Lumatone mapping for 14edo: Difference between revisions

ArrowHead294 (talk | contribs)
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Yourmusic Productions (talk | contribs)
Lots of expansion.
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The following mapping for [[14edo]] can be used for [[5L 4s]] (with generator 3\14).
There are many conceivable ways to map [[14edo]] onto the onto the Lumatone keyboard. However, it has no generators that create a diatonic or antidiatonic scale that covers the whole gamut, so the [[Standard Lumatone mapping for Pythagorean]] is not one of them. Due to its composite nature, only two generators work at all to produce single period mos scales.
 
== Whitewood ==
The closest thing to a diatonic scale is the whitewood mapping, which puts the naturals in a straight line and the second unconnected circle of fifths above and below.  
{{Lumatone EDO mapping|n=14|start=0|xstep=2|ystep=-1}}
{{Lumatone EDO mapping|n=14|start=0|xstep=2|ystep=-1}}
== Beep ==
In terms of approximating simple consonant intervals and giving them comfortable fingerings, the [[beep]] mapping is the most efficient, although they still sound quite dissonant compared to 12edo.
{{Lumatone EDO mapping|n=14|start=11|xstep=3|ystep=-1}}
== Smate ==
The [[smate]] mapping is most effective if you want to maximise range, although you should still probably expand it from [[1L 1s]] to [[2L 1s]] to make chords easier to finger, as 11 octaves is still beyond the range of human hearing.
{{Lumatone EDO mapping|n=14|start=11|xstep=5|ystep=-1}}


{{Navbox Lumatone}}
{{Navbox Lumatone}}