16/15: Difference between revisions
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== Approximation == | == Approximation == | ||
16/15 is very accurately approximated by [[43edo]] (4\43). | 16/15 is very accurately approximated by [[43edo]] (4\43). | ||
{{Interval_Edo_Approximation|16/15}} | |||
== Temperaments == | == Temperaments == | ||
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Some [[11th-octave temperaments]] treat ~16/15 as the period, including [[hendecatonic]]. | Some [[11th-octave temperaments]] treat ~16/15 as the period, including [[hendecatonic]]. | ||
== See also == | == See also == | ||
Revision as of 05:55, 3 November 2025
| Interval information |
classic(al) diatonic semitone,
ptolemaic diatonic semitone
reduced,
reduced subharmonic
S6⋅S7⋅S8
[sound info]
The 5-limit superparticular interval 16/15 is the just diatonic semitone, classic(al) diatonic semitone or ptolemaic diatonic semitone[1].
It is the difference between:
- the major second 9/8 and the minor third 6/5;
- the major third 5/4 and the fourth 4/3;
- the perfect fifth 3/2 and the minor sixth 8/5;
- the major sixth 5/3 and the minor seventh 16/9;
- the major seventh 15/8 and the perfect octave 2/1.
Approximation
16/15 is very accurately approximated by 43edo (4\43).
| Edo | Step size | Cents (¢) | Absolute error (¢) | Relative error (%) |
|---|---|---|---|---|
| 10 | 1\10 | 120.00 | +8.27 | +6.89 |
| 11 | 1\11 | 109.09 | -2.64 | -2.42 |
| 21 | 2\21 | 114.29 | +2.55 | +4.47 |
| 22 | 2\22 | 109.09 | -2.64 | -4.84 |
| 32 | 3\32 | 112.50 | +0.77 | +2.05 |
| 33 | 3\33 | 109.09 | -2.64 | -7.26 |
| 42 | 4\42 | 114.29 | +2.55 | +8.94 |
| 43 | 4\43 | 111.63 | -0.10 | -0.37 |
| 44 | 4\44 | 109.09 | -2.64 | -9.68 |
| 53 | 5\53 | 113.21 | +1.48 | +6.52 |
| 54 | 5\54 | 111.11 | -0.62 | -2.79 |
| 64 | 6\64 | 112.50 | +0.77 | +4.10 |
| 65 | 6\65 | 110.77 | -0.96 | -5.21 |
| 75 | 7\75 | 112.00 | +0.27 | +1.68 |
| 76 | 7\76 | 110.53 | -1.20 | -7.63 |
Temperaments
When this ratio is taken as a comma to be tempered out, it produces father temperament, and lends itself the name father comma. In this exotemperament, 4/3 and 5/4 are equated, and major thirds and fifths become octave complements of each other. It is a Mersenne comma.
The following linear temperaments are generated by a ~16/15:
In addition, this fractional-octave temperaments are generated by a ~16/15:
Some 11th-octave temperaments treat ~16/15 as the period, including hendecatonic.
See also
- 15/8 – its octave complement
- 45/32 – its fifth complement
- 5/4 – its fourth complement
- 256/243 – the Pythagorean (3-limit) diatonic semitone
- Gallery of just intervals
- List of superparticular intervals
