User:Holger Stoltenberg/sandbox: Difference between revisions

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== Number of distinct intervals ==

The first five octaves of Tonal Space contain a fairly large number of intervals footed on a common tonic of 0 ¢. The intervals are well structured in rows, with each row corresponding to a mode of the overtone scale. It may be of interest to the reader to ~~learn~~ how many ''different'' intervals are present, since some ~~are~~ obviously ~~doubled~~. <br>

The first five octaves of Tonal Space contain a fairly large number of intervals footed on a common tonic of 0 ¢. The intervals are well structured in rows, with each row corresponding to a mode of the overtone scale. It may be of interest to the reader to know how many ''different'' intervals are present, since some obviously occur more than once. <br>

To find out, we will scan the Horizon Chart line by line (mode by mode), from the bottom up. Mode 1 has no intervals between the fundamental and the next octave. In Mode 2 we find a pure fifth, the third harmonic. This is the first time the pure fifth appears, and it ~~will not be counted again~~ as we scan.

To find out, we will scan the Horizon Chart line by line (mode by mode), from the bottom up. Mode 1 has no intervals between the fundamental and the next octave. In Mode 2 we find a pure fifth, the third harmonic. This is the first time the pure fifth appears, and - like any other interval - it is only considered once as we scan.

Table 1 summarizes the scanning results from Mode 1 through Mode 16.

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 == Number of distinct intervals ==
-The first five octaves of Tonal Space contain a fairly large number of intervals footed on a common tonic of 0 ¢. The intervals are well structured in rows, with each row corresponding to a mode of the overtone scale. It may be of interest to the reader to learn how many ''different'' intervals are present, since some are obviously doubled. <br>
+The first five octaves of Tonal Space contain a fairly large number of intervals footed on a common tonic of 0 ¢. The intervals are well structured in rows, with each row corresponding to a mode of the overtone scale. It may be of interest to the reader to know how many ''different'' intervals are present, since some obviously occur more than once. <br>
-To find out, we will scan the Horizon Chart line by line (mode by mode), from the bottom up. Mode 1 has no intervals between the fundamental and the next octave. In Mode 2 we find a pure fifth, the third harmonic. This is the first time the pure fifth appears, and it will not be counted again as we scan.
+To find out, we will scan the Horizon Chart line by line (mode by mode), from the bottom up. Mode 1 has no intervals between the fundamental and the next octave. In Mode 2 we find a pure fifth, the third harmonic. This is the first time the pure fifth appears, and - like any other interval - it is only considered once as we scan.
 Table 1 summarizes the scanning results from Mode 1 through Mode 16.