User:Aura/Aura's Ideas on Functional Harmony (Part 1): Difference between revisions

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'''Superdislocant''' - This is a note that is to the Supercollocant what a Tyrant is to a Sycophant.  Specifically, it is the result of the Tonic being altered by some kind of chromatic semitone upwards and thus being displaced by a Nontonic function which leads away from the Tonic proper.
'''Superdislocant''' - This is a note that is to the Supercollocant what a Tyrant is to a Sycophant.  Specifically, it is the result of the Tonic being altered by some kind of chromatic semitone upwards and thus being displaced by a Nontonic function which leads away from the Tonic proper.


'''Subdislocant''' - This is a note that is to either the Subcollocant what a Tyrant is to a Sycophant.  Specifically, it is the result of the Tonic being altered by some kind of chromatic semitone downwards and thus being displaced by a Nontonic function which leads away from the Tonic proper.
'''Subdislocant''' - This is a note that is to the Subcollocant what a Tyrant is to a Sycophant.  Specifically, it is the result of the Tonic being altered by some kind of chromatic semitone downwards and thus being displaced by a Nontonic function which leads away from the Tonic proper.


'''Protosycophant''' - This is a note which can tonicize the Dominant, but because its harmonies fail to completely oppose those of the Tonic, it fails to count as a true Sycophant.  A prototypical example of this type of interval is [[7/5]].
'''Protosycophant''' - This is a note which can tonicize the Dominant, but because its harmonies fail to completely oppose those of the Tonic, it fails to count as a true Sycophant.  A prototypical example of this type of interval is [[7/5]].