Lumatone mapping for 68edo: Difference between revisions
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== Diatonic == | == Diatonic == | ||
You can use the b val, but it is very flat. On the plus side, the patent 5th is directly above the flat one, so you can also use this mapping as a split-chroma relative of [[tetracot]] that requires larger vertical stretches to hit familiar chords. | You can use the b val, but it is very flat. On the plus side, the patent 5th is directly above the flat one, so you can also use this mapping as a split-chroma relative of [[tetracot]] that requires larger vertical stretches to hit familiar chords. | ||
{{Lumatone EDO mapping|n=68|start= | {{Lumatone EDO mapping|n=68|start=52|xstep=10|ystep=-1}} | ||
== Diaschismic == | == Diaschismic == | ||
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=== Quadrasruta === | === Quadrasruta === | ||
Another option is the [[8L 2s]] [[Quadrasruta]] mapping, which gives you more than three octaves with no missed notes and only a mild upward octave slant. | Another option is the [[8L 2s]] [[Quadrasruta]] mapping, which gives you more than three octaves with no missed notes and only a mild upward octave slant, making all harmonics except for the 11th & 19th easy to play together. | ||
{{Lumatone EDO mapping|n=68|start=53|xstep=7|ystep=-1}} | {{Lumatone EDO mapping|n=68|start=53|xstep=7|ystep=-1}} | ||
== Antidiatonic == | == Antidiatonic == | ||
To give you a little more range while keeping octaves fairly near horizontal, the [[2L 7s]] mapping generated by 31/68 works decently, especially if you favor using the 11th harmonic in compositions. | To give you a little more range while keeping octaves fairly near horizontal, the [[2L 7s]] mapping generated by 31/68 works decently, especially if you favor using the 11th harmonic in compositions. | ||
{{Lumatone EDO mapping|n=68|start= | {{Lumatone EDO mapping|n=68|start=57|xstep=6|ystep=7}} | ||
{{Navbox Lumatone}} | {{Navbox Lumatone}} | ||