15edo: Difference between revisions
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This gives 15edo a whole new set of pitch symmetries and modes of limited transposition. Coupled with the lack of a [[5L 2s|5L 2s diatonic scale]] and of a standard tritone, this tuning can be disorienting at first. Nonetheless, 15edo is notable for being the next-smallest edo after 9edo, 12edo and 14edo that contains recognizable major and minor triads. Under a stricter definition excluding 9edo and 14edo, this is a property noted in the works of theorists like [[Ivor Darreg]] and [[Easley Blackwood]]. In addition, because the guitar can be tuned symmetrically, from E to e (6th to 1st strings) unlike the 12-tone system on guitars, the learning curve is very manageable. All chords look the same modulated anywhere, and minor arpeggios are vertically stacked, making them very easy to play. 15-tone may be a promising start for anyone interested in xenharmony, due to its manageable number of tones and for containing the relatively popular 5edo. | This gives 15edo a whole new set of pitch symmetries and modes of limited transposition. Coupled with the lack of a [[5L 2s|5L 2s diatonic scale]] and of a standard tritone, this tuning can be disorienting at first. Nonetheless, 15edo is notable for being the next-smallest edo after 9edo, 12edo and 14edo that contains recognizable major and minor triads. Under a stricter definition excluding 9edo and 14edo, this is a property noted in the works of theorists like [[Ivor Darreg]] and [[Easley Blackwood]]. In addition, because the guitar can be tuned symmetrically, from E to e (6th to 1st strings) unlike the 12-tone system on guitars, the learning curve is very manageable. All chords look the same modulated anywhere, and minor arpeggios are vertically stacked, making them very easy to play. 15-tone may be a promising start for anyone interested in xenharmony, due to its manageable number of tones and for containing the relatively popular 5edo. | ||
A possible analogue to the diatonic scale in 15edo is the [[Zarlino]] diatonic, which flattens one fifth to a large tritone in order to make all 7 notes distinct (and close to corresponding JI intervals, especially if you use the left-handed version). The fact that 15edo supports [[porcupine]] temperament is equivalent to the fact that both accidentals generally required to notate zarlino collapse to a single chromatic step. For a moment-of-symmetry scale, the [[1L 6s]] (onyx) and [[5L 5s]] (blackwood) scales are also an option. | A possible analogue to the diatonic scale in 15edo is the [[Zarlino]] diatonic, which flattens one fifth to a large tritone in order to make all 7 notes distinct (and close to corresponding JI intervals, especially if you use the left-handed version). The fact that 15edo supports [[porcupine]] temperament is equivalent to the fact that both accidentals generally required to notate zarlino collapse to a single chromatic step. For a moment-of-symmetry scale, the [[1L 6s]] (onyx) and [[5L 5s]] (blackwood) scales are also an option. | ||
15edo is also the second-smallest edo (after [[10edo]]) that maintains [[minimal consistent EDOs|25% or lower relative error]] on all of the first eight harmonics of the [[harmonic series]]. | 15edo is also the second-smallest edo (after [[10edo]]) that maintains [[minimal consistent EDOs|25% or lower relative error]] on all of the first eight harmonics of the [[harmonic series]]. |