User:Moremajorthanmajor/2L 1s (perfect fourth-equivalent): Difference between revisions

There are 4 main ways to notate this scale. One method uses a simple fourth repeating notation consisting of 3 naturals (eg. Do Re Mi, Sol La Si). Given that 1-5/4-3/2 is fourth-equivalent to a tone cluster of 1-9/8-5/4, it may be more convenient to notate diatonic scales as repeating at the double, triple,  quadruple or quintuple fourth (minor seventh, tenth, thirteenth or sixteenth), however it does make navigating the [[Generator|genchain]] harder. This way, 3/2 is its own pitch class, distinct from 9/8. Notating this way produces a minor tenth which is the Dorian mode of Middletown[6L 3s], also known as the Mahur scale in Persian/Arabic music, a minor thirteenth which is the Aeolian mode of Bijou[8L 4s]; the bastonic chromatic scale, a minor sixteenth which is the Phrygian mode of Hyperionic[10L 5s] or a diminished nineteenth which is the Locrian mode of Subsextal[12L 6s]. Since there are exactly 9 naturals in triple fourth notation, 12 in quadruple fourth, 15 in quintuple fourth notation and 18 in sextuple fourth notation, letters A-G plus J, Q or Q, S (GJABCQDEF or GABCQDSEF, flats written F molle) or dozenal, hex or duohex digits (0123456789XE0 or E1234567GABDE with flats written D molle or 123456789ABCDEF1 or 0123456789XɜABCDEF0 with flats written F molle) may be used.