41edo chord names: Difference between revisions

TallKite (talk | contribs)
added dim and aug triads, also some 9th chords
ArrowHead294 (talk | contribs)
mNo edit summary
 
Line 1: Line 1:
Various [[41edo]] triads, 6th and 7th chords, named via [[ups and downs notation]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.
Various [[41edo]] triads, 6th and 7th chords, named via [[ups and downs notation]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.


Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. 0-17-28 = C4(#5) becomes 17-28-41 = F^m. "a" stands for augmented and "d" stands for diminished.
Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. {{nowrap|0–17–28 = C4(♯5)}} becomes {{nowrap|17–28–41 {{=}} F^m}}, where "a" stands for augmented and "d" stands for diminished.


{| class="wikitable"
{| class="wikitable"
|-
|-
! colspan="2" |thirds ---->
! colspan="2" | Thirds →
! vm3
! vm3
! m3
! m3
Line 18: Line 18:
! ~4
! ~4
|-
|-
! colspan="2" |Triads with P5
! colspan="2" | Triads with P5
| Cvm
| Cvm
| Cm
| Cm
Line 31: Line 31:
| C~4
| C~4
|-
|-
! rowspan="6" |Other
! rowspan="6" | Other<br />triads
triads
! vv5
!vv5
| Cvm(vv5)
|Cvm(vv5)
| Cm(vv5)
|Cm(vv5)
| C^m(vv5)
|C^m(vv5)
| C~(vv5)
|C~(vv5)
| Cv(vv5)
|Cv(vv5)
| C(vv5)
|C(vv5)
| C^(vv5)
|C^(vv5)
| Cv4(vv5)
|Cv4(vv5)
| C4(vv5)
|C4(vv5)
| C^4(vv5)
|C^4(vv5)
| C~4(vv5)
|C~4(vv5)
|-
|-
!^b5
! ^b5
|Cvd(^5)
| Cvd(^5)
|Cd(^5)
| Cd(^5)
|C^d(^5)
| C^d(^5)
|C~d(^5)
| C~d(^5)
|Cv(^b5)
| Cv(^b5)
|C(^b5)
| C(^b5)
|C^(^b5)
| C^(^b5)
|Cv4(^b5)
| Cv4(^b5)
|C4(^b5)
| C4(^b5)
|C^4(^b5)
| C^4(^b5)
|C~4(^b5)
| C~4(^b5)
|-
|-
!b5
! b5
|Cvd
| Cvd
|Cd
| Cd
|C^d
| C^d
|C~d
| C~d
|Cv(b5)
| Cv(b5)
|C(b5)
| C(b5)
|C^(b5)
| C^(b5)
|Cv4(b5)
| Cv4(b5)
|C4(b5)
| C4(b5)
|C^4(b5)
| C^4(b5)
|C~4(b5)
| C~4(b5)
|-
|-
!^^5
! ^^5
|''(vAb^)''
| ''(vAb^)''
|Cm(^^5)
| Cm(^^5)
|C^m(^^5)
| C^m(^^5)
|C~(^^5)
| C~(^^5)
|Cv(^^5)
| Cv(^^5)
|C(^^5)
| C(^^5)
|C^(^^5)
| C^(^^5)
|Cv4(^^5)
| Cv4(^^5)
|''(Fvm)''
| ''(Fvm)''
|C^4(^^5)
| C^4(^^5)
|C~4(^^5)
| C~4(^^5)
|-
|-
!va5
! va5
|Cvm(v#5)
| Cvm(v#5)
|''(Ab)''
| ''(Ab)''
|C^m(v#5)
| C^m(v#5)
|C~a(v5)
| C~a(v5)
|''(vEa)''
| ''(vEa)''
|Ca(v5)
| Ca(v5)
|C^a(v5)
| C^a(v5)
|Cv4(v#5)
| Cv4(v#5)
|''(Fm)''
| ''(Fm)''
|C^4(v#5)
| C^4(v#5)
|C~4(v#5)
| C~4(v#5)
|-
|-
!a5
! a5
|Cvm(#5)
| Cvm(#5)
|Cm(#5)
| Cm(#5)
|''(^Abv)''
| ''(^Abv)''
|C~a
| C~a
|Cva
| Cva
|Ca
| Ca
|C^a
| C^a
|Cv4(#5)
| Cv4(#5)
|''(F^m)''
| ''(F^m)''
|C^4(#5)
| C^4(#5)
|C~4(#5)
| C~4(#5)
|-
|-
! rowspan="11" |Tetrads
! rowspan="11" | Tetrads<br />with P5
with P5
! ~6
! ~6
| Cvm~6
| Cvm~6
Line 261: Line 259:
P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7.
P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7.


See also:
== See also ==
 
* [[15edo chord names]]
* [[15edo chord names]]
* [[19edo chord names]]
* [[19edo chord names]]
Line 269: Line 266:
* [[31edo chord names]]
* [[31edo chord names]]
* [[Kite Guitar chord shapes (downmajor tuning)]]
* [[Kite Guitar chord shapes (downmajor tuning)]]
The last link is fairly exhaustive, and covers augmented and diminished chords.
The last link is fairly exhaustive, and covers augmented and diminished chords.