User:Holger Stoltenberg/sandbox: Difference between revisions
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With a prototypical instrument in place, the search for ''intermediary chords'' in tonal music begins. We can try to identify (and play) supplementary consonant chords that fit seamlessly into the gaps of familiar chord progressions. | With a prototypical instrument in place, the search for ''intermediary chords'' in tonal music begins. We can try to identify (and play) supplementary consonant chords that fit seamlessly into the gaps of familiar chord progressions. | ||
The proposed model of tonal space utilizes the uniform structure and simple mathematical description of ''overtone scales'' as well as the closely related ''arithmetic frequency division of the octave'' ([[AFDO]]). | The proposed model of tonal space utilizes the uniform structure and simple mathematical description of ''[[Overtone scale|overtone scales]]'' as well as the closely related ''arithmetic frequency division of the octave'' ([[AFDO]]). | ||
For each note rendered, the model should effectively determine the current deviation from 12-tone equal temperament (12edo) in order to control the intonation of a commercial sound module or software plug-in on the fly. | For each note rendered, the model should effectively determine the current deviation from 12-tone equal temperament (12edo) in order to control the intonation of a commercial sound module or software plug-in on the fly. | ||