22edo chord names: Difference between revisions
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added dim and aug triads, also some 9th chords |
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Various [[22edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. | Various [[22edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. | ||
Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. 0-9-14 = C4(^5) becomes 9-14-22 = Fm. "a" stands for augmented and "d" stands for diminished. | |||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! | ! colspan="2" |third ----> | ||
! m3 | ! m3 | ||
! ^m3 | ! ^m3 | ||
| Line 9: | Line 11: | ||
! M3 | ! M3 | ||
! P4 | ! P4 | ||
!^4 | |||
|- | |- | ||
! | ! rowspan="6" |Triads | ||
! P5 | |||
| Cm | | Cm | ||
| C^m | | C^m | ||
| Line 16: | Line 20: | ||
| C | | C | ||
| C4 | | C4 | ||
|C^4 | |||
|- | |- | ||
!v5 | |||
|Cm(v5) | |||
|C^m(v5) | |||
|Cv(v5) | |||
|C(v5) | |||
|C4(v5) | |||
|C^4(v5) | |||
|- | |||
!^d5 | |||
|Cd(^5) | |||
|C^d(^5) | |||
|Cv(^b5) | |||
|C(^b5) | |||
|C4(^b5) | |||
|C^4(^b5) | |||
|- | |||
!d5 | |||
|Cd | |||
|C^d | |||
|Cv(b5) | |||
|C(b5) | |||
|C4(b5) | |||
|C^4(b5) | |||
|- | |||
!^5 | |||
|''(Ab)'' | |||
|C^m(^5) | |||
|Cv(^5) | |||
|C(^5) | |||
|''(Fm)'' | |||
|C^4(^5) | |||
|- | |||
!va5 | |||
|Cm(v#5) | |||
|''(^Abv)'' | |||
|Cv(v#5) | |||
|C(v#5) | |||
|''(F^m)'' | |||
|C^4(v#5) | |||
|- | |||
! rowspan="6" |Tetrads | |||
with a | |||
P5 | |||
! vM6 | ! vM6 | ||
| Cmv6 | | Cmv6 | ||
| Line 23: | Line 72: | ||
| C,v6 | | C,v6 | ||
| C4v6 | | C4v6 | ||
|C^4v6 | |||
|- | |- | ||
! M6 | ! M6 | ||
| Line 30: | Line 80: | ||
| C6 | | C6 | ||
| C4,6 | | C4,6 | ||
|C^4,6 | |||
|- | |- | ||
! m7 | ! m7 | ||
| Line 37: | Line 88: | ||
| C7 | | C7 | ||
| C4,7 | | C4,7 | ||
|C^4,7 | |||
|- | |- | ||
! ^m7 | ! ^m7 | ||
| Line 44: | Line 96: | ||
| C,^7 | | C,^7 | ||
| C4^7 | | C4^7 | ||
|C^4^7 | |||
|- | |- | ||
! vM7 | ! vM7 | ||
| Line 51: | Line 104: | ||
| C,vM7 | | C,vM7 | ||
| C4vM7 | | C4vM7 | ||
|C^4vM7 | |||
|- | |- | ||
! M7 | ! M7 | ||
| Line 58: | Line 112: | ||
| CM7 | | CM7 | ||
| C4M7 | | C4M7 | ||
|C^4M7 | |||
|} | |} | ||
| Line 78: | Line 133: | ||
| Ch7 | | Ch7 | ||
|- | |- | ||
| 7 | |4:5:6:7:9 | ||
|C vE G Bb D | |||
|C-nine down-3 | |||
|C9(v3) | |||
|C har9 | |||
|Ch9 | |||
|- | |||
| 7:6:5:4 | |||
| C Eb ^Gb Bb | | C Eb ^Gb Bb | ||
| C minor7 upflat-5 | | C minor7 upflat-5 | ||
| Line 85: | Line 147: | ||
| Cs7 | | Cs7 | ||
|- | |- | ||
| 12 | | 12:10:8:7 | ||
| C ^Eb G A | | C ^Eb G A | ||
| C upminor add-6 | | C upminor add-6 | ||
| Line 91: | Line 153: | ||
| C sub6 | | C sub6 | ||
| Cs6 | | Cs6 | ||
|- | |||
|9:7:6:5:4 | |||
|C E G ^Bb D | |||
|C-nine up-7 | |||
|C9(^7) | |||
|C sub9 | |||
|Cs9 | |||
|} | |} | ||
== See also == | == See also == | ||
* [[15edo chord names]] | |||
* [[19edo chord names]] | * [[19edo chord names]] | ||
* [[24edo chord names]] | * [[24edo chord names]] | ||
Revision as of 00:56, 4 February 2025
Various 22edo triads, 6th and 7th chords, named via ups and downs. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.
Highly implausible chords are named as a more plausible homonym, e.g. 0-9-14 = C4(^5) becomes 9-14-22 = Fm. "a" stands for augmented and "d" stands for diminished.
| third ----> | m3 | ^m3 | vM3 | M3 | P4 | ^4 | |
|---|---|---|---|---|---|---|---|
| Triads | P5 | Cm | C^m | Cv | C | C4 | C^4 |
| v5 | Cm(v5) | C^m(v5) | Cv(v5) | C(v5) | C4(v5) | C^4(v5) | |
| ^d5 | Cd(^5) | C^d(^5) | Cv(^b5) | C(^b5) | C4(^b5) | C^4(^b5) | |
| d5 | Cd | C^d | Cv(b5) | C(b5) | C4(b5) | C^4(b5) | |
| ^5 | (Ab) | C^m(^5) | Cv(^5) | C(^5) | (Fm) | C^4(^5) | |
| va5 | Cm(v#5) | (^Abv) | Cv(v#5) | C(v#5) | (F^m) | C^4(v#5) | |
| Tetrads
with a P5 |
vM6 | Cmv6 | C^mv6 | Cv6 | C,v6 | C4v6 | C^4v6 |
| M6 | Cm6 | C^m,6 | Cv,6 | C6 | C4,6 | C^4,6 | |
| m7 | Cm7 | C^m,7 | Cv,7 | C7 | C4,7 | C^4,7 | |
| ^m7 | Cm^7 | C^m7 | Cv^7 | C,^7 | C4^7 | C^4^7 | |
| vM7 | CmvM7 | C^mvM7 | CvM7 | C,vM7 | C4vM7 | C^4vM7 | |
| M7 | CmM7 | C^mM7 | Cv,M7 | CM7 | C4M7 | C^4M7 | |
A punctuation comma (",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.
4:5:6:7 = C vE G Bb is named Cv,7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from color notation to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened.
| Chord | Notes | Ups and downs name | Color name | ||
|---|---|---|---|---|---|
| 4:5:6:7 | C vE G Bb | C-down add-7 | Cv,7 | C har7 | Ch7 |
| 4:5:6:7:9 | C vE G Bb D | C-nine down-3 | C9(v3) | C har9 | Ch9 |
| 7:6:5:4 | C Eb ^Gb Bb | C minor7 upflat-5 | Cm7(^b5) | C sub7 | Cs7 |
| 12:10:8:7 | C ^Eb G A | C upminor add-6 | C^m,6 | C sub6 | Cs6 |
| 9:7:6:5:4 | C E G ^Bb D | C-nine up-7 | C9(^7) | C sub9 | Cs9 |