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Any interval roughly midway between a M2 and a m3 is an interordinal interval. As is one between a M3 and a P4, and so forth. While it's easy to label or categorize most intervals as 2nds, 3rds, etc., interordinals are difficult to label. [[Kite Giedraitis]] proposes labeling them "plus-second", "plus-third", etc., written +2nd or +2. See Kite's Rationales for terminology below.
Any interval roughly midway between a M2 and a m3 is an interordinal interval. As is one between a M3 and a P4, and so forth. While it's easy to label or categorize most intervals as 2nds, 3rds, etc., interordinals are difficult to label. [[Kite Giedraitis]] proposes labeling them "plus-second", "plus-third", etc., written +2nd or +2. See Kite's Rationales for terminology below.


"Neutral" refers to a range of interval sizes. Anything in roughly the 340-360c range can be called a neutral 3rd. But mid refers to a single specific interval midway between major and minor. A mid interval is neutral, but neutral intervals are very often not mid.
"Neutral" refers to a range of interval sizes. Anything in roughly the 340-360c range can be called a neutral 3rd. But "mid", as defined in [[ups and downs notation]], refers to a specific interval exactly midway between major and minor. A mid interval is neutral, but neutral intervals are very often not mid.


Likewise, these "plus-something" intervals could be defined either vaguely as a cents range (e.g. +2nd = 240-260¢) or precisely as a specific interval. While the former are interordinals, Kite calls the latter "outsiders". So-called because a +2nd falls *outside* of the usual gamut of 2nds and the usual gamut of 3rds. An outsider is interordinal, but interordinals are very often not outside.
Likewise, these "plus-something" intervals could be defined either vaguely as a cents range (e.g. +2nd = 240-260¢) or precisely as a specific interval. While the former are interordinals, Kite calls the latter "interordinal mids" or "outer mids". So-called because a mid +2nd falls outside of the usual gamut of 2nds, 3rds, etc. A neutral mid is still called a mid, but can also be called an "inner mid". An outer mid is interordinal, but interordinals are very often not outer mids.


The gamuts are P1, m2-M2, m3-M3, P4-A4, d5-P5, m6-M6, m7-M7, P8. (See Kite's Rationales for gamuts below.) The endpoints of these gamuts define both outsiders and mids, which collectively Kite calls midpoints. For example, a mid 2nd is the midpoint of m2 and M2, which is (m2 + M2)/2 = m3/2. And a plus 2nd is (M2 + m3)/2 = P4/2.
The gamuts are P1, m2-M2, m3-M3, P4-A4, d5-P5, m6-M6, m7-M7, P8. (See Kite's Rationales for gamuts below.) The endpoints of these gamuts define both kinds of mids, which collectively Kite calls midpoints. For example, a mid 2nd is the midpoint of m2 and M2, which is (m2 + M2)/2 = m3/2. And a mid plus 2nd is (M2 + m3)/2 = P4/2.


Mid and outside are qualities like perfect, major and minor. Neutral and interordinal are also qualities, although slightly vague ones. Perfect, major and minor are in theory precise qualities but in practice they are slightly vague. e.g. 5/4. They can be diverge from their exact by adding super- and sub- serve to . Likewise supermid, subneutral and superoutside, but subinterordinal is going too far. -ish serves to  
Inner mid and outer mid are qualities like perfect, major and minor. Neutral and interordinal are also qualities, although slightly vague ones. Perfect, major and minor are in theory precise qualities but in practice they are slightly vague. e.g. 5/4. They can diverge from their exact size by adding super- and sub- serve to . Likewise supermid, subneutral and superoutside, but subinterordinal is going too far. -ish serves to  


Mid can be generalized to "middish" to include all neutral intervals. Likewise "outside-ish" for all interordinals.
One could label various interordinals as perfect, major, minor, etc. But outsiders aren't major or minor, they're just outside. Analogous to how mids are just mid. IOW mid and outside are themselves qualities. Neutral is also a quality, although a vague one, whereas mid is exact. Major, minor, etc. are in theory exact, but in practice vague. If they were in practice exact, we would describe e.g. 5/4 as "majorish".  


 
Mid can be generalized to "middish" to include all neutral intervals or all interordinals.
 
MID IS ~, NEED A SYMBOL FOR OUTSIDE<br>
+2nd includes interordinal plus-2nds like 15/13 as well<br>
o+2nd or o2nd or ~+2nd?<br>
or 15/13 is "a" +2nd, but 5\19 is "the" +2nd?<br>


The exact cents of the midpoints are defined by the size of the 5th. (As well as the octave, if it's stretched or compressed.) Assume unstretched 8ves and a 5th of 700+c cents. Thus c = one twelfth of a (possibly tempered) pyth comma.
The exact cents of the midpoints are defined by the size of the 5th. (As well as the octave, if it's stretched or compressed.) Assume unstretched 8ves and a 5th of 700+c cents. Thus c = one twelfth of a (possibly tempered) pyth comma.
{| class="wikitable"
{| class="wikitable"
|+Midpoints
|+Midpoints
!quality
!category
!degree
! colspan="2" |interval
!fraction
!as a fraction
!cents
!cents
!notes
!notes
|-
|-
|outside
|outer
| +1sn
|mid plus-1sn
| ~+1
|m2/2
|m2/2
|50¢ - 2.5c  
|50¢ - 2.5c  
|quartertone
|quartertone
|-
|-
|mid
|inner
|2nd
|mid 2nd
|~2
|m3/2
|m3/2
|150¢ - 1.5c
|150¢ - 1.5c
|
|
|-
|-
|outside
|outer
| +2nd
|mid plus-2nd
| ~+2
|P4/2
|P4/2
|250¢ - 0.5c
|250¢ - 0.5c
|
|
|-
|-
|mid
|inner
|3rd
|mid 3rd
|~3
|P5/2
|P5/2
|350¢ + 0.5c
|350¢ + 0.5c
|
|
|-
|-
|outside
|outer
| +3rd
|mid plus-3rd
| ~+3
|M6/2
|M6/2
|450¢ + 1.5c
|450¢ + 1.5c
|
|
|-
|-
|mid
|inner
|4th
|mid 4th
|~4
|M7/2
|M7/2
|550¢ + 2.5c
|550¢ + 2.5c
|
|
|-
|-
|outside
|outer
| +4th
|mid plus-4th
| ~+4
|P8/2
|P8/2
|600¢
|600¢
|the half-octave
|the half-octave
|-
|-
|mid
|inner
|5th
|mid 5th
|~5
|m9/2
|m9/2
|650¢ - 2.5c
|650¢ - 2.5c
|P8/2 + o+1sn
|P8/2 plus ~+1sn
|-
|-
|outside
|outer
| +5th
|mid plus-5th
| ~+5
|m10/2
|m10/2
|750¢ - 1.5c
|750¢ - 1.5c
|P8/2 + o+2nd
|P8/2 plus ~+2nd
|-
|-
|mid
|inner
|6th
|mid 6th
|~6
|P11/2
|P11/2
|850¢ - 0.5c
|850¢ - 0.5c
|etc.
|etc.
|-
|-
|outside
|outer
| +6th
|mid plus-6th
| ~+6
|P12/2
|P12/2
|950¢ + 0.5c
|950¢ + 0.5c
|
|
|-
|-
|mid
|inner
|7th
|mid 7th
|~7
|M13/2
|M13/2
|1050¢ + 1.5c
|1050¢ + 1.5c
|
|
|-
|-
|outside
|outer
| +7th
|mid-plus-7th
| ~+7
|M14/2
|M14/2
|1150¢ + 2.5c
|1150¢ + 2.5c
|P8 - o+1sn
|P8 minus ~+1sn
|}
|}
There is symmetry not only within the octave but also within the half-octave.
There is no mid 1sn or mid 8ve. The mid +8ve is as expected, a mid +1sn plus an 8ve.


There is no mid 1sn or mid 8ve. The +8ve is as expected, a +1sn plus an 8ve.
There is symmetry not only within the octave but also within the half-octave. Thus ~4 = half-octave - ~+1sn


Calling an outside +4th a tritone is a little problematic.  
Calling an outside +4th a tritone is a little problematic.  
* A tritone is literally three M2's, which is an aug 4th.  
* A tritone is literally three M2's, which is an aug 4th.  
* A large odd edo like 41 has two tritones, each of which is an interordinal but not an outsider.
* A large odd edo like 41 has two tritones, each of which is an interordinal but not an outsider.
One could label various interordinals as perfect, major, minor, etc. But outsiders aren't major or minor, they're just outside. Analogous to how mids are just mid. IOW mid and outside are themselves qualities. Neutral is also a quality, although a vague one, whereas mid is exact. Major, minor, etc. are in theory exact, but in practice vague. If they were in practice exact, we would describe e.g. 5/4 as "majorish".




Except for the +4th, a plus interval is always half a m2 above the major or perfect version of that interval.
Except for the +4th, a plus interval is always half a m2 above the major or perfect version of that interval.


Note that a half-aug 1sn is 50 + 3.5c, half a pyth comma wider than a +1sn. And a half-dim 2nd is 50 - 8.5c, half a pyth comma narrower. This is because mid is A1/2 below major, so half-aug is A1/2 above major, but plus is m2/2 above major
Note that a half-aug 1sn is 50 + 3.5c, half a pyth comma wider than a +1sn. And a half-dim 2nd is 50 - 8.5c, half a pyth comma narrower. This is because half-aug is A1/2 above major, but plus is m2/2 above major


Instead of c, we can use fractions of a comma. If we make quarter-comma meantone 7-limit by adding the zozo comma, it gains outsiders. The outside +2nd is half a just 4th plus one-eighth of a comma.
Instead of c, we can use fractions of a comma. If we make quarter-comma meantone 7-limit by adding the zozo comma, it gains outer mids. The mid +2nd is half a just 4th plus one-eighth of a comma.


Except in the region of the half-octave, every midpoint is midway between the two midpoints nearest to it.  
Except in the region of the half-octave, every midpoint is midway between the two midpoints nearest to it.  
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== Occurences ==
== Occurences ==


While neutrals and interordinals exist in JI, just intervals are never midpoints, because of the unique prime-factorization theorem. Mid intervals only exist in edos of even sharpness and rank-2 or higher temps that have an EI of vvA1 or v⁴A1 or v⁶A1, etc. And interordinals only exist in edos of even penta-sharpness and rank-2 or higher temps that have an EI of vvm2 or v⁴m2 or v⁶m2, etc.
While neutrals and interordinals exist in JI, just intervals are never midpoints, because of the unique prime-factorization theorem. Mid intervals only exist in edos of even sharpness and rank-2 or higher temps that have an EI of vvA1 or v⁴A1 or v⁶A1, etc. And mid interordinals only exist in edos of even penta-sharpness and rank-2 or higher temps that have an EI of vvm2 or v⁴m2 or v⁶m2, etc.


What about (P8/2, P5)? it has vvd2 and a +4.
What about (P8/2, P5)? it has vvd2 and a +4.
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Any other pergens? ask Praveen
Any other pergens? ask Praveen


But we can still talk about a just mid 3rd. it's half of a just P5. And the just outside +2nd is half a just P4. Thus a just midpoint is simply half a 3-limit interval, and is really a 3-limit midpoint.
But we can still talk about a just mid 3rd. it's half of a just P5. And the just mid +2nd is half a just P4. Thus a just midpoint is simply half a just 3-limit interval, and is really a 3-limit midpoint.


== Interval arithmetic ==
== Interval arithmetic ==


When you add two plus-intervals, the sum is plus-one from what it would be without the plusses:
When you add two plus-intervals, the sum is plus-one from what it would be without the plusses:
the sum of a 2nd and a 3rd is a 4th
the sum of a 2nd and a 3rd is a 4th
the sum of a +2nd and a +3rd is a 5th
the sum of a +2nd and a +3rd is a 5th


In edos like 24, 34 and 72, an outsider and a mid add up nicely:
In edos like 24, 34 and 72, an outer mid and an inner mid add up nicely:


+2nd + ~2nd = P4/2 + m3/2 = m6/2 = M3 - pyth/2
~+2nd + ~2nd = P4/2 + m3/2 = m6/2 = M3 - pyth/2
+2nd + ~3rd = P4/2 + P5/2 = P8/2 = aug4 - pyth/2
 
+3rd + ~2nd = M6/2 + m3/2 = P8/2
~+2nd + ~3rd = P4/2 + P5/2 = P8/2 = aug4 - pyth/2
+3rd + ~3rd
 
~+3rd + ~2nd = M6/2 + m3/2 = P8/2
 
~+3rd + ~3rd


The logic is: flatten the +something to a major-something, sharpen the mid-something to a major-something, and add a pyth comma.
The logic is: flatten the +something to a major-something, sharpen the mid-something to a major-something, and add a pyth comma.


m3rd = 300 - 3c
m3rd = 300 - 3c  
~3rd = 350 + c/2
 
M3rd = 400 + 4c  
~3rd = 350 + c/2  
+3rd = 450 + 1.5c
 
M3rd = 400 + 4c  
 
~+3rd = 450 + 1.5c  
 
P4th = 500 - c   
P4th = 500 - c   


mid to major  = 50 + 3.5c = A1/2
mid to major  = 50 + 3.5c = A1/2
major to plus = 50 - 2.5c = m2/2 = A1/2 - pyth/2
major to plus = 50 - 2.5c = m2/2 = A1/2 - pyth/2


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"Surd", "thorth", "forfth" etc. are too cringe.
"Surd", "thorth", "forfth" etc. are too cringe.


Calling 1.5 a minus 2nd conflicts with calling 50/49 or the pyth comma a negative 2nd, since both are written -2nd or -2.  
Calling a plus 1sn a "minus 2nd" conflicts with calling 50/49 or the pyth comma a negative 2nd, since both are written -2nd or -2.  


=== Gamuts ===
=== Gamuts ===
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The gamut of imperfect degrees runs from minor to major. Extending that to include aug and dim wouldn't change the location of the +2nd or +6th, and would mess up (i.e. give non-intuitive results for) the +1sn and +7th.  
The gamut of imperfect degrees runs from minor to major. Extending that to include aug and dim wouldn't change the location of the +2nd or +6th, and would mess up (i.e. give non-intuitive results for) the +1sn and +7th.  


The 4th's gamut runs perfect-aug and the 5th's runs dim-perfect. Limiting each gamut to perfect only would mess up the ~4th and the ~5th. Expanding each to dim-aug additionally messes up the +3rd and +5th. Note that often A4 > d5, and the outside +4th isn't actually outside of the nearest gamuts.  
The 4th's gamut runs perfect-aug and the 5th's runs dim-perfect. Limiting each gamut to perfect only would mess up the ~4th and the ~5th. Expanding each to dim-aug additionally messes up the +3rd and +5th. Note that often A4 > d5, and the mid +4th isn't actually outside of the nearest gamuts.  


The unison's gamut is very small, just P1, to avoid messing up the +1sn. Likewise the octave's gamut is P8, to avoid messing up the +7th.
The unison's gamut is very small, just P1, to avoid messing up the +1sn. Likewise the octave's gamut is P8, to avoid messing up the +7th.


Each gamut is a m2 wide, except for the 1sn and the 8ve. Each gap between gamuts is a m2, except for at the half-8ve. The gaps plus the widths run m2 A1 m2 A1 m2 A1 pyth A1 m2 A1 m2 A1 m2.
Each gamut is an A1 wide, except for the 1sn and the 8ve. Each gap between gamuts is a m2, except for at the half-8ve. The gaps plus the widths run m2 A1 m2 A1 m2 A1 pyth A1 m2 A1 m2 A1 m2.