German sixth chord: Difference between revisions

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== In meantone ==

If we stick to the [[5-limit]], which traditional tonal harmony mainly concerns, the augmented sixth represents both [[125/72]] and [[225/128]]. It is treated as a rare and special dissonance, especially when used on the sixth degree. The chord is

* (Meantone) 1 – 5/~~4 – 3/2 – ~~125/72 ~~with steps 5/4~~, 6/5, ~~75/64.~~

In 5-limit meantone, the traditional foundation of tonal harmony, the augmented sixth represents both [[225/128]] and [[125/72]]. It is treated as a rare and special dissonance, especially when used on the sixth degree. The 5-limit meantone German sixth chord,

~~Note the ~125/72 is simultaneously ~225~~/~~128, and the ~[[75~~/~~64]] is simultaneously ~[[~~125/~~108]].~~

* (Meantone) 1 – 5/4 – 3/2 – 125/72

~~However, most~~ [[~~meantone~~]] ~~tunings have the augmented sixth placed near~~ [[7/4]]~~. In the historically-prevalent~~ [[~~quarter-comma meantone~~]], ~~for example, it is tuned only a few cents shy of a just 7~~/4, ~~so the meantone German sixth chord can be considered to approximate the~~ [[~~harmonic seventh chord~~]]:

simultaneously represents both [[72:90:108:125]] (with steps 5/4, 6/5, and [[125/108]]) and [[128:160:192:225]] (with steps 5/4, 6/5, and [[75/64]]).

* (Meantone) 1 – 5/4 – 3/2 – 7/4 with steps 5/4, 6/5, 7/6.

However, in the historically prevalent [[quarter-comma meantone]], the augmented seventh is tuned only a few cents shy of a just 7/4, so the meantone German sixth chord can be considered to approximate the ''harmonic seventh chord'' as in [[septimal meantone]]:

* (Meantone) 1 – 5/4 – 3/2 – 7/4

representing [[4:5:6:7]] (with steps 5/4, 6/5, and 7/6).

== In just intonation ==

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In the [[5-limit]]:

* ~~Because the German sixth chord is often built on the sixth degree of a minor scale, the~~ [[128:160:192:225]] found on ~~the~~ ♭VI of the [[duodene]] ~~is a good candidate for its interpretation~~.

* [[128:160:192:225]], one of the possible 5-limit interpretations of the meantone chord, is found rooted on ♭VI in the [[duodene]].

[[Category:Just intonation chords]]

[[Category:Tetrads]]

@@ Line 4: / Line 4: @@
 == In meantone ==
-If we stick to the [[5-limit]], which traditional tonal harmony mainly concerns, the augmented sixth represents both [[125/72]] and [[225/128]]. It is treated as a rare and special dissonance, especially when used on the sixth degree. The chord is
-* (Meantone) 1&thinsp;–&thinsp;5/4&thinsp;–&thinsp;3/2&thinsp;–&thinsp;125/72 with steps 5/4, 6/5, 75/64.
+In 5-limit meantone, the traditional foundation of tonal harmony, the augmented sixth represents both [[225/128]] and [[125/72]]. It is treated as a rare and special dissonance, especially when used on the sixth degree. The 5-limit meantone German sixth chord,
-Note the ~125/72 is simultaneously ~225/128, and the ~[[75/64]] is simultaneously ~[[125/108]].
+* (Meantone) 1&thinsp;–&thinsp;5/4&thinsp;–&thinsp;3/2&thinsp;–&thinsp;125/72
-However, most [[meantone]] tunings have the augmented sixth placed near [[7/4]]. In the historically-prevalent [[quarter-comma meantone]], for example, it is tuned only a few cents shy of a just 7/4, so the meantone German sixth chord can be considered to approximate the [[harmonic seventh chord]]:
+simultaneously represents both [[72:90:108:125]] (with steps 5/4, 6/5, and [[125/108]]) and [[128:160:192:225]] (with steps 5/4, 6/5, and [[75/64]]).
-* (Meantone) 1&thinsp;–&thinsp;5/4&thinsp;–&thinsp;3/2&thinsp;–&thinsp;7/4 with steps 5/4, 6/5, 7/6.
+However, in the historically prevalent [[quarter-comma meantone]], the augmented seventh is tuned only a few cents shy of a just 7/4, so the meantone German sixth chord can be considered to approximate the ''harmonic seventh chord'' as in [[septimal meantone]]:
+* (Meantone) 1&thinsp;–&thinsp;5/4&thinsp;–&thinsp;3/2&thinsp;–&thinsp;7/4
+representing [[4:5:6:7]] (with steps 5/4, 6/5, and 7/6).
+<!-- Note: The close approximation of 7/4 is specific to quarter-comma meantone. Many other meantones, such as 12edo and 19edo, do not approximate it nearly as closely, although they may nonetheless support the septimal meantone interpretation that unifies it with the German sixth. -->
 == In just intonation ==
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 In the [[5-limit]]:
-* Because the German sixth chord is often built on the sixth degree of a minor scale, the [[128:160:192:225]] found on the ♭VI of the [[duodene]] is a good candidate for its interpretation.
+* [[128:160:192:225]], one of the possible 5-limit interpretations of the meantone chord, is found rooted on ♭VI in the [[duodene]].
 [[Category:Just intonation chords]]
 [[Category:Tetrads]]