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User:Moremajorthanmajor/TAMNAMS Extension: Difference between revisions

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!Reasoning or ideas
!Reasoning or ideas
|-
|-
|1L 3s<7/5, 10/7, 11/8*><ref>Partial detemperament of subaric temperament</ref>*
|1L 3s<7/5, 10/7, 11/8*, 3/2><ref>Partial detemperament of subaric temperament</ref>*
|hard lydianic antetric
|hard lydianic antetric
| colspan="2" |use compound
| colspan="2" |use compound
|Linear combination of Lydian tetrachord and undivided tritone, analogous to 3:1 step ratio of hard mosses
|Linear combination of Lydian tetrachord and undivided tritone, analogous to 3:1 step ratio of hard mosses
|-
|-
|2L 2s <7/5, 10/7, 11/8*><ref name=":1" />
|2L 2s <7/5, 10/7, 11/8*, 4/3><ref name=":1" />
|locrianic  
|locrianic  
|locri-
|locri-
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!Reasoning or ideas
!Reasoning or ideas
|-
|-
|1L 4s <8/5, 14/9, 13/8*, 5/3*, 12/7*, 3/2>*
|1L 4s <8/5, 14/9, 11/7*, 13/8*, 5/3*, 12/7*, 3/2>*
|indopedal
|indopedal
| colspan="2" |use compound
| colspan="2" |use compound
|Linear combination of Hindu pentachord and undivided augmented fifth
|Linear combination of Hindu pentachord and undivided augmented fifth
|-
|-
|3L 2s <8/5, 14/9, 13/8*>
|3L 2s <8/5, 14/9, 11/7*, 13/8*>
|aeolianic
|aeolianic
|aeol-
|aeol-
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|Commonly invoked as Aeolian (natural minor) hexacbord
|Commonly invoked as Aeolian (natural minor) hexacbord
|-
|-
|4L 1s <8/5, 14/9, 13/8*>*
|4L 1s <8/5, 14/9, 11/7*, 13/8*, 3/2>*
|indomanual
|indomanual
| colspan="2" |use compound
| colspan="2" |use compound
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|Linear combination of Neapolitan hexachord and undivided augmented sixth
|Linear combination of Neapolitan hexachord and undivided augmented sixth
|-
|-
|5L 1s <15/8, 27/14>
|5L 1s <15/8, 27/14, 11/6*>
|second ionianic
|second ionianic
|2ion-
|2ion-
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!Reasoning or ideas
!Reasoning or ideas
|-
|-
|4L 4s<7/4, 15/7, 11/5*><ref name=":1" /><ref name=":0" />
|4L 4s<7/4, 9/5, 15/8, 27/14, 21/11*, 15/7, 11/5*>*<ref name=":1" /><ref name=":0" />
|diminished
|diminished
|dimi-
|dimi-
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|Regularisation of Persian/Arabic Mahur scale
|Regularisation of Persian/Arabic Mahur scale
|-
|-
|7L 2s <5/2, 18/7>
|7L 2s <5/2, 18/7, 13/5*>
|
|armodecadic
|
|ardec-
|
|ard(e)
|In reference to Terra Rubra temperament, already-existing name armotonic could be modified to armodecadic to make affix ardec-, ard(e) via translation (Terra = Du aarde, Ar ‘ard)
|In reference to Terra Rubra temperament, makes affix via translation (Terra = Du aarde, Ar ‘ard)
|-
|-
! colspan="5" |10-note mosses
! colspan="5" |10-note mosses
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| rowspan="2" |More transparent of two given names, references how it puts triads in four parts
| rowspan="2" |More transparent of two given names, references how it puts triads in four parts
|-
|-
|8L 2s <14/5, 20/7, 11/4*><ref name=":0" />
|8L 2s <14/5, 20/7, 11/4*, 3/1*><ref name=":0" />
|choralic (Lydian)
|choralic (Lydian)
|-
|-
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!Reasoning or ideas
!Reasoning or ideas
|-
|-
|7L 4s <14/5, 20/7, 11/4*><ref name=":0" />
|7L 4s <14/5, 20/7, 11/4*, 8/3*><ref name=":0" />
|Obikhodic (Locrian)*
|Obikhodic (Locrian)*
| rowspan="2" |obi-
| rowspan="2" |obi-
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|Canonical macrochromatic scale
|Canonical macrochromatic scale
|-
|-
|8L 4s <16/5, 28/9, 13/4*><ref name=":0" />
|8L 4s <16/5, 28/9, 22/7*, 13/4*><ref name=":0" />
|m-chromatic bastonic
|m-chromatic bastonic
|
|
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|bastonic is actually the macro-tetrawood temperament in a thirteenth (one of the '''four''' “Spanish” suits is '''wood'''en batons, or ''bastos'' in Spanish)
|bastonic is actually the macro-tetrawood temperament in a thirteenth (one of the '''four''' “Spanish” suits is '''wood'''en batons, or ''bastos'' in Spanish)
|-
|-
|9L 3s <10/3, 24/7><ref name=":0" />
|9L 3s <10/3, 24/7, 17/5*><ref name=":0" />
|ivanimajiangic
|ivanimajiangic
|
|
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!Reasoning or ideas
!Reasoning or ideas
|-
|-
|8L 5s <10/3, 24/7>
|8L 5s <10/3, 24/7, 17/5*>
|
|
|
|
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!Reasoning or ideas
!Reasoning or ideas
|-
|-
|11L 5s <24/5, 14/3>
|11L 5s <24/5, 14/3, 19/4*>
|
|
|
|
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|
|
|-
|-
|12L 4s <5/1, 36/7><ref name=":0" />
|12L 4s <5/1, 36/7 (21/4), 26/5*><ref name=":0" />
|quasiangelic
|quasiangelic
|qang-
|qang-
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|Canonical heptadecatonic macroenharmonic scale
|Canonical heptadecatonic macroenharmonic scale
|-
|-
|13L 4s <28/5, 40/7, 11/2*>
|13L 4s <28/5, 40/7, 11/2*, 6/1*>
|subsextal[17]
|subsextal[17]
|sub6-
|sub6-
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!Reasoning or ideas
!Reasoning or ideas
|-
|-
|12L 6s <28/5, 40/7, 11/2*><ref name=":0" />
|12L 6s <28/5, 40/7, 11/2*, 16/3*><ref name=":0" />
|subsextal[18]
|subsextal[18]
|sub6-
|sub6-
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|-
|-
|13L 5s <6/1>
|13L 5s <6/1>
|
|daseianic
|
|asper-
|
|asp-
|In reference to daseian notation, 13L 5s <6/1> could be named daseianic
|In reference to daseian notation
|-
|-
! colspan="5" |19-note mosses
! colspan="5" |19-note mosses
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!Reasoning or ideas
!Reasoning or ideas
|-
|-
|12L 7s <28/5, 40/7, 11/2*, 6/1, 16/3, 32/5, 56/9, 13/2*><ref name=":0" />
|12L 7s <28/5, 40/7, 11/2*, 6/1, 16/3, 32/5, 56/9, 44/7*, 13/2*><ref name=":0" />
|
|
|
|
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|Canonical enneadecatonic macroenharmonic scale
|Canonical enneadecatonic macroenharmonic scale
|-
|-
|13L 6s <32/5, 56/9, 13/2*>
|13L 6s <32/5, 56/9, 44/7*, 13/2*>
|
|
|
|
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|
|
|-
|-
|14L 5s <20/3, 48/7>
|14L 5s <20/3, 48/7, 34/5*>
|
|
|
|
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!Reasoning or ideas
!Reasoning or ideas
|-
|-
|13L 7s <20/3, 48/7>
|13L 7s <20/3, 48/7, 34/5*>
|
|Guidotonic (diminished)
|
| rowspan="3" |guido-
|
| rowspan="3" |guid-
|In reference to the Guidonian hand, 13L 7s <20/3, 48/7> could be named guidotonic diminished
| rowspan="3" |In reference to the Guidonian hand
|-
|-
|14L 6s <36/5, 7/1><ref name=":0" />
|14L 6s <36/5, 7/1><ref name=":0" />
|
|Guidotonic (dominant)
|
|
|In reference to the Guidonian hand, 14L 6s <36/5, 7/1> could be named guidotonic dominant  
|-
|-
|15L 5s <15/2, 54/7><ref name=":0" />
|15L 5s <15/2, 54/7, 22/3*><ref name=":0" />
|
|Guidotonic (major)
|
|
|In reference to the Guidonian hand, 15L 5s <15/2, 54/7> could be named guidotonic major
|-
|-
! colspan="5" |22-note mosses
! colspan="5" |22-note mosses
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|
|
|-
|-
|17L 5s <48/5, 28/3, 9/1, 10/1, 72/7>*
|17L 5s <48/5, 28/3, 9/1, 10/1, 72/7 (21/2)>*
|
|
|
|
|
|
|Canonical macrosubchromatic scale
|Canonical macroprotofractalic macrosubchromatic scale
|-
|-
! colspan="5" |23-note mosses
! colspan="5" |23-note mosses
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!Reasoning or ideas
!Reasoning or ideas
|-
|-
|16L 7s <48/5, 28/3>
|16L 7s <48/5, 28/3, 19/2>
|
|
|
|
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|
|
|-
|-
|17L 6s <10/1, 72/7>
|17L 6s <10/1, 72/7 (21/2), 51/5*>
|archangelic
|archangelic
|
|
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|-
|-
|17L 7s <32/3>
|17L 7s <32/3>
|tressettine
|
|
|
|
|
|In reference to Tressette scoring counting the whole deck as 10⅔ points  
|In reference to Tressette scoring counting the whole deck as 10⅔ points, 17L 7s <32/3> could be named tressettine
|-
|-
|18L 6s <56/5, 80/7, 11/1*><ref name=":0" />
|18L 6s <56/5, 80/7, 11/1*, 12/1*><ref name=":0" />
|hendecoidal[24]
|hendecoidal[24]
|hendec-
|hendec-
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!Reasoning or ideas
!Reasoning or ideas
|-
|-
|19L 6s <56/5, 80/7, 11/1*>
|19L 6s <56/5, 80/7, 11/1*, 32/3*>
|hendecoidal[25]
|hendecoidal[25]
|hendec-
|hendec-
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!Reasoning or ideas
!Reasoning or ideas
|-
|-
|18L 8s <64/5, 112/9, 13/1*><ref name=":0" />
|18L 8s <64/5, 112/9, 88/7*, 13/1*><ref name=":0" />
|
|Petrushkatonic (minor)
|
| rowspan="2" |petrushka-
|
| rowspan="2" |petru-
|In reference to the “27th chord” which appears in Stravinsky’s ''Petrushka'', 18L 8s <64/5, 112/9> could be named petrushkatonic minor
| rowspan="2" |In reference to the “27th chord” which appears in Stravinsky’s ''Petrushka''
|-
|-
|19L 7s <40/3, 96/7>
|19L 7s <40/3, 96/7, 68/5*>
|
|Petrushkatonic (major)
|
|
|In reference to the “27th chord” which appears in Stravinsky’s ''Petrushka'', 19L 7s <40/3, 96/7> could be named petrushkatonic major
|}
|}


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