41edo chord names: Difference between revisions
added dim and aug triads, also some 9th chords |
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Various [[41edo]] triads, 6th and 7th chords, named via [[ups and downs notation]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. | Various [[41edo]] triads, 6th and 7th chords, named via [[ups and downs notation]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. | ||
Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. | Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. {{nowrap|0–17–28 = C4(♯5)}} becomes {{nowrap|17–28–41 {{=}} F^m}}, where "a" stands for augmented and "d" stands for diminished. | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! colspan="2" | | ! colspan="2" | Thirds → | ||
! vm3 | ! vm3 | ||
! m3 | ! m3 | ||
| Line 18: | Line 18: | ||
! ~4 | ! ~4 | ||
|- | |- | ||
! colspan="2" |Triads with P5 | ! colspan="2" | Triads with P5 | ||
| Cvm | | Cvm | ||
| Cm | | Cm | ||
| Line 31: | Line 31: | ||
| C~4 | | C~4 | ||
|- | |- | ||
! rowspan="6" |Other | ! rowspan="6" | Other<br />triads | ||
triads | ! vv5 | ||
!vv5 | | Cvm(vv5) | ||
|Cvm(vv5) | | Cm(vv5) | ||
|Cm(vv5) | | C^m(vv5) | ||
|C^m(vv5) | | C~(vv5) | ||
|C~(vv5) | | Cv(vv5) | ||
|Cv(vv5) | | C(vv5) | ||
|C(vv5) | | C^(vv5) | ||
|C^(vv5) | | Cv4(vv5) | ||
|Cv4(vv5) | | C4(vv5) | ||
|C4(vv5) | | C^4(vv5) | ||
|C^4(vv5) | | C~4(vv5) | ||
|C~4(vv5) | |||
|- | |- | ||
!^b5 | ! ^b5 | ||
|Cvd(^5) | | Cvd(^5) | ||
|Cd(^5) | | Cd(^5) | ||
|C^d(^5) | | C^d(^5) | ||
|C~d(^5) | | C~d(^5) | ||
|Cv(^b5) | | Cv(^b5) | ||
|C(^b5) | | C(^b5) | ||
|C^(^b5) | | C^(^b5) | ||
|Cv4(^b5) | | Cv4(^b5) | ||
|C4(^b5) | | C4(^b5) | ||
|C^4(^b5) | | C^4(^b5) | ||
|C~4(^b5) | | C~4(^b5) | ||
|- | |- | ||
!b5 | ! b5 | ||
|Cvd | | Cvd | ||
|Cd | | Cd | ||
|C^d | | C^d | ||
|C~d | | C~d | ||
|Cv(b5) | | Cv(b5) | ||
|C(b5) | | C(b5) | ||
|C^(b5) | | C^(b5) | ||
|Cv4(b5) | | Cv4(b5) | ||
|C4(b5) | | C4(b5) | ||
|C^4(b5) | | C^4(b5) | ||
|C~4(b5) | | C~4(b5) | ||
|- | |- | ||
!^^5 | ! ^^5 | ||
|''(vAb^)'' | | ''(vAb^)'' | ||
|Cm(^^5) | | Cm(^^5) | ||
|C^m(^^5) | | C^m(^^5) | ||
|C~(^^5) | | C~(^^5) | ||
|Cv(^^5) | | Cv(^^5) | ||
|C(^^5) | | C(^^5) | ||
|C^(^^5) | | C^(^^5) | ||
|Cv4(^^5) | | Cv4(^^5) | ||
|''(Fvm)'' | | ''(Fvm)'' | ||
|C^4(^^5) | | C^4(^^5) | ||
|C~4(^^5) | | C~4(^^5) | ||
|- | |- | ||
!va5 | ! va5 | ||
|Cvm(v#5) | | Cvm(v#5) | ||
|''(Ab)'' | | ''(Ab)'' | ||
|C^m(v#5) | | C^m(v#5) | ||
|C~a(v5) | | C~a(v5) | ||
|''(vEa)'' | | ''(vEa)'' | ||
|Ca(v5) | | Ca(v5) | ||
|C^a(v5) | | C^a(v5) | ||
|Cv4(v#5) | | Cv4(v#5) | ||
|''(Fm)'' | | ''(Fm)'' | ||
|C^4(v#5) | | C^4(v#5) | ||
|C~4(v#5) | | C~4(v#5) | ||
|- | |- | ||
!a5 | ! a5 | ||
|Cvm(#5) | | Cvm(#5) | ||
|Cm(#5) | | Cm(#5) | ||
|''(^Abv)'' | | ''(^Abv)'' | ||
|C~a | | C~a | ||
|Cva | | Cva | ||
|Ca | | Ca | ||
|C^a | | C^a | ||
|Cv4(#5) | | Cv4(#5) | ||
|''(F^m)'' | | ''(F^m)'' | ||
|C^4(#5) | | C^4(#5) | ||
|C~4(#5) | | C~4(#5) | ||
|- | |- | ||
! rowspan="11" |Tetrads | ! rowspan="11" | Tetrads<br />with P5 | ||
with P5 | |||
! ~6 | ! ~6 | ||
| Cvm~6 | | Cvm~6 | ||
| Line 261: | Line 259: | ||
P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7. | P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7. | ||
See also | == See also == | ||
* [[15edo chord names]] | * [[15edo chord names]] | ||
* [[19edo chord names]] | * [[19edo chord names]] | ||
| Line 269: | Line 266: | ||
* [[31edo chord names]] | * [[31edo chord names]] | ||
* [[Kite Guitar chord shapes (downmajor tuning)]] | * [[Kite Guitar chord shapes (downmajor tuning)]] | ||
The last link is fairly exhaustive, and covers augmented and diminished chords. | The last link is fairly exhaustive, and covers augmented and diminished chords. | ||