Mohajira: Difference between revisions
Wikispaces>cookiemeows **Imported revision 519125874 - Original comment: ** |
Wikispaces>cookiemeows **Imported revision 519135164 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:cookiemeows|cookiemeows]] and made on <tt>2014-08-20 | : This revision was by author [[User:cookiemeows|cookiemeows]] and made on <tt>2014-08-20 22:22:11 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>519135164</tt>.<br> | ||
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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[[image:altered mohajira levels.PNG]] | [[image:altered mohajira levels.PNG]] | ||
==Modes of various Mohajira MOS and MODmos.== | |||
... | |||
=Harmonization of Mohajira= | =Harmonization of Mohajira= | ||
While the structure of mohajra[7] may seem similar to the shape of meantone, because of there being only one size of thirds, it's better to harmonize the scale | While the structure of mohajra[7] may seem similar to the shape of meantone, because of there being only one size of thirds, it's better to harmonize the scale | ||
with a combination of various voicings of 1-5-7-4 and 1-5-7-3 as well as other combinations of chords such as quartal tetrads. The Rast scales generally have more variety as they contain major and minor thirds as well as neutral thirds. | with a combination of various voicings of 1-5-7-4 and 1-5-7-3 as well as other combinations of chords such as quartal tetrads. The Rast scales generally have more variety as they contain major and minor thirds as well as neutral thirds. | ||
To introduce more interest into harmony involving mohajira, a 10 note Mos can be used to incorporate various synthetic versions of traditional turkish and middle eastern scales. | To introduce more interest into harmony involving mohajira, a 10 note Mos can be used to incorporate various synthetic versions of traditional turkish and middle eastern scales. | ||
The intervals of Mohajira and Neutral harmony work in an almost reverse manner from meantone. The most consonant is 3/2 and 4/3 followed by 11/6, 11/9 and 11/8. In context of a chord with a perfect fifth, 11/9's tend to produce a rather rough chord that sounds good in many context but is quite rough as a tonic chord. It can be good to think of the neutral seventh 11/6 and 3/2 as the base intervals of a chord with 11/8 and 4/3 acting almost in an analogous way to the major and minor third in meantone. This is why 11/8 can be called the major fourth in 24 ET. | The intervals of Mohajira and Neutral harmony work in an almost reverse manner from meantone. The most consonant is 3/2 and 4/3 followed by 11/6, 11/9 and 11/8. In context of a chord with a perfect fifth, 11/9's tend to produce a rather rough chord that sounds good in many context but is quite rough as a tonic chord. It can be good to think of the neutral seventh 11/6 and 3/2 as the base intervals of a chord with 11/8 and 4/3 acting almost in an analogous way to the major and minor third in meantone. This is why 11/8 can be called the major fourth in 24 ET. | ||
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<!-- ws:start:WikiTextHeadingRule:8:&lt;h2&gt; --><h2 id="toc4"><a name="Modes and MOS-Level 3 - Meantone by 3 alterations"></a><!-- ws:end:WikiTextHeadingRule:8 -->Level 3 - Meantone by 3 alterations</h2> | <!-- ws:start:WikiTextHeadingRule:8:&lt;h2&gt; --><h2 id="toc4"><a name="Modes and MOS-Level 3 - Meantone by 3 alterations"></a><!-- ws:end:WikiTextHeadingRule:8 -->Level 3 - Meantone by 3 alterations</h2> | ||
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<!-- ws:start:WikiTextLocalImageRule: | <!-- ws:start:WikiTextLocalImageRule:14:&lt;img src=&quot;/file/view/altered%20mohajira%20levels.PNG/519036492/altered%20mohajira%20levels.PNG&quot; alt=&quot;&quot; title=&quot;&quot; /&gt; --><img src="/file/view/altered%20mohajira%20levels.PNG/519036492/altered%20mohajira%20levels.PNG" alt="altered mohajira levels.PNG" title="altered mohajira levels.PNG" /><!-- ws:end:WikiTextLocalImageRule:14 --><br /> | ||
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<!-- ws:start:WikiTextHeadingRule:10:&lt;h2&gt; --><h2 id="toc5"><a name="Modes and MOS-Modes of various Mohajira MOS and MODmos."></a><!-- ws:end:WikiTextHeadingRule:10 -->Modes of various Mohajira MOS and MODmos.</h2> | |||
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<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule: | <!-- ws:start:WikiTextHeadingRule:12:&lt;h1&gt; --><h1 id="toc6"><a name="Harmonization of Mohajira"></a><!-- ws:end:WikiTextHeadingRule:12 -->Harmonization of Mohajira</h1> | ||
While the structure of mohajra[7] may seem similar to the shape of meantone, because of there being only one size of thirds, it's better to harmonize the scale<br /> | While the structure of mohajra[7] may seem similar to the shape of meantone, because of there being only one size of thirds, it's better to harmonize the scale<br /> | ||
with a combination of various voicings of 1-5-7-4 and 1-5-7-3 as well as other combinations of chords such as quartal tetrads. The Rast scales generally have more variety as they contain major and minor thirds as well as neutral thirds. <br /> | with a combination of various voicings of 1-5-7-4 and 1-5-7-3 as well as other combinations of chords such as quartal tetrads. The Rast scales generally have more variety as they contain major and minor thirds as well as neutral thirds.<br /> | ||
<br /> | <br /> | ||
To introduce more interest into harmony involving mohajira, a 10 note Mos can be used to incorporate various synthetic versions of traditional turkish and middle eastern scales. <br /> | To introduce more interest into harmony involving mohajira, a 10 note Mos can be used to incorporate various synthetic versions of traditional turkish and middle eastern scales.<br /> | ||
<br /> | <br /> | ||
The intervals of Mohajira and Neutral harmony work in an almost reverse manner from meantone. The most consonant is 3/2 and 4/3 followed by 11/6, 11/9 and 11/8. In context of a chord with a perfect fifth, 11/9's tend to produce a rather rough chord that sounds good in many context but is quite rough as a tonic chord. It can be good to think of the neutral seventh 11/6 and 3/2 as the base intervals of a chord with 11/8 and 4/3 acting almost in an analogous way to the major and minor third in meantone. This is why 11/8 can be called the major fourth in 24 ET.<br /> | The intervals of Mohajira and Neutral harmony work in an almost reverse manner from meantone. The most consonant is 3/2 and 4/3 followed by 11/6, 11/9 and 11/8. In context of a chord with a perfect fifth, 11/9's tend to produce a rather rough chord that sounds good in many context but is quite rough as a tonic chord. It can be good to think of the neutral seventh 11/6 and 3/2 as the base intervals of a chord with 11/8 and 4/3 acting almost in an analogous way to the major and minor third in meantone. This is why 11/8 can be called the major fourth in 24 ET.<br /> | ||
<br /> | <br /> | ||
See also <a class="wiki_link" href="/Meantone%20family#Mohajira">Meantone family</a>.</body></html></pre></div> | See also <a class="wiki_link" href="/Meantone%20family#Mohajira">Meantone family</a>.</body></html></pre></div> | ||