Gallery of 12-tone just intonation scales: Difference between revisions

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* [[Riley_rosary|Riley rosary]] - Terry Riley, tuning for Cactus Rosary (1993)
* [[Riley_rosary|Riley rosary]] - Terry Riley, tuning for Cactus Rosary (1993)
* [[Secor5_23TX]] - George Secor's synchronous 5/23-comma temperament extraordinaire
* [[Secor5_23TX]] - George Secor's synchronous 5/23-comma temperament extraordinaire
* [[Septimal Canright]] - A 7-limit detemper of 12edo used by [[David Canright]]
* [[Serafini-11]] - Serafini's [http://electro-music.com/forum/topic-14631.html 11's chromatic scale], an 11-limit tuning discovered by [[Carlo_Serafini|Carlo Serafini]]
* [[Serafini-11]] - Serafini's [http://electro-music.com/forum/topic-14631.html 11's chromatic scale], an 11-limit tuning discovered by [[Carlo_Serafini|Carlo Serafini]]
* [[Sevish (scale)|sevish]] - Sean "Sevish" Archibald's scale for [https://www.archive.org/download/FNet021/02.Sevish-Trapped_in_a_Cycle.mp3 Trapped in a Cycle]
* [[Sevish (scale)|sevish]] - Sean "Sevish" Archibald's scale for [https://www.archive.org/download/FNet021/02.Sevish-Trapped_in_a_Cycle.mp3 Trapped in a Cycle]

Revision as of 08:57, 16 November 2024

Just Intonation is an infinite universe. A justly-intoned pentatonic can be very effective in the hands of a sensitive composer, and in this electronic age that same composer on another day can use a scale with hundreds of notes in an octave.

One approach to making just intonation not only practical but easy is to map an octave-repeating 12-tone JI scale to a standard keyboard. This page collects some of these scales, and a companion page does the same for tempered scales.

See also