Frameshift comma: Difference between revisions
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== Frameshift cadence == | == Frameshift cadence == | ||
The name of the frameshift comma is even more appropriate in light of the fact that when one tempers out this comma, one can move stepwise to 11/8 though a series of four motions by the apotome and one motion by [[128/121]]- all rather typical-sounding semitone-based motions- with this gesture forming the basis of what has since been dubbed the '''frameshift cadence'''- a cadence which shifts a listener's perception of pitch relations such that a modulation to 11/8 sounds in tune. | The name of the frameshift comma is even more appropriate in light of the fact that when one tempers out this comma, one can move stepwise to 11/8 though a series of four motions by the apotome and one motion by [[128/121]]- all rather typical-sounding semitone-based motions- with this gesture forming the basis of what has since been dubbed the '''frameshift cadence'''- a cadence which shifts a listener's perception of pitch relations such that a modulation to 11/8 sounds in tune. [[Category:Chord progressions]] | ||
[[File:Frameshift Cadence.mp3|thumb|Sample of the Frameshift cadence as it appears in [[159edo]].]] | [[File:Frameshift Cadence.mp3|thumb|Sample of the Frameshift cadence as it appears in [[159edo]].]] | ||