20:25:30:36: Difference between revisions
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In the [[septimal meantone]] tuning of this chord, the ~36/25 tritone is equated with the more consonant interval [[10/7]], and the major-minor seventh chord becomes an [[essentially tempered chord]] in the [[9-odd-limit]]. | In the [[septimal meantone]] tuning of this chord, the ~36/25 tritone is equated with the more consonant interval [[10/7]], and the major-minor seventh chord becomes an [[essentially tempered chord]] in the [[9-odd-limit]]. | ||
If [[128/125]] is tempered out, this chord is tuned identically to both [[256:320:375:450]] and [[128:160:192:225]]. | |||
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Latest revision as of 06:04, 4 December 2024
| Chord information |
20:25:30:36 is a major-minor seventh chord, sometimes considered a form of dominant seventh chord. It combines a 5/4 major third with the consonant 9/5 seventh that would be found in a minor seventh chord on the same root, creating a 36/25 tritone between the two.
The major-minor seventh chord is found rooted at the I (1⁄1) and IV (4⁄3) of the duodene.
In the meantone tuning of this chord, the ~9/5 seventh is equated with ~16/9, making it equivalent to the meantone tuning of 36:45:54:64.
In the septimal meantone tuning of this chord, the ~36/25 tritone is equated with the more consonant interval 10/7, and the major-minor seventh chord becomes an essentially tempered chord in the 9-odd-limit.
If 128/125 is tempered out, this chord is tuned identically to both 256:320:375:450 and 128:160:192:225.