Extraclassical tonality: Difference between revisions
No edit summary |
No edit summary |
||
Line 163: | Line 163: | ||
[[Category:Tonality]] | [[Category:Tonality]] | ||
[[Category:Fendo]] | [[Category:Fendo]] | ||
== Arto and tendo as interval qualities == | |||
By utilizing the logic of 24edo, "arto" and "tendo" can be generalized to interval qualities that follow interval arithmetic, corresponding to semi-diminished and semi-augmented, which are closer to their definition as interval regions in diatonic scales close to Pythagorean; in meantone tunings, these tend to correspond to supermajor and subminor. | |||
For a diatonic edo to have arto and tendo intervals by this definition, its chroma must be an even number of edosteps. | |||
{| class="wikitable" | |||
|+ | |||
!Interval | |||
!24edo | |||
!31edo | |||
!17edo | |||
!41edo | |||
|- | |||
|Tendo unison | |||
|50c | |||
|39c | |||
|71c | |||
|59c | |||
|- | |||
|Arto second | |||
|50c | |||
|77c | |||
|0c | |||
|29c | |||
|- | |||
|Tendo second | |||
|250c | |||
|232c | |||
|282c | |||
|263c | |||
|- | |||
|Arto third | |||
|250c | |||
|271c | |||
|212c | |||
|234c | |||
|- | |||
|Tendo third | |||
|450c | |||
|426c | |||
|494c | |||
|468c | |||
|- | |||
|Arto fourth | |||
|450c | |||
|465c | |||
|424c | |||
|439c | |||
|- | |||
|Tendo fourth | |||
|550c | |||
|541c | |||
|565c | |||
|556c | |||
|- | |||
|Arto fifth | |||
|650c | |||
|659c | |||
|635c | |||
|654c | |||
|- | |||
|Tendo fifth | |||
|750c | |||
|735c | |||
|776c | |||
|761c | |||
|- | |||
|Arto sixth | |||
|750c | |||
|774c | |||
|706c | |||
|732c | |||
|- | |||
|Tendo sixth | |||
|950c | |||
|929c | |||
|988c | |||
|966c | |||
|- | |||
|Arto seventh | |||
|950c | |||
|968c | |||
|918c | |||
|937c | |||
|- | |||
|Tendo seventh | |||
|1150c | |||
|1123c | |||
|1200c | |||
|1171c | |||
|- | |||
|Arto octave | |||
|1150c | |||
|1161c | |||
|1129c | |||
|1141c | |||
|} | |||
In just intonation, the "arto" and "tendo" labels may be used for the diesis 416/405, which relates the Pythagorean and arto/tendo thirds in just intonation. |