User:Aura/Aura's introduction to 159edo: Difference between revisions

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| 1/(32:45:64)
| 1/(32:45:64)
| This trine is very common as a basis for diminished chords
| This trine is very common as a basis for diminished chords
|-
| Subagallic
| D, G↑, D
| 0, 69, 0
| 20:27:40
| This dissonant trine is very likely to show up in non-meantone diatonic contexts
|-
| Supradusthumic
| D, A↓, D
| 0, 90, 0
| 1/(20:27:40)
| This dissonant trine is very likely to show up in non-meantone diatonic contexts
|}
|}


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| 10:12:15:18
| 10:12:15:18
| This tetrad is likely to decompose into a voicing variation on the corresponding triad if the same scale degree is used as a chord root multiple times in a row
| This tetrad is likely to decompose into a voicing variation on the corresponding triad if the same scale degree is used as a chord root multiple times in a row
|-
| Pythagorean Minor Seventh
| D, F, A, C
| 0, 39, 93, 132
| II
| 54:64:81:96
| This dissonant tetrad is common in 3-limit music, but still has a role to play in 5-limit music
|-
|-
| Pythagorean Major with Ptolemaic Major Seventh
| Pythagorean Major with Ptolemaic Major Seventh
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| IV
| IV
| 64:81:96:120
| 64:81:96:120
|  
| This dissonant tetrad is an unconventional servient (subdominant) seventh for 5-limit music, and is one of a few diatonic tetrads to feature a wolf fifth
|-
|-
| Ptolemaic Dominant Seventh
| Ptolemaic Dominant Seventh
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| VI
| VI
| 54:32:40:48
| 54:32:40:48
|
| This dissonant tetrad is one of a few diatonic tetrads to feature a wolf fifth
|-
|-
|
| D, F↑, Ab↑, C↑
| 0, 42, 81, 135
| VII
| 45:54:64:81
| This dissonant triad is an unexpected option for imperfect half cadences in the 5-limit
|-
|}
|}