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Wikispaces>guest **Imported revision 101670263 - Original comment: I've moved; I have my own website.** |
Wikispaces>guest **Imported revision 101886185 - Original comment: Expanded article** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:guest|guest]] and made on <tt>2009-11- | : This revision was by author [[User:guest|guest]] and made on <tt>2009-11-11 11:02:38 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>101886185</tt>.<br> | ||
: The revision comment was: <tt> | : The revision comment was: <tt>Expanded article</tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">* [[http://en.wikipedia.org/wiki/72_tone_equal_temperament|Wikipedia article on 72edo]] | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">72-tone equal temperament (or 72-edo) divides the octave into 72 logarithmic commas or //moria//. This produces a twelfth-tone tuning, with the whole tone measuring 200 cents, the same as in 12-tone equal temperament. 72-tone is also a superset of [[24edo|24-tone equal temperament]], the standard tuning of most Arabic music. | ||
Composers that used 72-tone include Alois Hába, Ivan Wyschnegradsky, Julián Carillo (who is better associated with [[96edo|96-edo]]), Iannis Xenakis and the jazz musician Joe Maneri. | |||
72-tone equal temperament approximates 11-limit [[JustIntonation|just intonation]] exceptionally well. The octave, fifth and fourth are the same size as they would be in 12-tone, 72, 42 and 30 commas respectively, but the major third (5/4) measures 23 commas, not 24, and other major intervals are one comma flat of 12-et while minor ones are one comma sharp. The septimal minor seventh (7/4) is 58 commas, while the undecimal semiaugmented fourth (11/8) is 33. | |||
==External links== | |||
* [[http://en.wikipedia.org/wiki/72_tone_equal_temperament|Wikipedia article on 72edo]] | |||
* [[http://en.wikipedia.org/wiki/72_tone_equal_temperament|OrthodoxWiki Article on Byzantine chant, which uses 72edo]] | |||
* [[http://en.wikipedia.org/wiki/Joe_Maneri|Wikipedia article on Joe Maneri (1927-2009)]] | |||
* [[http://members.aon.at/ekmelischemusik/|Gesellschaft für Ekmelische Musik]], a group of composers and researchers dedicated to 72edo music | * [[http://members.aon.at/ekmelischemusik/|Gesellschaft für Ekmelische Musik]], a group of composers and researchers dedicated to 72edo music | ||
* [[http://www.72note.com/|Rick Tagawa's 72edo site]], including theory and composers' list | * [[http://www.72note.com/|Rick Tagawa's 72edo site]], including theory and composers' list | ||
* [[http://dannywier.ucoz.com|Danny Wier, composer and musician who specializes in 72-edo]]</pre></div> | |||
[[http://dannywier.ucoz.com|Danny Wier, composer who specializes in 72-edo]]</pre></div> | |||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>72edo</title></head><body><ul><li><a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/72_tone_equal_temperament" rel="nofollow">Wikipedia article on 72edo</a></li><li><a class="wiki_link_ext" href="http:// | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>72edo</title></head><body>72-tone equal temperament (or 72-edo) divides the octave into 72 logarithmic commas or <em>moria</em>. This produces a twelfth-tone tuning, with the whole tone measuring 200 cents, the same as in 12-tone equal temperament. 72-tone is also a superset of <a class="wiki_link" href="/24edo">24-tone equal temperament</a>, the standard tuning of most Arabic music.<br /> | ||
< | <br /> | ||
Composers that used 72-tone include Alois Hába, Ivan Wyschnegradsky, Julián Carillo (who is better associated with <a class="wiki_link" href="/96edo">96-edo</a>), Iannis Xenakis and the jazz musician Joe Maneri.<br /> | |||
<br /> | |||
72-tone equal temperament approximates 11-limit <a class="wiki_link" href="/JustIntonation">just intonation</a> exceptionally well. The octave, fifth and fourth are the same size as they would be in 12-tone, 72, 42 and 30 commas respectively, but the major third (5/4) measures 23 commas, not 24, and other major intervals are one comma flat of 12-et while minor ones are one comma sharp. The septimal minor seventh (7/4) is 58 commas, while the undecimal semiaugmented fourth (11/8) is 33.<br /> | |||
<br /> | |||
<!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-External links"></a><!-- ws:end:WikiTextHeadingRule:0 -->External links</h2> | |||
<ul><li><a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/72_tone_equal_temperament" rel="nofollow">Wikipedia article on 72edo</a></li><li><a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/72_tone_equal_temperament" rel="nofollow">OrthodoxWiki Article on Byzantine chant, which uses 72edo</a></li><li><a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Joe_Maneri" rel="nofollow">Wikipedia article on Joe Maneri (1927-2009)</a></li><li><a class="wiki_link_ext" href="http://members.aon.at/ekmelischemusik/" rel="nofollow">Gesellschaft für Ekmelische Musik</a>, a group of composers and researchers dedicated to 72edo music</li><li><a class="wiki_link_ext" href="http://www.72note.com/" rel="nofollow">Rick Tagawa's 72edo site</a>, including theory and composers' list</li><li><a class="wiki_link_ext" href="http://dannywier.ucoz.com" rel="nofollow">Danny Wier, composer and musician who specializes in 72-edo</a></li></ul></body></html></pre></div> | |||
Revision as of 11:02, 11 November 2009
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author guest and made on 2009-11-11 11:02:38 UTC.
- The original revision id was 101886185.
- The revision comment was: Expanded article
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
72-tone equal temperament (or 72-edo) divides the octave into 72 logarithmic commas or //moria//. This produces a twelfth-tone tuning, with the whole tone measuring 200 cents, the same as in 12-tone equal temperament. 72-tone is also a superset of [[24edo|24-tone equal temperament]], the standard tuning of most Arabic music. Composers that used 72-tone include Alois Hába, Ivan Wyschnegradsky, Julián Carillo (who is better associated with [[96edo|96-edo]]), Iannis Xenakis and the jazz musician Joe Maneri. 72-tone equal temperament approximates 11-limit [[JustIntonation|just intonation]] exceptionally well. The octave, fifth and fourth are the same size as they would be in 12-tone, 72, 42 and 30 commas respectively, but the major third (5/4) measures 23 commas, not 24, and other major intervals are one comma flat of 12-et while minor ones are one comma sharp. The septimal minor seventh (7/4) is 58 commas, while the undecimal semiaugmented fourth (11/8) is 33. ==External links== * [[http://en.wikipedia.org/wiki/72_tone_equal_temperament|Wikipedia article on 72edo]] * [[http://en.wikipedia.org/wiki/72_tone_equal_temperament|OrthodoxWiki Article on Byzantine chant, which uses 72edo]] * [[http://en.wikipedia.org/wiki/Joe_Maneri|Wikipedia article on Joe Maneri (1927-2009)]] * [[http://members.aon.at/ekmelischemusik/|Gesellschaft für Ekmelische Musik]], a group of composers and researchers dedicated to 72edo music * [[http://www.72note.com/|Rick Tagawa's 72edo site]], including theory and composers' list * [[http://dannywier.ucoz.com|Danny Wier, composer and musician who specializes in 72-edo]]
Original HTML content:
<html><head><title>72edo</title></head><body>72-tone equal temperament (or 72-edo) divides the octave into 72 logarithmic commas or <em>moria</em>. This produces a twelfth-tone tuning, with the whole tone measuring 200 cents, the same as in 12-tone equal temperament. 72-tone is also a superset of <a class="wiki_link" href="/24edo">24-tone equal temperament</a>, the standard tuning of most Arabic music.<br /> <br /> Composers that used 72-tone include Alois Hába, Ivan Wyschnegradsky, Julián Carillo (who is better associated with <a class="wiki_link" href="/96edo">96-edo</a>), Iannis Xenakis and the jazz musician Joe Maneri.<br /> <br /> 72-tone equal temperament approximates 11-limit <a class="wiki_link" href="/JustIntonation">just intonation</a> exceptionally well. The octave, fifth and fourth are the same size as they would be in 12-tone, 72, 42 and 30 commas respectively, but the major third (5/4) measures 23 commas, not 24, and other major intervals are one comma flat of 12-et while minor ones are one comma sharp. The septimal minor seventh (7/4) is 58 commas, while the undecimal semiaugmented fourth (11/8) is 33.<br /> <br /> <!-- ws:start:WikiTextHeadingRule:0:<h2> --><h2 id="toc0"><a name="x-External links"></a><!-- ws:end:WikiTextHeadingRule:0 -->External links</h2> <ul><li><a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/72_tone_equal_temperament" rel="nofollow">Wikipedia article on 72edo</a></li><li><a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/72_tone_equal_temperament" rel="nofollow">OrthodoxWiki Article on Byzantine chant, which uses 72edo</a></li><li><a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Joe_Maneri" rel="nofollow">Wikipedia article on Joe Maneri (1927-2009)</a></li><li><a class="wiki_link_ext" href="http://members.aon.at/ekmelischemusik/" rel="nofollow">Gesellschaft für Ekmelische Musik</a>, a group of composers and researchers dedicated to 72edo music</li><li><a class="wiki_link_ext" href="http://www.72note.com/" rel="nofollow">Rick Tagawa's 72edo site</a>, including theory and composers' list</li><li><a class="wiki_link_ext" href="http://dannywier.ucoz.com" rel="nofollow">Danny Wier, composer and musician who specializes in 72-edo</a></li></ul></body></html>