Acoustic pi: Difference between revisions
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Revision as of 05:58, 26 March 2025
| This page presents a topic of primarily mathematical interest.
While it is derived from sound mathematical principles, its applications in terms of utility for actual music may be limited, highly contrived, or as yet unknown. |
| Interval information |
The acoustic pi, the transcendental number equal to the ratio of a circle's circumference to the diameter, is about 3.14159, a rather minor thirteenth of 1981.795 cents. Octave-equivalent intervals include acoustic tau (3181.795 cents) and reduced acoustic pi (781.795 cents). It is unclear what psychoacoustic significance this interval might have.
Intervals that are close to it are 3/1, 22/7, and 355/113.
Equal divisions
Using 3.14159…/1 as an interval of equivalence (known as the "pitave") results in some interesting nonoctave tunings.
| N | Description |
|---|---|
| 2edπ | A stack of two minor sevenths, represents a problem of squaring the circle |
| 3edπ | A stack of three compressed fifths, vaguely equivalent to 2edo |
| 4edπ | Close to equal multiplication of 4/3 |
| 5edπ | Close to equal multiplication of 5/4, 3edo |
| 6edπ | Close to equal multiplication of 6/5, 4edo |
| 20edπ | Close to 12edo. |
| 30edπ | Close to 18edo, but sets fractional temperaments to 4:5:6 triad. |
| 38edπ | Very close to 23edo |
| 71edπ | Very close to 43edo |
| 109edπ | Extremely close to 66edo |
Temperaments of interest
Engineer's temperament, tempering out π/3, the engineer's comma.
20edπ can be used to set 3:4:5 triad with a fractional-octave temperament just as 12edo does with the 4:5:6 triad.
