24edo/Interval names and harmonies: Difference between revisions

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=== Semi-augmented tone ===

In addition to all the other tones, 24edo has a semi-augmented tone, which is 250{{c}} in size; this generally has a more metallic sound than the whole tone as well as a moodier character compared to the brightness of the natural whole tone, and some would say that it's a cross between a step and a leap. In context of a major chord, the semi-augmented tone brings a much colder flavor to the major chord than the whole tone which enhances the brightness of the major chord. The semi-augmented from the root clashes heavily with minor chords as the minor third and the semi-augmented are only a quarter tone apart. Diatonic chords tend to move naturally by semi-augmented tone movement such as moving an Am chord to a Gd major chord, and other chords can do the same. The semi-augmented tone is too small to be considered an accurate [[7/6]] and too large to be considered an accurate [[8/7]]; as such, it fits more as being described as a [[15/13]]. Within scale context, the semi-augmented tone can be represented by an uppercase "S". An example of semi-augmented tone is C–D{{demisharp2}}, or enharmonically, C–E{{sesquiflat2}}.

In addition to all the other tones, 24edo has a semi-augmented tone, which is 250{{c}} in size; this generally has a more metallic sound than the whole tone as well as a moodier character compared to the brightness of the natural whole tone, and some would say that it's a cross between a step and a leap. In context of a major chord, the semi-augmented tone brings a much colder flavor to the major chord than the whole tone which enhances the brightness of the major chord. The semi-augmented from the root clashes heavily with minor chords as the minor third and the semi-augmented tone are only a quarter tone apart. Diatonic chords tend to move naturally by semi-augmented tone movement such as moving an Am chord to a Gd major chord, and other chords can do the same. The semi-augmented tone is too small to be considered an accurate [[7/6]] and too large to be considered an accurate [[8/7]]; as such, it fits more as being described as a [[15/13]]. Within scale context, the semi-augmented tone can be represented by an uppercase "S". An example of semi-augmented tone is C–D{{demisharp2}}, or enharmonically, C–E{{sesquiflat2}}.

== Types of intervals ==

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 === Semi-augmented tone ===
-In addition to all the other tones, 24edo has a semi-augmented tone, which is 250{{c}} in size; this generally has a more metallic sound than the whole tone as well as a moodier character compared to the brightness of the natural whole tone, and some would say that it's a cross between a step and a leap. In context of a major chord, the semi-augmented tone brings a much colder flavor to the major chord than the whole tone which enhances the brightness of the major chord. The semi-augmented from the root clashes heavily with minor chords as the minor third and the semi-augmented are only a quarter tone apart.  Diatonic chords tend to move naturally by semi-augmented tone movement such as moving an Am chord to a Gd major chord, and other chords can do the same. The semi-augmented tone is too small to be considered an accurate [[7/6]] and too large to be considered an accurate [[8/7]]; as such, it fits more as being described as a [[15/13]].  Within scale context, the semi-augmented tone can be represented by an uppercase "S".  An example of semi-augmented tone is C–D{{demisharp2}}, or enharmonically, C–E{{sesquiflat2}}.
+In addition to all the other tones, 24edo has a semi-augmented tone, which is 250{{c}} in size; this generally has a more metallic sound than the whole tone as well as a moodier character compared to the brightness of the natural whole tone, and some would say that it's a cross between a step and a leap. In context of a major chord, the semi-augmented tone brings a much colder flavor to the major chord than the whole tone which enhances the brightness of the major chord. The semi-augmented from the root clashes heavily with minor chords as the minor third and the semi-augmented tone are only a quarter tone apart.  Diatonic chords tend to move naturally by semi-augmented tone movement such as moving an Am chord to a Gd major chord, and other chords can do the same. The semi-augmented tone is too small to be considered an accurate [[7/6]] and too large to be considered an accurate [[8/7]]; as such, it fits more as being described as a [[15/13]].  Within scale context, the semi-augmented tone can be represented by an uppercase "S".  An example of semi-augmented tone is C–D{{demisharp2}}, or enharmonically, C–E{{sesquiflat2}}.
 == Types of intervals ==