User:BudjarnLambeth/Table of n-comma meantone generators: Difference between revisions
Filled in missing regular meantone tunings and created rows for remaining historical equal temperaments. Created most of “negative harmony” section. |
No edit summary |
||
Line 1: | Line 1: | ||
{{Editable user page}} | {{Editable user page}} | ||
Here are all [[meantone]] tunings that can be written in the form "n-comma meantone", where n is a fraction between 0 and 1 with a denominator 18 or smaller. Also included are 5, 7 and | Here are all [[meantone]] tunings that can be written in the form "n-comma meantone", where n is a fraction between 0 and 1 with a denominator 18 or smaller. Also included are 5, 7, 12, 17 and 19edo (to delineate MOS shapes), as well as a few other notable meantone tunings (e.g. 4/25-comma). | ||
The comma being divided here is the syntonic comma ([[81/80]]). | The comma being divided here is the syntonic comma ([[81/80]]). | ||
Line 84: | Line 84: | ||
|[[7edo]]|| 685.714|| The largest MOS scale this can generate is 7 tone. '''Lower boundary of 5-limit diamond monotone.''' | |[[7edo]]|| 685.714|| The largest MOS scale this can generate is 7 tone. '''Lower boundary of 5-limit diamond monotone.''' | ||
|- | |- | ||
|[[3/4-comma meantone]]||685.825||Everything from this point onwards generates 12 and 19 tone MOS scales. | |[[3/4-comma meantone]]||685.825||Everything from this point onwards generates 12 and 19 and 26 tone MOS scales. | ||
|- | |- | ||
|[[11/15-comma meantone]]||686.184 || | |[[11/15-comma meantone]]||686.184 || | ||
Line 125: | Line 125: | ||
|- | |- | ||
|[[5/8-comma meantone]]||688.514||Close to [[61edo]] | |[[5/8-comma meantone]]||688.514||Close to [[61edo]] | ||
|- | |||
|[[Golden ratio comma meantone]] | |||
|688.663 | |||
| | |||
|- | |- | ||
|[[8/13-comma meantone]]||688.720|| | |[[8/13-comma meantone]]||688.720|| | ||
Line 186: | Line 190: | ||
|[[7/18-comma meantone]]||693.591|| | |[[7/18-comma meantone]]||693.591|| | ||
|- | |- | ||
|[[5/13-comma meantone]]||693.683||Close to [[64edo]] | |[[5/13-comma meantone]]||693.683|| | ||
|- | |||
|[[Split Golden ratio comma meantone]] | |||
|693.740 | |||
|Close to [[64edo]] | |||
|- | |- | ||
|[[3/8-comma meantone]]||693.890||Close to [[83edo]] | |[[3/8-comma meantone]]||693.890||Close to [[83edo]] | ||
Line 194: | Line 202: | ||
|[[5/14-comma meantone]]||694.274 || | |[[5/14-comma meantone]]||694.274 || | ||
|- | |- | ||
|[[6/17-comma meantone]]||694.365|| | |[[6/17-comma meantone]]||694.365||Everything up to this point generates 12 and 19 and 26 tone MOS scales. | ||
|- | |- | ||
|[[19edo]] | |[[19edo]] | ||
Line 200: | Line 208: | ||
|The largest MOS scale this can generate is 19 tone. Historically significant (see [[historical temperaments]]). | |The largest MOS scale this can generate is 19 tone. Historically significant (see [[historical temperaments]]). | ||
|- | |- | ||
|[[1/3-comma meantone]]||694.786||Historically significant (see [[historical temperaments]]). | |[[1/3-comma meantone]]||694.786||Everything from this point onwards generates 12 and 19 and 31 tone MOS scales. Historically significant (see [[historical temperaments]]). | ||
|- | |- | ||
| | | | ||
Line 280: | Line 288: | ||
|The largest MOS scale this can generate is 55 tone. Historically significant (see [[historical temperaments]]). | |The largest MOS scale this can generate is 55 tone. Historically significant (see [[historical temperaments]]). | ||
|- | |- | ||
|[[3/17-comma meantone]]||698.245|| | |[[3/17-comma meantone]]||698.245||Negative harmonically significant tuning with flat fifth (see [[negative harmony temperaments]]). | ||
|- | |- | ||
|[[1/6-comma meantone]]||698.371||Historically significant (see [[historical temperaments]]). | |[[1/6-comma meantone]]||698.371||Historically significant (see [[historical temperaments]]). | ||
Line 300: | Line 308: | ||
|[[2/17-comma meantone]]||699.425|| | |[[2/17-comma meantone]]||699.425|| | ||
|- | |- | ||
|[[1/9-comma meantone]]||699.565|| | |[[1/9-comma meantone]]||699.565||Negative harmonically significant tuning with flat fifth (see [[negative harmony temperaments]]). | ||
|- | |- | ||
|[[1/10-comma meantone]]||699.804|| | |[[1/10-comma meantone]]||699.804|| | ||
|- | |- | ||
|[[1/11-comma meantone]]||700.000||Everything up to this point generates 12 and 19 tone MOS scales. | |[[1/11-comma meantone]]||700.000||Everything up to this point generates 12 and 19 and 31 tone MOS scales. | ||
|- | |- | ||
|[[12edo]]||700.000||The largest MOS scale this can generate is 12 tone. Historically significant (see [[historical temperaments]].) | |[[12edo]]||700.000||The largest MOS scale this can generate is 12 tone. Historically significant (see [[historical temperaments]].) | ||
|- | |- | ||
|[[1/12-comma meantone]]||700.163||Everything from this point onwards generates 12 and 17 tone MOS scales. | |[[1/12-comma meantone]]||700.163||Everything from this point onwards generates 12 and 17 and 29 tone MOS scales. | ||
|- | |- | ||
|[[1/13-comma meantone]]||700.301|| | |[[1/13-comma meantone]]||700.301|| | ||
|- | |- | ||
|[[1/14-comma meantone]]||700.419|| | |[[1/14-comma meantone]]||700.419||Negative harmonically significant tuning with flat fifth (see [[negative harmony temperaments]]). | ||
|- | |- | ||
|[[1/15-comma meantone]]||700.521|| | |[[1/15-comma meantone]]||700.521||Negative harmonically significant tuning with flat fifth (see [[negative harmony temperaments]]). | ||
|- | |- | ||
|[[1/16-comma meantone]]||700.611|| | |[[1/16-comma meantone]]||700.611|| | ||
Line 323: | Line 331: | ||
|- | |- | ||
|0/1-comma meantone||701.955||[[Pythagorean tuning]]. Historically significant (see [[historical temperaments]].) Negative harmonically significant (see [[negative harmony temperaments]]). Everything from this point onwards does not meet the original historical definition of meantone (the whole tone being between 10/9 and 9/8). | |0/1-comma meantone||701.955||[[Pythagorean tuning]]. Historically significant (see [[historical temperaments]].) Negative harmonically significant (see [[negative harmony temperaments]]). Everything from this point onwards does not meet the original historical definition of meantone (the whole tone being between 10/9 and 9/8). | ||
|- | |||
|[[-1/18-comma meantone]] | |||
|703.150 | |||
| | |||
|- | |||
| -[[-1/17-comma meantone|1/17-comma meantone]] | |||
|703.220 | |||
| | |||
|- | |||
|[[-1/16-comma meantone]] | |||
|703.299 | |||
| | |||
|- | |||
|[[-1/15-comma meantone]] | |||
|703.389 | |||
|Close to 11/13 third-kleisma temperament. Historically significant tuning with sharp fifth (see [[historical temperaments]]). | |||
|- | |||
|[[-1/14-comma meantone]] | |||
|703.491 | |||
|Close to [[29edo]]. Historically significant tuning with sharp fifth (see [[historical temperaments]]). | |||
|- | |||
|[[-1/13-comma meantone]] | |||
|703.609 | |||
| | |||
|- | |||
|[[-1/12-comma meantone]] | |||
|703.747 | |||
| | |||
|- | |||
| | |||
|703.910 | |||
|As sharp of [[Pythagorean tuning]] as [[55edo|12edo]] is flat. Negative harmonically significant (see [[negative harmony temperaments]]). | |||
|- | |||
|[[-1/11-comma meantone]] | |||
|703.910 | |||
| | |||
|- | |||
|[[-1/10-comma meantone]] | |||
|704.105 | |||
| | |||
|- | |||
|[[-1/9-comma meantone]] | |||
|704.344 | |||
|Close to [[46edo]], 11/7 quarter-kleisma temperament. Historically significant tuning with sharp fifth (see [[historical temperaments]]). | |||
|- | |||
|[[2/17-comma meantone|-2/17-comma meantone]] | |||
|704.483 | |||
| | |||
|- | |||
|[[-1/8-comma meantone]] | |||
|704.643 | |||
| | |||
|- | |||
|[[-2/15-comma meantone]] | |||
|704.823 | |||
|Close to [[63edo]]. | |||
|- | |||
|[[-1/7-comma meantone]] | |||
|705.027 | |||
|Close to [[80edo]]. Negative harmonically significant (see [[negative harmony temperaments]]). | |||
|- | |||
|[[-2/13-comma meantone]] | |||
|705.350 | |||
| | |||
|- | |||
|[[-3/19-comma meantone]] | |||
|705.350 | |||
| | |||
|- | |||
| -[[-4/25-comma meantone|4/25-comma meantone]] | |||
|705.396 | |||
|Negative harmonically significant (see [[negative harmony temperaments]]). | |||
|- | |- | ||
|[[-1/6-comma meantone]] | |[[-1/6-comma meantone]] | ||
|705. | |705.538 | ||
|Negative harmonically significant (see [[negative harmony temperaments]]). | |Negative harmonically significant (see [[negative harmony temperaments]]). | ||
|- | |- | ||
Line 338: | Line 418: | ||
|[[-2/11-comma meantone]] | |[[-2/11-comma meantone]] | ||
|705.865 | |705.865 | ||
| | |Everything up to this point generates 12 and 17 and 29 tone MOS scales. | ||
|- | |- | ||
|[[17edo]] | |[[17edo]] | ||
Line 346: | Line 426: | ||
|[[-3/16-comma meantone]] | |[[-3/16-comma meantone]] | ||
|705.987 | |705.987 | ||
| | |Everything from this point onwards generates 12 and 17 and 22 tone MOS scales. | ||
|- | |- | ||
| | | | ||
Line 466: | Line 546: | ||
|[[-3/8-comma meantone]] | |[[-3/8-comma meantone]] | ||
|710.019 | |710.019 | ||
| | |||
|- | |||
|[[Negative Split Golden ratio comma meantone]] | |||
|710.170 | |||
| | | | ||
|- | |- | ||
Line 570: | Line 654: | ||
|[[-8/13-comma meantone]] | |[[-8/13-comma meantone]] | ||
|715.190 | |715.190 | ||
| | |||
|- | |||
|[[Negative Golden ratio comma meantone]] | |||
| | |||
| | | | ||
|- | |- | ||
Line 682: | Line 770: | ||
|[[-5/6-comma meantone]] | |[[-5/6-comma meantone]] | ||
|719.877 | |719.877 | ||
|Everything up to this point generates 12 and 17 tone MOS scales. | |Everything up to this point generates 12 and 17 and 22 tone MOS scales. | ||
|- | |- | ||
|[[5edo]]||720.000||The largest MOS scale this can generate is 5 tone. '''Upper boundary of 5-limit diamond monotone.''' | |[[5edo]]||720.000||The largest MOS scale this can generate is 5 tone. '''Upper boundary of 5-limit diamond monotone.''' |