9edo: Difference between revisions

Wikispaces>seraph57
**Imported revision 412063780 - Original comment: **
Wikispaces>spt3125
**Imported revision 480701018 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:seraph57|seraph57]] and made on <tt>2013-03-05 02:52:13 UTC</tt>.<br>
: This revision was by author [[User:spt3125|spt3125]] and made on <tt>2014-01-05 12:36:58 UTC</tt>.<br>
: The original revision id was <tt>412063780</tt>.<br>
: The original revision id was <tt>480701018</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">The 9EDO scale, which divides the octave into nine equal parts each of 133 1/3 cents precisely, has the peculiar property of representing certain [[Harmonic Limit|7-limit]] intervals almost exactly. A 7-limit version of 9EDO goes
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">The 9EDO scale, which divides the octave into nine equal parts each of 133+1/3 cents precisely, has the peculiar property of representing certain [[Harmonic Limit|7-limit]] intervals almost exactly. A 7-limit version of 9EDO goes


1: 27/25 133.238 large limma, BP small semitone
1: 27/25 133.238 large limma, BP small semitone
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9: 2/1 1200.000 octave
9: 2/1 1200.000 octave


Here the characterizations are taken from [[http://en.wikipedia.org/wiki/Scala_%28program%29|Scala]], which also describes the scale itself as "Pelog Nawanada: Sunda". Chords such as 1-7/6-49/36-12/7 are therefore natural ones for 9EDO. The above scale generates the [[Just intonation subgroups|just intonation subgroup]] [2, 27/25, 7/3], which is closely related to 9EDO.
Here the characterizations are taken from [[http://en.wikipedia.org/wiki/Scala_%28program%29|Scala]], which also describes the scale itself as "Pelog Nawanada: Sunda". Chords such as 1/1 - 7/6 - 49/36 - 12/7 are therefore natural ones for 9EDO. The above scale generates the [[Just intonation subgroups|just intonation subgroup]] 2.27/25.7/3, which is closely related to 9EDO.


9EDO contains a pentatonic [[MOSScales|MOS scale]] -- 2L 3s (1 3 1 3 1) -- with a heptatonic extension -- 2L 5s (1 1 2 1 1 2 1, sometimes called "mavila" or "antidiatonic"). Indonesian pelog scales sometimes use five-tone subsets of a seven-tone superset in a similar way, and it has been suggested that Indonesian gamelan music stems from a [[http://www.neuroscience-of-music.se/pelog%20historical.htm|9EDO tradition]].
9EDO contains a pentatonic [[MOSScales|MOS scale]] -- 2L 3s (1 3 1 3 1) -- with a heptatonic extension -- 2L 5s (1 1 2 1 1 2 1, sometimes called "mavila" or "antidiatonic"). Indonesian pelog scales sometimes use five-tone subsets of a seven-tone superset in a similar way, and it has been suggested that Indonesian gamelan music stems from a [[http://www.neuroscience-of-music.se/pelog%20historical.htm|9EDO tradition]].
[[media type="custom" key="24802430"]]
[[file:9ed2-001.svg]]


==Commas==  
==Commas==  
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=Compositions=  
=Compositions=  


Nocturne in 9tet by [[http://home.snafu.de/djwolf/WorksDescriptive.htm|Daniel Wolf]]
* Nocturne in 9tet by [[http://home.snafu.de/djwolf/WorksDescriptive.htm|Daniel Wolf]]
* //[[http://www.h-pi.com/mp3/Prelude9ET.mp3|Prelude in 9ET]]// by [[Aaron Andrew Hunt]]
* //[[http://www.h-pi.com/mp3/Prelude9ET.mp3|Prelude in 9ET]]// by [[Aaron Andrew Hunt]]
* //[[http://micro.soonlabel.com/9-edo/daily20110629_fts_e_guit_9et.mp3|Improvisation for Electric Guitar in 9 edo]]// by [[http://www.chrisvaisvil.com|Chris Vaisvil]][[media type="custom" key="10221463"]]
* //[[http://micro.soonlabel.com/9-edo/daily20110629_fts_e_guit_9et.mp3|Improvisation for Electric Guitar in 9 edo]]// by [[http://www.chrisvaisvil.com|Chris Vaisvil]][[media type="custom" key="10221463"]]
* [[http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/08%20-%208.%209%20octave.mp3|Comets Over Flatland 8]] by [[Randy Winchester]]
* [[http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/08%20-%208.%209%20octave.mp3|Comets Over Flatland 8]] by [[Randy Winchester]]
* [[http://www.youtube.com/watch?v=bDFCsCoaUO4|Ivor Darreg - Nine tones per Octave (9-EDO / 9-TET)]] - youtube (see also [[Ivor Darreg]])
* [[http://www.youtube.com/watch?v=bDFCsCoaUO4|Nine tones per Octave (9-EDO / 9-TET)]] by [[Ivor Darreg]]
* [[http://micro.soonlabel.com/9-edo/daily20111008b_gerbils_at_the_wheel_of_government.mp3|Gerbils at the Wheel of Government]] by [[@http://chrisvaisvil.com/?p=1402|Chris Vaisvil (in 9 and 18 edo simultaneously)]]
* [[http://micro.soonlabel.com/9-edo/daily20111008b_gerbils_at_the_wheel_of_government.mp3|Gerbils at the Wheel of Government]] by [[@http://chrisvaisvil.com/?p=1402|Chris Vaisvil]] (in 9 and 18 edo simultaneously)
* [[http://www.seraph.it/dep/det/NewWorld.mp3|New World]] by [[Carlo Serafini]] ([[http://www.seraph.it/blog_files/f533be803cb9ed1efc23fc9e2db10c6f-167.html|blog entry]])
* [[http://www.seraph.it/dep/det/NewWorld.mp3|New World]] by [[Carlo Serafini]] ([[http://www.seraph.it/blog_files/f533be803cb9ed1efc23fc9e2db10c6f-167.html|blog entry]])


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Ukulele (MicroUke 1.2) set to 9 EDO with 40 lb. test fishing line (by cenobyte)</pre></div>
Ukulele (MicroUke 1.2) set to 9 EDO with 40 lb. test fishing line (by cenobyte)</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;9edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;The 9EDO scale, which divides the octave into nine equal parts each of 133 1/3 cents precisely, has the peculiar property of representing certain &lt;a class="wiki_link" href="/Harmonic%20Limit"&gt;7-limit&lt;/a&gt; intervals almost exactly. A 7-limit version of 9EDO goes&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;9edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;The 9EDO scale, which divides the octave into nine equal parts each of 133+1/3 cents precisely, has the peculiar property of representing certain &lt;a class="wiki_link" href="/Harmonic%20Limit"&gt;7-limit&lt;/a&gt; intervals almost exactly. A 7-limit version of 9EDO goes&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
1: 27/25 133.238 large limma, BP small semitone&lt;br /&gt;
1: 27/25 133.238 large limma, BP small semitone&lt;br /&gt;
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9: 2/1 1200.000 octave&lt;br /&gt;
9: 2/1 1200.000 octave&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Here the characterizations are taken from &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Scala_%28program%29" rel="nofollow"&gt;Scala&lt;/a&gt;, which also describes the scale itself as &amp;quot;Pelog Nawanada: Sunda&amp;quot;. Chords such as 1-7/6-49/36-12/7 are therefore natural ones for 9EDO. The above scale generates the &lt;a class="wiki_link" href="/Just%20intonation%20subgroups"&gt;just intonation subgroup&lt;/a&gt; [2, 27/25, 7/3], which is closely related to 9EDO.&lt;br /&gt;
Here the characterizations are taken from &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Scala_%28program%29" rel="nofollow"&gt;Scala&lt;/a&gt;, which also describes the scale itself as &amp;quot;Pelog Nawanada: Sunda&amp;quot;. Chords such as 1/1 - 7/6 - 49/36 - 12/7 are therefore natural ones for 9EDO. The above scale generates the &lt;a class="wiki_link" href="/Just%20intonation%20subgroups"&gt;just intonation subgroup&lt;/a&gt; 2.27/25.7/3, which is closely related to 9EDO.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
9EDO contains a pentatonic &lt;a class="wiki_link" href="/MOSScales"&gt;MOS scale&lt;/a&gt; -- 2L 3s (1 3 1 3 1) -- with a heptatonic extension -- 2L 5s (1 1 2 1 1 2 1, sometimes called &amp;quot;mavila&amp;quot; or &amp;quot;antidiatonic&amp;quot;). Indonesian pelog scales sometimes use five-tone subsets of a seven-tone superset in a similar way, and it has been suggested that Indonesian gamelan music stems from a &lt;a class="wiki_link_ext" href="http://www.neuroscience-of-music.se/pelog%20historical.htm" rel="nofollow"&gt;9EDO tradition&lt;/a&gt;.&lt;br /&gt;
9EDO contains a pentatonic &lt;a class="wiki_link" href="/MOSScales"&gt;MOS scale&lt;/a&gt; -- 2L 3s (1 3 1 3 1) -- with a heptatonic extension -- 2L 5s (1 1 2 1 1 2 1, sometimes called &amp;quot;mavila&amp;quot; or &amp;quot;antidiatonic&amp;quot;). Indonesian pelog scales sometimes use five-tone subsets of a seven-tone superset in a similar way, and it has been suggested that Indonesian gamelan music stems from a &lt;a class="wiki_link_ext" href="http://www.neuroscience-of-music.se/pelog%20historical.htm" rel="nofollow"&gt;9EDO tradition&lt;/a&gt;.&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:1:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:1 --&gt;Commas&lt;/h2&gt;
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  9 EDO tempers out the following commas. (Note: This assumes val &amp;lt; 9 14 21 25 31 33 |.)&lt;br /&gt;
  9 EDO tempers out the following commas. (Note: This assumes val &amp;lt; 9 14 21 25 31 33 |.)&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:3:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:3 --&gt;Compositions&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Compositions&lt;/h1&gt;
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Nocturne in 9tet by &lt;a class="wiki_link_ext" href="http://home.snafu.de/djwolf/WorksDescriptive.htm" rel="nofollow"&gt;Daniel Wolf&lt;/a&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;Nocturne in 9tet by &lt;a class="wiki_link_ext" href="http://home.snafu.de/djwolf/WorksDescriptive.htm" rel="nofollow"&gt;Daniel Wolf&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.h-pi.com/mp3/Prelude9ET.mp3" rel="nofollow"&gt;Prelude in 9ET&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link" href="/Aaron%20Andrew%20Hunt"&gt;Aaron Andrew Hunt&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/9-edo/daily20110629_fts_e_guit_9et.mp3" rel="nofollow"&gt;Improvisation for Electric Guitar in 9 edo&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link_ext" href="http://www.chrisvaisvil.com" rel="nofollow"&gt;Chris Vaisvil&lt;/a&gt;&lt;!-- ws:start:WikiTextMediaRule:1:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/custom/10221463?h=0&amp;amp;w=0&amp;quot; class=&amp;quot;WikiMedia WikiMediaCustom&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;custom&amp;amp;quot; key=&amp;amp;quot;10221463&amp;amp;quot;&amp;quot; title=&amp;quot;Custom Media&amp;quot;/&amp;gt; --&gt;&lt;script type="text/javascript" src="http://mediaplayer.yahoo.com/js"&gt;
&lt;ul&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.h-pi.com/mp3/Prelude9ET.mp3" rel="nofollow"&gt;Prelude in 9ET&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link" href="/Aaron%20Andrew%20Hunt"&gt;Aaron Andrew Hunt&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/9-edo/daily20110629_fts_e_guit_9et.mp3" rel="nofollow"&gt;Improvisation for Electric Guitar in 9 edo&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link_ext" href="http://www.chrisvaisvil.com" rel="nofollow"&gt;Chris Vaisvil&lt;/a&gt;&lt;!-- ws:start:WikiTextMediaRule:0:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/custom/10221463?h=0&amp;amp;w=0&amp;quot; class=&amp;quot;WikiMedia WikiMediaCustom&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;custom&amp;amp;quot; key=&amp;amp;quot;10221463&amp;amp;quot;&amp;quot; title=&amp;quot;Custom Media&amp;quot;/&amp;gt; --&gt;&lt;script type="text/javascript" src="http://mediaplayer.yahoo.com/js"&gt;
&lt;/script&gt;&lt;!-- ws:end:WikiTextMediaRule:1 --&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/08%20-%208.%209%20octave.mp3" rel="nofollow"&gt;Comets Over Flatland 8&lt;/a&gt; by &lt;a class="wiki_link" href="/Randy%20Winchester"&gt;Randy Winchester&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=bDFCsCoaUO4" rel="nofollow"&gt;Nine tones per Octave (9-EDO / 9-TET)&lt;/a&gt; by &lt;a class="wiki_link" href="/Ivor%20Darreg"&gt;Ivor Darreg&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/9-edo/daily20111008b_gerbils_at_the_wheel_of_government.mp3" rel="nofollow"&gt;Gerbils at the Wheel of Government&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1402" rel="nofollow" target="_blank"&gt;Chris Vaisvil&lt;/a&gt; (in 9 and 18 edo simultaneously)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.seraph.it/dep/det/NewWorld.mp3" rel="nofollow"&gt;New World&lt;/a&gt; by &lt;a class="wiki_link" href="/Carlo%20Serafini"&gt;Carlo Serafini&lt;/a&gt; (&lt;a class="wiki_link_ext" href="http://www.seraph.it/blog_files/f533be803cb9ed1efc23fc9e2db10c6f-167.html" rel="nofollow"&gt;blog entry&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;/script&gt;&lt;!-- ws:end:WikiTextMediaRule:0 --&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/08%20-%208.%209%20octave.mp3" rel="nofollow"&gt;Comets Over Flatland 8&lt;/a&gt; by &lt;a class="wiki_link" href="/Randy%20Winchester"&gt;Randy Winchester&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=bDFCsCoaUO4" rel="nofollow"&gt;Ivor Darreg - Nine tones per Octave (9-EDO / 9-TET)&lt;/a&gt; - youtube (see also &lt;a class="wiki_link" href="/Ivor%20Darreg"&gt;Ivor Darreg&lt;/a&gt;)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/9-edo/daily20111008b_gerbils_at_the_wheel_of_government.mp3" rel="nofollow"&gt;Gerbils at the Wheel of Government&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1402" rel="nofollow" target="_blank"&gt;Chris Vaisvil (in 9 and 18 edo simultaneously)&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.seraph.it/dep/det/NewWorld.mp3" rel="nofollow"&gt;New World&lt;/a&gt; by &lt;a class="wiki_link" href="/Carlo%20Serafini"&gt;Carlo Serafini&lt;/a&gt; (&lt;a class="wiki_link_ext" href="http://www.seraph.it/blog_files/f533be803cb9ed1efc23fc9e2db10c6f-167.html" rel="nofollow"&gt;blog entry&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
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Ukulele (MicroUke 1.2) set to 9 EDO with 40 lb. test fishing line (by cenobyte)&lt;/body&gt;&lt;/html&gt;</pre></div>
Ukulele (MicroUke 1.2) set to 9 EDO with 40 lb. test fishing line (by cenobyte)&lt;/body&gt;&lt;/html&gt;</pre></div>