User:Moremajorthanmajor/8L 3s (perfect twelfth-equivalent): Difference between revisions
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Pyotr Ilyich Tchaikovsky drew from the Obikhod style for his ''1812 Overture'', as did Nikolai Rimsky-Korsakov in his ''Russian Easter Festival Overture.'' Anatoly Lyadov also drew from them in his ''Ten Arrangements from Obikhod'' Op.61, as did Alexander Raskatov in his ''Obikhod'' (2002). | Pyotr Ilyich Tchaikovsky drew from the Obikhod style for his ''1812 Overture'', as did Nikolai Rimsky-Korsakov in his ''Russian Easter Festival Overture.'' Anatoly Lyadov also drew from them in his ''Ten Arrangements from Obikhod'' Op.61, as did Alexander Raskatov in his ''Obikhod'' (2002). | ||
The pitch set used in these chants traditionally consists of four three-note groups. Each note within a group is separated by a whole tone, and each group is separated by a semitone. If starting from G, the result is: G, A, B / C, D, E / F, G, A / B♭, C, D. Theoretically, more groups can be added either above or below, which has been done by some 20th-century Russian composers. This pitch set also influenced Russian folk music: for example, the Livenka accordion contains the pitch set on its melody side. On a common Livenka accordion, the pitch set will not span a pure tritave.<ref>[https://en.wikipedia.org/wiki/Obikhod Obikhod - Wikipedia]. ''en.wikipedia.org''. Retrieved July 28, 2021.</ref> | The pitch set used in these chants traditionally consists of four three-note groups. Each note within a group is separated by a whole tone, and each group is separated by a semitone. If starting from G, the result is: G, A, B / C, D, E / F, G, A / B♭, C, D. Theoretically, more groups can be added either above or below, which has been done by some 20th-century Russian composers. This pitch set also influenced Russian folk music: for example, the Livenka accordion contains the pitch set on its melody side. On a common Livenka accordion, the pitch set will not span a pure tritave.<ref>[https://en.wikipedia.org/wiki/Obikhod Obikhod - Wikipedia]. ''en.wikipedia.org''. Retrieved July 28, 2021.</ref> A pathological trait the pitch set exhibits is that normalization to [[edo]] collapses the range for the [[dark]] [[generator]] to the octave. | ||
==Standing assumptions== | ==Standing assumptions== | ||
The tempered generalized Livenka accordion is used in this article to refer to tunings of the pitch set. | The tempered generalized Livenka accordion is used in this article to refer to tunings of the pitch set. | ||