AFDO: Difference between revisions

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'''ADO''' (arithmetic divisions of the octave) is a tuning system which divides the octave arithmetically rather than logarithmically.  For any C-ADO system, the m-th degree is equal to the ratio (C+m)/C. For example, in 12-ADO the first degree is [[13/12]], the second is 14/12 ([[7/6]]), and so on. For an ADO system, the distance between interval ratios is equal, rather than the distance between their logarithms like in EDO systems. All ADOs are subsets of [[just intonation]]. ADOs with more divisors such as [[Highly_composite_equal_division|highly composite]] ADOs generally have more useful just intervals.
'''ADO''' (arithmetic divisions of the octave) is a tuning system which divides the octave arithmetically rather than logarithmically.  For any C-ADO system, the m-th degree is equal to the ratio (C+m)/C. For example, in [[12ado]] the first degree is [[13/12]], the second is 14/12 ([[7/6]]), and so on. For an ADO system, the distance between interval ratios is equal, rather than the distance between their logarithms like in EDO systems. All ADOs are subsets of [[just intonation]]. ADOs with more divisors such as [[Highly_composite_equal_division|highly composite]] ADOs generally have more useful just intervals.


If the first division is <math>R_1</math> (which is ratio of C/C) and the last , <math>R_n</math> (which is ratio of 2C/C), with common difference of d
If the first division is <math>R_1</math> (which is ratio of C/C) and the last , <math>R_n</math> (which is ratio of 2C/C), with common difference of d
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An ADO has step sizes of [[superparticular ratios]] with increasing numerators. For example, [[5ado]] has step sizes of [[6/5]], [[7/6]], [[8/7]], and [[9/8]].  
An ADO has step sizes of [[superparticular ratios]] with increasing numerators. For example, [[5ado]] has step sizes of [[6/5]], [[7/6]], [[8/7]], and [[9/8]].  


== Relation between otonality and ADO system ==  
== Relation to otonality & harmonic series ==  


We can consider ADO system as otonal system. Otonality is a term introduced by Harry Partch to describe chords whose notes are the overtones (multiples) of a given fixed tone.Considering ADO , an Otonality is a collection of pitches which can be expressed in ratios that have equal denominators. For example, 1/1, 5/4, and 3/2 form an Otonality because they can be written as 4/4, 5/4, 6/4. Every Otonality is therefore part of the harmonic series. nominator here is called "numerary nexus".An Otonality corresponds to an **arithmetic series** of frequencies or a harmonic series of wavelengths or distances on a string instrument.
We can consider ADO system as otonal system. Otonality is a term introduced by Harry Partch to describe chords whose notes are the overtones (multiples) of a given fixed tone.Considering ADO , an Otonality is a collection of pitches which can be expressed in ratios that have equal denominators. For example, 1/1, 5/4, and 3/2 form an otonality because they can be written as 4/4, 5/4, 6/4. Every Otonality is therefore part of the harmonic series. An otonality corresponds to an arithmetic series of frequencies or a harmonic series of wavelengths or distances on a string instrument.


- [http://240edo.googlepages.com/ADO-EDL.XLS Fret position calculator] (excel sheet ) based on EDL system and string length
- [http://240edo.googlepages.com/ADO-EDL.XLS Fret position calculator] (excel sheet ) based on EDL system and string length