19edo: Difference between revisions
ArrowHead294 (talk | contribs) |
ArrowHead294 (talk | contribs) |
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| Line 247: | Line 247: | ||
| 0–4–11 | | 0–4–11 | ||
| C–E𝄫–G | | C–E𝄫–G | ||
| Cm(♭3), Cmin(♭3), | | Cm(♭3), Cmin(♭3), C(d3) | ||
| C subminor, C minor flat-three, C diminished-three | | C subminor, C minor flat-three, C diminished-three | ||
|- | |- | ||
| Line 268: | Line 268: | ||
| 0–7–11 | | 0–7–11 | ||
| C–E♯–G | | C–E♯–G | ||
| C(♯3), Cmaj(♯3), | | C(♯3), Cmaj(♯3), C(A3) | ||
| C supermajor, C major sharp-three, C augmented-three | | C supermajor, C major sharp-three, C augmented-three | ||
|} | |} | ||
0–6–11–15 = C–E–G–B𝄫 = C,d7 = Cadd(d7) = C add dim-seven = C major dim-seven = 4:5:6:7 | |||
0–5–11–15 = C–E♭–G–A♯ = Cm(♯6) = Cm(A6) = C minor sharp-six or C minor aug-six = 1/(4:5:6:7) = 1/1–6/5–3/2–12/7 | |||
The last two chords illustrate how the 15\19 interval can be considered as either 7/4 or 12/7, and how 19edo tends to conflate zo and ru ratios. | The last two chords illustrate how the 15\19 interval can be considered as either 7/4 or 12/7, and how 19edo tends to conflate zo and ru ratios. | ||