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{{Idiosyncratic terms}}
{{Idiosyncratic terms}}


'''Screamapillar''' is a 7-note MODMOS in [[17edo|17edo]] (or its close cousins like [[27edt|27edt]] or [[44ed6|44ed6]]), or the temperament which characterizes this scale. Screamapillar has three different step sizes and is described as a LLmmLLs scale (i. e., 3322331). As such, it is not a maximally even scale (since seconds, thirds, sixths, and sevenths all come in three rather than two sizes). However, screamapillar is notable for being [[Rothenberg_propriety|strictly proper]], whereas the 17edo diatonic scale is not proper at all, and the 12edo diatonic scale is proper but not strictly so.
The 7-note MODMOS LLmmLLs, usually in [[17edo|17edo]] or its close cousins like [[27edt|27edt]] or [[44ed6|44ed6]], (that is, 3322331), and the temperament which characterizes this scale, are called '''"screamapillar"''', though this name is heavily disliked. Screamapillar is not a maximally even scale (since seconds, thirds, sixths, and sevenths all come in three rather than two sizes). However, screamapillar is notable for being [[Rothenberg_propriety|strictly proper]], whereas the 17edo diatonic scale is not proper at all, and the 12edo diatonic scale is proper but not strictly so.


Screamapillar can be obtained by a single chromatic modification of the diatonic scale; if we take 17edo's diatonic major (Ionian) mode, and raise the fourth by one step, we get screamapillar (specifically, the Springfieldian mode). Screamapillar is also one modification away from the [[Mohajira|rast]] scale, so it has resemblance to both Western and Middle-Eastern scales. In fact, melodically, it corresponds to the [http://www.maqamworld.com/maqamat/bayati.html bayati] maqam.
Screamapillar can be obtained by a single chromatic modification of the diatonic scale; if we take 17edo's diatonic major (Ionian) mode, and raise the fourth by one step, we get screamapillar (specifically, the Springfieldian mode). Screamapillar is also one modification away from the [[Mohajira|rast]] scale, so it has resemblance to both Western and Middle-Eastern scales. In fact, melodically, it corresponds to the [http://www.maqamworld.com/maqamat/bayati.html bayati] maqam.


Screamapillar is named by analogy with [[Scorp|scorp]] (as both are arthropod creatures starting with "sc"), and also because the major fourth of 17edo (which functions as 11:8, among others) has a very bright sound as though it is "screaming"'; ambulance sirens often use similar intervals. Timbres where the eleventh harmonic is strong tend to take on a similar character.
Screamapillar is named by analogy with [[Scorp|scorp]] (as both names are related to arthropod creatures starting with "sc", which in this case is a reference to a character from the Simpsons TV show), and also because the major fourth of 17edo (which functions as 11:8, among others) has a very bright sound as though it is "screaming"'; ambulance sirens often use similar intervals. Timbres where the eleventh harmonic is strong tend to take on a similar character.


The sharpened fourth could also be called a "red note" (opposite of a blue note) due to the mood it creates. Also, the ''[https://en.wikipedia.org/wiki/The_Simpsons_Theme Simpsons theme]'' uses a scale which, although not exactly screamapillar, does contain a sharpened fourth.
The sharpened fourth could also be called a "red note" (opposite of a blue note) due to the mood it creates. Also, the ''[https://en.wikipedia.org/wiki/The_Simpsons_Theme Simpsons theme]'' uses a scale which, although not exactly screamapillar, does contain a sharpened fourth.
[[file:screamapillar.gif|right]]


Because screamapillar is so similar to the diatonic scale, it's not as xen as one might expect a no-fives 13-limit system to be, and as a result it makes a good starting point for someone who wants to explore these higher harmonies without sounding too foreign.
Because screamapillar is so similar to the diatonic scale, it's not as xen as one might expect a no-fives 13-limit system to be, and as a result it makes a good starting point for someone who wants to explore these higher harmonies without sounding too foreign.