24edo/Interval names and harmonies: Difference between revisions

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=== Dusthumic major ===

The dusthumic ~~lowered~~ major triad is a bright but tense triad which consists of the root, the 400¢ major third on top of that, and the 250¢ inframinor third on top of that. When this triad is built on the note located 550 cents above the tonic, especially with octave reduplication of the root, it can easily be followed up with with the same tonic's traditional V7 chord. In modulation, this same triad can also be followed up with a dominant seventh chord built on the same root, leading to the tonicization of the neutral seventh. Regardless, the use of this chord requires the proper harmonic and melodic set-ups, with one of the most reliable set-ups early on being the 0¢-550¢-700¢ suspension chord, though the IIImin and Imaj triads also work later on.

The dusthumic major triad is a bright but tense triad which consists of the root, the 400¢ major third on top of that, and the 250¢ inframinor third on top of that. When this triad is built on the note located 550 cents above the tonic, especially with octave reduplication of the root, it can easily be followed up with with the same tonic's traditional V7 chord. In modulation, this same triad can also be followed up with a dominant seventh chord built on the same root, leading to the tonicization of the neutral seventh. Regardless, the use of this chord requires the proper harmonic and melodic set-ups, with one of the most reliable set-ups early on being the 0¢-550¢-700¢ suspension chord, though the IIImin and Imaj triads also work later on.

=== Dusthumic neutral ===

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 === Dusthumic major ===
-The dusthumic lowered major triad is a bright but tense triad which consists of the root, the 400¢ major third on top of that, and the 250¢ inframinor third on top of that. When this triad is built on the note located 550 cents above the tonic, especially with octave reduplication of the root, it can easily be followed up with with the same tonic's traditional V7 chord. In modulation, this same triad can also be followed up with a dominant seventh chord built on the same root, leading to the tonicization of the neutral seventh. Regardless, the use of this chord requires the proper harmonic and melodic set-ups, with one of the most reliable set-ups early on being the 0¢-550¢-700¢ suspension chord, though the IIImin and Imaj triads also work later on.
+The dusthumic major triad is a bright but tense triad which consists of the root, the 400¢ major third on top of that, and the 250¢ inframinor third on top of that. When this triad is built on the note located 550 cents above the tonic, especially with octave reduplication of the root, it can easily be followed up with with the same tonic's traditional V7 chord. In modulation, this same triad can also be followed up with a dominant seventh chord built on the same root, leading to the tonicization of the neutral seventh. Regardless, the use of this chord requires the proper harmonic and melodic set-ups, with one of the most reliable set-ups early on being the 0¢-550¢-700¢ suspension chord, though the IIImin and Imaj triads also work later on.
 === Dusthumic neutral ===