - no fives version
+* [[4:5:6:7]] - full tetrad
 [[Category:Italian sixth chords|#]]
-{{stub}}