Extraclassical tonality: Difference between revisions
No edit summary |
No edit summary |
||
| Line 27: | Line 27: | ||
This creates an interesting, subtle ambiguous flavor, but what's even more interesting is that the two triads still sound distinct enough to be considered separate and being played together causes a lack of resolution. This also generates the possibility that both arto and tendo chords can be used in a progression on the same root without going outside of the scale. Likewise, a melody on a tendo chord can play notes of the arto chord of the same root. | This creates an interesting, subtle ambiguous flavor, but what's even more interesting is that the two triads still sound distinct enough to be considered separate and being played together causes a lack of resolution. This also generates the possibility that both arto and tendo chords can be used in a progression on the same root without going outside of the scale. Likewise, a melody on a tendo chord can play notes of the arto chord of the same root. | ||
This property of arto and tendo chords is a major contributing factor to the "omniconsonant" property of [[5edo]]. | |||
== Use cases == | == Use cases == | ||