31edo modes: Difference between revisions
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KingHyperio (talk | contribs) Tried to revamp the page a bit, added a bunch of scales that definitely should've been there, as well as a few that I find interesting. |
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| Line 30: | Line 30: | ||
| <tt>'''5 2 6 5 2 5 6'''</tt> | | <tt>'''5 2 6 5 2 5 6'''</tt> | ||
| "Septimal" Natural Minor | | "Septimal" Natural Minor | ||
|} | |||
== MOS == | |||
{| class="wikitable" | |||
|- | |||
| <tt>'''4 5 4 5 4 5 4'''</tt> | |||
| Neutral[7] | |||
|- | |||
| <tt>'''4 1 4 4 1 4 4 4 1 4'''</tt> | |||
| Neutral[10] | |||
|- | |||
| <tt>'''7 7 7 7 3'''</tt> | |||
| Orwell[5] | |||
|- | |||
| <tt>'''4 3 4 3 4 3 4 3 3'''</tt> | |||
| Orwell[9] | |||
|- | |||
| <tt>'''3 1 3 3 1 3 3 1 3 3 1 3 3'''</tt> | |||
| Orwell[13] | |||
|- | |||
| <tt>'''9 9 2 9 2'''</tt> | |||
| Squares[5] | |||
|- | |||
| <tt>'''2 7 2 7 2 2 7 2'''</tt> | |||
| Squares[8] | |||
|- | |||
| <tt>'''2 5 2 2 2 5 2 2 2 5 2'''</tt> | |||
| Secor/Barton no-fives / Squares[11] | |||
|- | |||
| <tt>'''5 5 5 5 5 6'''</tt> | |||
| Tutone[6] | |||
|- | |||
| <tt>'''4 1 4 1 4 1 4 1 4 1 4 1 1'''</tt> | |||
| Tutone[13] | |||
|- | |||
| <tt>'''6 6 6 6 1 6'''</tt> | |||
| Mothra[6] | |||
|- | |||
| <tt>'''5 1 5 1 5 1 5 1 5 1 1'''</tt> | |||
| de Vries 11-tone / Mothra[11] | |||
|- | |||
| <tt>'''3 4 3 3 3 3 3 3 3 3'''</tt> | |||
| Miracle[10] | |||
|- | |||
| <tt>'''3 4 4 4 4 4 4 4'''</tt> | |||
| Nusecond[8] | |||
|- | |||
| <tt>'''3 1 3 1 3 1 3 1 3 1 3 1 3 1 3'''</tt> | |||
| Pseudo-Porcupine 15-note / Nusecond[15] | |||
|- | |||
| <tt>'''2 2 2 2 2 2 2 2 2 2 1 2 2 2 2 2'''</tt> | |||
| Semi-Equalized Armodue / Valentine[15] | |||
|- | |||
| <tt>'''5 7 5 7 7'''</tt> | |||
| A-Team[5] | |||
|- | |||
| <tt>'''5 5 2 5 5 2 5 2'''</tt> | |||
| A-Team[8] | |||
|- | |||
| <tt>'''3 2 3 2 2 3 2 2 3 2 3 2 2'''</tt> | |||
| A-Team[13] | |||
|- | |||
| <tt>'''11 3 11 3 3'''</tt> | |||
| Joan[5] | |||
|- | |||
| <tt>'''3 2 3 3 3 3 2 3 3 3 3'''</tt> | |||
| Joan[11] | |||
|- | |||
| <tt>'''8 1 1 8 1 1 8 1 1 1'''</tt> | |||
| Würschmidt[10] | |||
|- | |||
| <tt>'''1 1 6 1 1 6 1 1 6 1 6'''</tt> | |||
| Myna[11] | |||
|- | |||
| <tt>'''1 1 12 1 1 1 1 12 1'''</tt> | |||
| Tritonic[9] | |||
|} | |||
== MODMOS == | |||
{| class="wikitable" | |||
|- | |||
| <tt>'''3 4 3 4 4 3 4 3 3'''</tt> | |||
| Graham Orwell | |||
|- | |||
| <tt>'''5 4 4 5 5 4 4'''</tt> | |||
| Maqam Rast | |||
|- | |||
| <tt>'''4 4 5 5 3 5 5'''</tt> | |||
| Maqam Bayati | |||
|- | |||
| <tt>'''7 2 7 2 7 2 2 2'''</tt> | |||
| Onydim | |||
|- | |||
| <tt>'''5 5 4 6 5 6'''</tt> | |||
| Harmonic Whole Tone | |||
|- | |||
| <tt>'''5 5 5 2 5 2 5 2'''</tt> | |||
| Dylydian | |||
|- | |||
| <tt>'''5 2 5 2 5 2 8 2'''</tt> | |||
| Harmonic Mnarian | |||
|- | |||
| <tt>'''7 6 5 7 6'''</tt> | |||
| Subminor Pentatonic | |||
|} | |||
== Cradle MOS == | |||
{| class="wikitable" | |||
|- | |||
| <tt>'''1 7 1 2 1 7 1 2 1 7 1'''</tt> | |||
| Nested Bees | |||
|- | |||
| <tt>'''3 1 6 1 3 3 1 6 1 3 3'''</tt> | |||
| Arc Aurelius | |||
|- | |||
| <tt>'''5 4 5 4 2 5 4 2'''</tt> | |||
| Xenosquare | |||
|- | |||
| <tt>'''4 2 4 2 4 2 4 3 3 3'''</tt> | |||
| Lumma Decatonic | |||
|} | |||
== Hexany == | |||
{| class="wikitable" | |||
|- | |||
| <tt>'''5 5 8 5 5 3'''</tt> | |||
| 1-3-5-9 | |||
|- | |||
| <tt>'''5 6 7 6 5 2'''</tt> | |||
| 1-3-7-9 | |||
|- | |||
| <tt>'''3 7 6 2 6 7'''</tt> | |||
| 1-3-5-7 | |||
|- | |||
| <tt>'''9 4 1 4 9 4'''</tt> | |||
| 1-3-9-11 | |||
|- | |||
| <tt>'''4 4 6 4 4 9'''</tt> | |||
| 1-3-5-11 | |||
|- | |||
| <tt>'''4 7 7 7 4 2'''</tt> | |||
| 1-3-7-11 | |||
|- | |||
| <tt>'''8 4 6 4 8 1'''</tt> | |||
| 1-3-5-13 | |||
|} | |||
== Harmonic Series == | |||
{| class="wikitable" | |||
|- | |||
| <tt>'''8 7 6 5 5'''</tt> | |||
| Mode 5 | |||
|- | |||
| <tt>'''7 6 5 5 4 4'''</tt> | |||
| Mode 6 | |||
|- | |||
| <tt>'''6 5 5 4 4 4 3'''</tt> | |||
| Mode 7 | |||
|- | |||
| <tt>'''5 5 4 4 4 3 3 3'''</tt> | |||
| Mode 8 | |||
|- | |||
| <tt>'''4 4 4 3 3 3 3 2 3 2'''</tt> | |||
| Mode 10 | |||
|- | |||
| <tt>'''4 3 3 3 3 2 3 2 2 2 2 2'''</tt> | |||
| Mode 12 | |||
|- | |||
| <tt>'''3 3 3 2 3 2 2 2 2 2 2 2 1 2'''</tt> | |||
| Mode 14 | |||
|} | |} | ||
| Line 260: | Line 433: | ||
|} | |} | ||
== | == Miscellaneous == | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
| <tt>'''4 1 4 1 3 4 1 4 1 4 1 3'''</tt> | |||
| Iceface | |||
| <tt>'''4 1 | |||
| | |||
|- | |- | ||
| <tt>'''4 2 4 2 | | <tt>'''1 4 2 3 3 1 4 2 3 2 3 3'''</tt> | ||
| | | Centaurus | ||
|- | |- | ||
| <tt>'''3 2 2 3 3 2 3 3 2 2 3 3'''</tt> | | <tt>'''3 2 2 3 3 2 3 3 2 2 3 3'''</tt> | ||
| Line 322: | Line 469: | ||
| <tt>'''8 5 2 3 2 9 2'''</tt> | | <tt>'''8 5 2 3 2 9 2'''</tt> | ||
|Hyperblue harmonic | |Hyperblue harmonic | ||
|- | |||
| <tt>'''3 2 3 2 2 2 2 2 2 3 2 3 3'''</tt> | |||
| Major Miniscale (Mode 16 x Mode 15-over) | |||
|- | |- | ||
| <tt>'''3 7 8 8 5'''</tt> | | <tt>'''3 7 8 8 5'''</tt> | ||
|[[Aurora scale|Aurora]] | |[[Aurora scale|Aurora]] | ||
|} | |||
== Nonoctave == | |||
{| class="wikitable" | |||
|- | |||
| <tt>'''4 2 4 2 4 2 4 2 4 2'''</tt> | |||
| Blackwood | |||
|- | |||
| <tt>'''4 4 6 4 4 4 6'''</tt> | |||
| Mavila | |||
|- | |||
| <tt>'''8 2 8 2 8 2'''</tt> | |||
| Suboctave Augmented | |||
|- | |||
| <tt>'''2 6 2 6 2 6 2 6'''</tt> | |||
| Superoctave Diminished | |||
|- | |||
| <tt>'''4 4 3 7 3 5 3 (7)'''</tt> | |||
| Saba | |||
|- | |||
| <tt>'''5 5 5 3 5 5 5'''</tt> | |||
| Superlydian | |||
|} | |} | ||
Revision as of 03:52, 19 February 2024
Taken originally from Scala, Manuel Op De Coul, this is a user-editable list of modes of 31edo. The numbers indicate successive intervals, in dieses. There is also a dedicated page about strictly proper 7-tone 31edo scales.
Nothing special
Or, to some, the only important thing.
| 2 3 3 2 3 2 3 2 3 3 2 3 | Meantone Chromatic (53/220-comma) |
| 5 5 3 5 5 5 3 | Thirty-one tone Major, Intense Diatonic Lydian, M.Ionian |
| 5 3 5 5 3 5 5 | Thirty-one tone Natural Minor, Intense Diatonic Hypodorian, Aeolian |
| 5 3 5 5 5 5 3 | Thirty-one tone Melodic Minor |
| 5 3 5 5 3 7 3 | Thirty-one tone Harmonic Minor |
| 5 5 3 5 3 7 3 | Thirty-one tone Harmonic Major |
| 5 5 3 5 3 5 5 | Thirty-one tone Major-Minor |
| 5 2 6 5 2 5 6 | "Septimal" Natural Minor |
MOS
| 4 5 4 5 4 5 4 | Neutral[7] |
| 4 1 4 4 1 4 4 4 1 4 | Neutral[10] |
| 7 7 7 7 3 | Orwell[5] |
| 4 3 4 3 4 3 4 3 3 | Orwell[9] |
| 3 1 3 3 1 3 3 1 3 3 1 3 3 | Orwell[13] |
| 9 9 2 9 2 | Squares[5] |
| 2 7 2 7 2 2 7 2 | Squares[8] |
| 2 5 2 2 2 5 2 2 2 5 2 | Secor/Barton no-fives / Squares[11] |
| 5 5 5 5 5 6 | Tutone[6] |
| 4 1 4 1 4 1 4 1 4 1 4 1 1 | Tutone[13] |
| 6 6 6 6 1 6 | Mothra[6] |
| 5 1 5 1 5 1 5 1 5 1 1 | de Vries 11-tone / Mothra[11] |
| 3 4 3 3 3 3 3 3 3 3 | Miracle[10] |
| 3 4 4 4 4 4 4 4 | Nusecond[8] |
| 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 | Pseudo-Porcupine 15-note / Nusecond[15] |
| 2 2 2 2 2 2 2 2 2 2 1 2 2 2 2 2 | Semi-Equalized Armodue / Valentine[15] |
| 5 7 5 7 7 | A-Team[5] |
| 5 5 2 5 5 2 5 2 | A-Team[8] |
| 3 2 3 2 2 3 2 2 3 2 3 2 2 | A-Team[13] |
| 11 3 11 3 3 | Joan[5] |
| 3 2 3 3 3 3 2 3 3 3 3 | Joan[11] |
| 8 1 1 8 1 1 8 1 1 1 | Würschmidt[10] |
| 1 1 6 1 1 6 1 1 6 1 6 | Myna[11] |
| 1 1 12 1 1 1 1 12 1 | Tritonic[9] |
MODMOS
| 3 4 3 4 4 3 4 3 3 | Graham Orwell |
| 5 4 4 5 5 4 4 | Maqam Rast |
| 4 4 5 5 3 5 5 | Maqam Bayati |
| 7 2 7 2 7 2 2 2 | Onydim |
| 5 5 4 6 5 6 | Harmonic Whole Tone |
| 5 5 5 2 5 2 5 2 | Dylydian |
| 5 2 5 2 5 2 8 2 | Harmonic Mnarian |
| 7 6 5 7 6 | Subminor Pentatonic |
Cradle MOS
| 1 7 1 2 1 7 1 2 1 7 1 | Nested Bees |
| 3 1 6 1 3 3 1 6 1 3 3 | Arc Aurelius |
| 5 4 5 4 2 5 4 2 | Xenosquare |
| 4 2 4 2 4 2 4 3 3 3 | Lumma Decatonic |
Hexany
| 5 5 8 5 5 3 | 1-3-5-9 |
| 5 6 7 6 5 2 | 1-3-7-9 |
| 3 7 6 2 6 7 | 1-3-5-7 |
| 9 4 1 4 9 4 | 1-3-9-11 |
| 4 4 6 4 4 9 | 1-3-5-11 |
| 4 7 7 7 4 2 | 1-3-7-11 |
| 8 4 6 4 8 1 | 1-3-5-13 |
Harmonic Series
| 8 7 6 5 5 | Mode 5 |
| 7 6 5 5 4 4 | Mode 6 |
| 6 5 5 4 4 4 3 | Mode 7 |
| 5 5 4 4 4 3 3 3 | Mode 8 |
| 4 4 4 3 3 3 3 2 3 2 | Mode 10 |
| 4 3 3 3 3 2 3 2 2 2 2 2 | Mode 12 |
| 3 3 3 2 3 2 2 2 2 2 2 2 1 2 | Mode 14 |
Euler-Fokker genera
Boxy shapes from the [3,5,7] lattice.
| 5 8 5 13 | Genus primum |
| 10 3 5 5 5 3 | Genus secundum |
| 8 2 8 3 7 3 | Genus tertium |
| 10 10 10 1 | Genus quartum |
| 5 7 6 7 5 1 | Genus quintum |
| 4 6 2 6 4 3 3 3 | Genus sextum |
| 4 6 5 6 4 6 | Genus septimum |
| 6 6 6 1 6 6 | Genus octavum |
| 4 6 9 6 4 2 | Genus nonum |
| 13 6 6 6 | Genus decimum |
| 5 5 3 5 5 3 2 3 | Genus diatonicum |
| 3 5 2 3 5 3 2 5 3 | Genus chromaticum |
| 5 5 2 1 5 5 2 3 3 | Genus diatonicum cum septimis |
| 3 4 3 3 2 1 4 1 4 1 2 3 | Genus enharmonicum vocale |
| 2 2 4 2 2 3 3 3 1 3 3 3 | Genus enharmonicum instrumentale |
| 3 2 3 2 3 2 3 3 2 3 2 3 | Genus diatonico-chromaticum |
| 5 2 1 2 5 3 2 1 4 1 2 3 | Genus bichromaticum |
| 3 1 2 4 2 4 2 4 2 1 3 3 | Genus [3577] (Joel Mandelbaum Andante cantabile) |
Greek/tetrachord modes
| 4 4 5 4 4 5 5 | Neutral Diatonic Mixolydian |
| 4 5 4 4 5 5 4 | Neutral Diatonic Lydian |
| 5 4 4 5 5 4 4 | Neutral Diatonic Phrygian |
| 4 4 5 5 4 4 5 | Neutral Diatonic Dorian |
| 4 5 5 4 4 5 4 | Neutral Diatonic Hypolydian |
| 5 5 4 4 5 4 4 | Neutral Diatonic Hypophrygian |
| 5 4 4 5 4 4 5 | Neutral Diatonic Hypodorian |
| 4 5 4 4 5 4 5 | Neutral Mixolydian |
| 5 4 4 5 4 5 4 | Neutral Lydian |
| 4 4 5 4 5 4 5 | Neutral Phrygian |
| 4 5 4 5 4 5 4 | Neutral Dorian |
| 5 4 5 4 5 4 4 | Neutral Hypolydian |
| 4 5 4 5 4 4 5 | Neutral Hypophrygian |
| 5 4 5 4 4 5 4 | Neutral Hypodorian |
| 2 2 9 2 2 9 5 | Hemiolic Chromatic Mixolydian |
| 2 9 2 2 9 5 2 | Hemiolic Chromatic Lydian |
| 9 2 2 9 5 2 2 | Hemiolic Chromatic Phrygian |
| 2 2 9 5 2 2 9 | Hemiolic Chromatic Dorian |
| 2 9 5 2 2 9 2 | Hemiolic Chromatic Hypolydian |
| 9 5 2 2 9 2 2 | Hemiolic Chromatic Hypophrygian |
| 5 2 2 9 2 2 9 | Hemiolic Chromatic Hypodorian |
| 2 3 8 2 3 8 5 | Ratio 2:3 Chromatic Mixolydian |
| 3 8 2 3 8 5 2 | Ratio 2:3 Chromatic Lydian |
| 8 2 3 8 5 2 3 | Ratio 2:3 Chromatic Phrygian |
| 2 3 8 5 2 3 8 | Ratio 2:3 Chromatic Dorian |
| 3 8 5 2 3 8 2 | Ratio 2:3 Chromatic Hypolydian |
| 8 5 2 3 8 2 3 | Ratio 2:3 Chromatic Hypophrygian |
| 5 2 3 8 2 3 8 | Ratio 2:3 Chromatic Hypodorian |
| 3 5 5 3 5 5 5 | Intense Diatonic Mixolydian, M.Locrian |
| 5 3 5 5 5 3 5 | Intense Diatonic Phrygian, M.Dorian |
| 3 5 5 5 3 5 5 | Intense Diatonic Dorian, M.Phrygian |
| 5 5 5 3 5 5 3 | Intense Diatonic Hypolydian, M.Lydian |
| 5 5 3 5 5 3 5 | Intense Diatonic Hypophrygian, M.Mixolydian |
| 2 5 6 2 5 6 5 | Soft Diatonic Mixolydian |
| 5 6 2 5 6 5 2 | Soft Diatonic Lydian |
| 6 2 5 6 5 2 5 | Soft Diatonic Phrygian |
| 2 5 6 5 2 5 6 | Soft Diatonic Dorian |
| 5 6 5 2 5 6 2 | Soft Diatonic Hypolydian |
| 6 5 2 5 6 2 5 | Soft Diatonic Hypophrygian |
| 5 2 5 6 2 5 6 | Soft Diatonic Hypodorian |
| 1 2 10 1 2 10 5 | Enharmonic Mixolydian |
| 2 10 1 2 10 5 1 | Enharmonic Lydian |
| 10 1 2 10 5 1 2 | Enharmonic Phrygian |
| 1 2 10 5 1 2 10 | Enharmonic Dorian |
| 2 10 5 1 2 10 1 | Enharmonic Hypolydian |
| 10 5 1 2 10 1 2 | Enharmonic Hypophrygian |
| 5 1 2 10 1 2 10 | Enharmonic Hypodorian |
Of particular interscalar interest
| 6 6 7 6 6 | Quasi-equal Pentatonic |
| 3 3 2 3 3 3 3 3 2 3 3 | near 11edo |
Dimension scales
Miscellaneous
| 4 1 4 1 3 4 1 4 1 4 1 3 | Iceface |
| 1 4 2 3 3 1 4 2 3 2 3 3 | Centaurus |
| 3 2 2 3 3 2 3 3 2 2 3 3 | Fokker 12-tone |
| 5 3 5 3 5 2 5 3 | Modus conjunctus |
| 3 5 2 5 3 5 3 5 | Octatonic |
| 3 3 4 3 5 3 4 3 3 | Hahn symmetric pentachordal |
| 3 4 3 3 5 3 4 3 3 | Hahn pentachordal |
| 4 4 2 5 3 3 4 3 3 | Hahn Nonatonic |
| 5 3 3 3 3 5 3 3 3 | Rothenberg Generalized Diatonic |
| 8 5 2 3 6 2 5 | Hyperblue Dorian |
| 8 5 2 3 2 9 2 | Hyperblue harmonic |
| 3 2 3 2 2 2 2 2 2 3 2 3 3 | Major Miniscale (Mode 16 x Mode 15-over) |
| 3 7 8 8 5 | Aurora |
Nonoctave
| 4 2 4 2 4 2 4 2 4 2 | Blackwood |
| 4 4 6 4 4 4 6 | Mavila |
| 8 2 8 2 8 2 | Suboctave Augmented |
| 2 6 2 6 2 6 2 6 | Superoctave Diminished |
| 4 4 3 7 3 5 3 (7) | Saba |
| 5 5 5 3 5 5 5 | Superlydian |