15edo/Interval names: Difference between revisions
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m the visual editor on phone is B.S. |
the visual editor on PC is slightly less B. S. |
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Line 6: | Line 6: | ||
! Steps | ! Steps | ||
! Cents | ! Cents | ||
! | !Vector's interval names | ||
! [http://musictheory.zentral.zone/huntsystem4.html Aaron's Answer] | ! [http://musictheory.zentral.zone/huntsystem4.html Aaron's Answer] | ||
! [[Extra-Diatonic Intervals|Igs' Input]] | ! [[Extra-Diatonic Intervals|Igs' Input]] | ||
Line 20: | Line 20: | ||
| 0 | | 0 | ||
| 0 | | 0 | ||
| | |unison | ||
| P1 | | P1 | ||
| Unison | | Unison | ||
Line 34: | Line 34: | ||
| 1 | | 1 | ||
| 80 | | 80 | ||
| | |semitone | ||
| m2 | | m2 | ||
| Subminor 2nd | | Subminor 2nd | ||
Line 48: | Line 48: | ||
| 2 | | 2 | ||
| 160 | | 160 | ||
| | |minor tone | ||
| NM2 (Narrow M2) | | NM2 (Narrow M2) | ||
| Neutral 2nd | | Neutral 2nd | ||
Line 62: | Line 62: | ||
| 3 | | 3 | ||
| 240 | | 240 | ||
| | |major tone, wolf third | ||
| LM2 | | LM2 | ||
| Supermajor 2nd | | Supermajor 2nd | ||
Line 76: | Line 76: | ||
| 4 | | 4 | ||
| 320 | | 320 | ||
| | |minor third | ||
| Lm3 | | Lm3 | ||
| Minor 3rd | | Minor 3rd | ||
Line 90: | Line 90: | ||
| 5 | | 5 | ||
| 400 | | 400 | ||
| | |major third | ||
| M3 | | M3 | ||
| Major 3rd | | Major 3rd | ||
Line 104: | Line 104: | ||
| 6 | | 6 | ||
| 480 | | 480 | ||
| | |perfect fourth | ||
| S4 (Small 4) | | S4 (Small 4) | ||
| Sub 4th | | Sub 4th | ||
Line 118: | Line 118: | ||
| 7 | | 7 | ||
| 560 | | 560 | ||
| | |wolf fourth, diminished fifth, narrow tritone | ||
| Na4/Sd5 | | Na4/Sd5 | ||
| Narrow Tritone | | Narrow Tritone | ||
Line 132: | Line 132: | ||
| 8 | | 8 | ||
| 640 | | 640 | ||
| | |wolf fifth, augmented fourth, wide tritone | ||
| La4/Wd5 | | La4/Wd5 | ||
| Wide Tritone | | Wide Tritone | ||
Line 146: | Line 146: | ||
| 9 | | 9 | ||
| 720 | | 720 | ||
| | |perfect fifth | ||
| L5 | | L5 | ||
| Super 5th | | Super 5th | ||
Line 160: | Line 160: | ||
| 10 | | 10 | ||
| 800 | | 800 | ||
| | |minor sixth | ||
| m6 | | m6 | ||
| Minor 6th | | Minor 6th | ||
Line 174: | Line 174: | ||
| 11 | | 11 | ||
| 880 | | 880 | ||
| | |major sixth | ||
| SM6 | | SM6 | ||
| Major 6th | | Major 6th | ||
Line 188: | Line 188: | ||
| 12 | | 12 | ||
| 960 | | 960 | ||
| | |harmonic seventh, wolf sixth | ||
| SM7 | | SM7 | ||
| Subminor 7th | | Subminor 7th | ||
Line 202: | Line 202: | ||
| 13 | | 13 | ||
| 1040 | | 1040 | ||
| | |minor seventh | ||
| Wm7 | | Wm7 | ||
| Neutral 7th | | Neutral 7th | ||
Line 216: | Line 216: | ||
| 14 | | 14 | ||
| 1120 | | 1120 | ||
| | |major seventh | ||
| M7 | | M7 | ||
| Supermajor 7th | | Supermajor 7th | ||
Line 230: | Line 230: | ||
| 15 | | 15 | ||
| 1200 | | 1200 | ||
| | |octave | ||
| P8 | | P8 | ||
| Octave | | Octave |
Revision as of 08:12, 16 April 2025
If you haven't made an interval naming system yet, make one and add a column when you finish your notation system!
Steps | Cents | Vector's interval names | Aaron's Answer | Igs' Input | Keenan Category | Margo's Method | Piotr Grochowski | SagiSpeak | Ups and Downs | Lilly's List | Ordway's Order | Ratios |
---|---|---|---|---|---|---|---|---|---|---|---|---|
0 | 0 | unison | P1 | Unison | P1 | Unison | unison | P1 | P1, m2 | P1 | P1 | 1/1 |
1 | 80 | semitone | m2 | Subminor 2nd | mi2 | Minor 2nd | augmented unison | pai-P1 | ^1, ^m2 | K1 | m2 | 25/24, 21/20, 16/15, 22/21 |
2 | 160 | minor tone | NM2 (Narrow M2) | Neutral 2nd | Mi2 | Large Neutral 2nd | high neutral second | pao-M2 | vM2 | kM2 | M2 | 11/10, 12/11, 10/9 |
3 | 240 | major tone, wolf third | LM2 | Supermajor 2nd | Ai2/di3 | Large Major 2nd | second–third | M2 | M2, m3 | SM2/sm3 | S2/s3 | 8/7, 7/6, 9/8 |
4 | 320 | minor third | Lm3 | Minor 3rd | mi3 | Large Minor 3rd | minor third | pai-m3 | ^m3 | Km3 | m3 | 6/5, 11/9 |
5 | 400 | major third | M3 | Major 3rd | Mi3 | Major 3rd | major third | pao-M3 | vM3 | kM3 | M3 | 5/4, 14/11 |
6 | 480 | perfect fourth | S4 (Small 4) | Sub 4th | P4 | Small Perfect 4th | low fourth | P4 | M3, P4, d5 | SM3/s4 | P4 | 4/3, 9/7, 21/16 |
7 | 560 | wolf fourth, diminished fifth, narrow tritone | Na4/Sd5 | Narrow Tritone | Ai4 | Small Tritone | low augmented fourth | pai-P4 | ^4, ^d5 | K4 | m4 | 11/8, 7/5 |
8 | 640 | wolf fifth, augmented fourth, wide tritone | La4/Wd5 | Wide Tritone | di5 | Large Tritone | high diminished fifth | pao-P5 | vA4, v5 | k5 | M5 | 16/11, 10/7 |
9 | 720 | perfect fifth | L5 | Super 5th | P5 | Large Perfect 5th | high fifth | P5 | A4, P5, m6 | S5/sm6 | P5 | 3/2, 14/9, 32/21 |
10 | 800 | minor sixth | m6 | Minor 6th | mi6 | Minor 6th | minor sixth | pai-m6 | ^5, ^m6 | Km6 | m6 | 8/5, 11/7 |
11 | 880 | major sixth | SM6 | Major 6th | Mi6 | Small Major 6th | major sixth | pao-M6 | vA5, vM6 | kM6 | M6 | 5/3, 18/11 |
12 | 960 | harmonic seventh, wolf sixth | SM7 | Subminor 7th | Ai6/di7 | Small Minor 7th | sixth–seventh | m7 | M6, m7 | SM6/sm7 | S6/s7 | 7/4, 12/7, 16/9 |
13 | 1040 | minor seventh | Wm7 | Neutral 7th | mi7 | Small Neutral 7th | low neutral seventh | pai-m7 | ^m7 | Km7 | m7 | 20/11, 11/6, 9/5 |
14 | 1120 | major seventh | M7 | Supermajor 7th | Mi7 | Major 7th | diminished octave | pao-P8 | vM7, v8 | kM7 | M7 | 48/25, 40/21, 15/8, 21/11 |
15 | 1200 | octave | P8 | Octave | P8 | Octave | octave | P8 | M7, P8 | P8 | P8 | 2/1 |