Sinarabian comma: Difference between revisions
No edit summary |
No edit summary |
||
Line 17: | Line 17: | ||
One of the major commatic relations is between the rastma (243/242) on one hand, which occurs in the tuning of the mode of Zalzal by [[Wikipedia: al-Farabi|al-Farabi]] (c. 870-950) as the distinction between his steps of [[12/11]] (150.637c) and the smaller 88/81 (143.498c), and, on the other hand, the major minthma (352/351, 4.925c) described by [[Wikipedia: Avicenna|Ibn Sina]] (c.980-1037) in noting the "resemblance" between certain complex superpartient ratios and nearby simpler superparticular ratios, e.g. 128/117 (155.562c) and the simpler 12/11, or 88/81 and the simpler 13/12 (138.573c). These comparisons relate to the adjacent intervals included in the tetrachrds al-Farabi and Ibn Sina favor to realize the 'oudist Mansur Zalzal's tuning favoring a middle third: | One of the major commatic relations is between the rastma (243/242) on one hand, which occurs in the tuning of the mode of Zalzal by [[Wikipedia: al-Farabi|al-Farabi]] (c. 870-950) as the distinction between his steps of [[12/11]] (150.637c) and the smaller 88/81 (143.498c), and, on the other hand, the major minthma (352/351, 4.925c) described by [[Wikipedia: Avicenna|Ibn Sina]] (c.980-1037) in noting the "resemblance" between certain complex superpartient ratios and nearby simpler superparticular ratios, e.g. 128/117 (155.562c) and the simpler 12/11, or 88/81 and the simpler 13/12 (138.573c). These comparisons relate to the adjacent intervals included in the tetrachrds al-Farabi and Ibn Sina favor to realize the 'oudist Mansur Zalzal's tuning favoring a middle third: | ||
Al-Farabi: | |||
0.0c---203.910c--354.547c----498.045c | |||
1/1--------9/8-------27/22-------4/3 | 1/1--------9/8-------27/22-------4/3 | ||
9:8--------12:11--------88:81 | |||
203.910c-----150.637c---143.498 | |||
Ibn Sina: | |||
0.0c------203.910c. 342.483c 498.045c | |||
1/1----------9/8-------39/32------4/3 | |||
9:8---------13:12------128:117 | |||
203.910c--138.573c---155.562c | |||
In effect, the Sinarabian comma serves as a kind of bridge between these two tetrachords and tunings, hence its name. More details to come. | In effect, the Sinarabian comma serves as a kind of bridge between these two tetrachords and tunings, hence its name. More details to come. |