41edo solfege: Difference between revisions
Created page with "==Kite's Solfege== ===Overview=== Kite's solfege uses the conventional consonants D, R, M, F, S, L and T. But most consonants have an alternate form that..." |
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==Kite's Solfege== | ==Kite Giedraitis's Solfege== | ||
===Overview=== | ===Overview === | ||
[[Kite Giedraitis|Kite]]'s solfege uses the conventional consonants D, R, M, F, S, L and T. But most consonants have an alternate form that indicates flattening or sharpening. The vowels are unconventional: u = '''<u>u</u>'''p, a = pl'''<u>a</u>'''in, o = d'''<u>o</u>'''wn and i = m'''<u>i</u>'''d. | [[Kite Giedraitis|Kite]]'s solfege uses the conventional consonants D, R, M, F, S, L and T. But most consonants have an alternate form that indicates flattening or sharpening. The vowels are unconventional: u = '''<u>u</u>'''p, a = pl'''<u>a</u>'''in, o = d'''<u>o</u>'''wn and i = m'''<u>i</u>'''d. | ||
{| class="wikitable" style="text-align:center;" | {| class="wikitable" style="text-align:center;" | ||
|+ | |+ | ||
! | ![[41edo]] | ||
! colspan="2" |solfege names | ! colspan="2" |solfege names | ||
! colspan="2" |[[Ups and downs notation|ups and downs]] names | ! colspan="2" |[[Ups and downs notation|ups and downs]] names | ||
| Line 30: | Line 30: | ||
|- | |- | ||
!tritones | !tritones | ||
| colspan="2" |Fi/Sho Po/Sha Pa/Shu Pu/Si | | colspan="2" | Fi/Sho Po/Sha Pa/Shu Pu/Si | ||
| colspan="2" |~4/vd5 vA4/d5 A4/^d5 ^A4/~5 | | colspan="2" | ~4/vd5 vA4/d5 A4/^d5 ^A4/~5 | ||
|- | |- | ||
!5ths | !5ths | ||
| Line 51: | Line 51: | ||
!8ves | !8ves | ||
| colspan="2" |Do Da (Du) | | colspan="2" |Do Da (Du) | ||
| colspan="2" |v8 P8 (^8) | | colspan="2" | v8 P8 (^8) | ||
|} | |} | ||
Th- is unvoiced as in <u>th</u>ink. The idea of 12 consonants is inspired by Erv Wilson's solfege (see below). However Kite added a 13th consonant: P- indicates a sharpened 4th. Mnemonic: Sha sharpens to Sa and Tha sharpens to Ta, so if Fa were spelled Pha, it would sharpen to Pa. | Th- is unvoiced as in <u>th</u>ink. The idea of 12 consonants is inspired by Erv Wilson's solfege (see below). However Kite added a 13th consonant: P- indicates a sharpened 4th. Mnemonic: Sha sharpens to Sa and Tha sharpens to Ta, so if Fa were spelled Pha, it would sharpen to Pa. | ||
| Line 68: | Line 68: | ||
===Example scales=== | ===Example scales=== | ||
{| class="wikitable" style="text-align:center;" | |||
|+ | |||
!Plain major scale | |||
|Da | |||
|Ra | |||
|Ma | |||
|Fa | |||
| Sa | |||
|La | |||
|Ta | |||
===Octave Complements=== | |Da | ||
|- | |||
!Plain minor scale | |||
|Da | |||
|Ra | |||
|Na | |||
| Fa | |||
| Sa | |||
|Fla | |||
|Tha | |||
|Da | |||
|- | |||
!Downmajor scale | |||
|Da | |||
|Ra | |||
|Mo | |||
|Fa | |||
|Sa | |||
|Lo | |||
|To | |||
|Da | |||
|- | |||
!Upminor scale | |||
|Da | |||
|Ra | |||
|Nu | |||
|Fa | |||
|Sa | |||
|Flu | |||
|Thu | |||
|Da | |||
|- | |||
!Upmajor scale | |||
|Da | |||
|Ra | |||
|Mu | |||
|Fa | |||
|Sa | |||
|Lu | |||
|Tu | |||
|Da | |||
|- | |||
!Downminor scale | |||
| Da | |||
|Ra | |||
|No | |||
| Fa | |||
|Sa | |||
|Flo | |||
|Tho | |||
| Da | |||
|- | |||
!Mid scale | |||
|Da | |||
|Ra | |||
|Mi | |||
|Fa | |||
|Sa | |||
|Li | |||
|Ti | |||
|Da | |||
|} | |||
===Octave Complements === | |||
To find the [[octave complement]] of any interval: | To find the [[octave complement]] of any interval: | ||
| Line 95: | Line 157: | ||
To summarize, the 4 vowels create 4 separate chains of 5ths, and the 4 tritones with duplicate names connect those 4 chains into one 41-note circle. This is the main rationale for the 13th consonant, for it supplies most of the duplicate names. | To summarize, the 4 vowels create 4 separate chains of 5ths, and the 4 tritones with duplicate names connect those 4 chains into one 41-note circle. This is the main rationale for the 13th consonant, for it supplies most of the duplicate names. | ||
{| class="wikitable" | {| class="wikitable" style="text-align:center;" | ||
|+The 45 note names in circle-of-5ths order <br> | |+The 45 note names in circle-of-5ths order <br> | ||
(read left-to-right, top-row-to-bottom-row) | (read left-to-right, top-row-to-bottom-row) | ||
!d5 | ! d5 | ||
!m2 | !m2 | ||
!m6 | !m6 | ||
| Line 133: | Line 195: | ||
|Mu | |Mu | ||
|Tu | |Tu | ||
|Pu (Si) | |Pu (Si) | ||
|- | |- | ||
| colspan="7" | | | colspan="7" | | ||
| Line 167: | Line 229: | ||
|} | |} | ||
=== Adding/subtracting 4ths, 5ths and major 2nds === | ===Adding/subtracting 4ths, 5ths and major 2nds=== | ||
Because the aforementioned 4 chains connect up, it's very easy to find the note a 4th or 5th above any note. It always has the same vowel, and the consonant is as would be expected from conventional interval arithmetic. Ra plus a 4th is Sa, Fro plus a 5th is Flo, etc. Thus in the example scales above, the 3rd, 6th and 7th always rhyme, as do the tonic, 2nd, 4th and 5th. | |||
However the note a 5th above an aug or mid 4th would be an aug or mid 8ve, which doesn't exist in this solfege. Therefore one must rename the aug/mid 4th to a dim/mid 5th. Thus Po + 5th = Sha + 5th = Fra. Dim/mid 5ths may also need renaming: Sha + 4th = Po + 4th = To. | However the note a 5th above an aug or mid 4th would be an aug or mid 8ve, which doesn't exist in this solfege. Therefore one must rename the aug/mid 4th to a dim/mid 5th. Thus Po + 5th = Sha + 5th = Fra. Dim/mid 5ths may also need renaming: Sha + 4th = Po + 4th = To. | ||
| Line 188: | Line 250: | ||
Once this is fully internalized, add in the vowels. This approach also helps with <u>un</u>learning the syllables Do, Mi, So and Ti, which are still present but have a changed meaning. | Once this is fully internalized, add in the vowels. This approach also helps with <u>un</u>learning the syllables Do, Mi, So and Ti, which are still present but have a changed meaning. | ||
== Andrew Heathwaite's Solfege == | == Andrew Heathwaite's Solfege== | ||
[[Andrew Heathwaite|Andrew]]'s solfege expands on the conventional Do - Di/Ra - Re - Ri/Me - Mi - Fa - Fi/Se - | [[Andrew Heathwaite|Andrew]]'s solfege expands on the conventional Do - Di/Ra - Re - Ri/Me - Mi - Fa - Fi/Se - Sol - Si/Le - La - Li/Te - Ti - Do. As a result there are 6 different vowel sequences. | ||
{| class="wikitable" style="text-align:center;" | {| class="wikitable" style="text-align:center;" | ||
|+ | |+ | ||
! | ![[41edo]] | ||
!solfege names | !solfege names | ||
![[Ups and downs notation|ups and downs]] names | ![[Ups and downs notation|ups and downs]] names | ||
| Line 201: | Line 263: | ||
|- | |- | ||
!2nds | !2nds | ||
|Ro Rih Ra Ru Reh Re Ri | |Ro Rih Ra Ru Reh Re Ri | ||
|vm2 m2 ^m2 ~2 vM2 M2 ^M2 | |vm2 m2 ^m2 ~2 vM2 M2 ^M2 | ||
|- | |- | ||
| Line 217: | Line 279: | ||
|- | |- | ||
!5ths | !5ths | ||
|Sih Sol Si | |Sih So (or Sol) Si | ||
|v5 P5 ^5 | |v5 P5 ^5 | ||
|- | |- | ||
!6ths | ! 6ths | ||
|Lo Leh Le Lu La Laa Li | |Lo Leh Le Lu La Laa Li | ||
|vm6 m6 ^m6 ~6 vM6 M6 ^M6 | | vm6 m6 ^m6 ~6 vM6 M6 ^M6 | ||
|- | |- | ||
!7ths | !7ths | ||
|Ta Teh Te Tu Ti Taa To | | Ta Teh Te Tu Ti Taa To | ||
|vm7 m7 ^m7 ~7 vM7 M7 ^M7 | | vm7 m7 ^m7 ~7 vM7 M7 ^M7 | ||
|- | |- | ||
!8ves | !8ves | ||
|Da Do (Di) | | Da Do (Di) | ||
|v8 P8 (^8) | |v8 P8 (^8) | ||
|} | |} | ||
See also: [[31edo solfege]], which is a subset of this solfege. | |||
===Example scales === | |||
{| class="wikitable" style="text-align:center;" | |||
|+ | |||
!Plain major scale | |||
|Do | |||
|Re | |||
|Maa | |||
|Fa | |||
| Sol | |||
|Laa | |||
|Taa | |||
|Do | |||
|- | |||
!Plain minor scale | |||
|Do | |||
|Re | |||
|Meh | |||
| Fa | |||
| Sol | |||
|Leh | |||
|Teh | |||
|Do | |||
|- | |||
!Downmajor scale | |||
|Do | |||
|Re | |||
|Mi | |||
|Fa | |||
|Sol | |||
|La | |||
|Ti | |||
|Do | |||
|- | |||
!Upminor scale | |||
|Do | |||
|Re | |||
|Me | |||
|Fa | |||
|Sol | |||
|Le | |||
|Te | |||
|Do | |||
|- | |||
!Upmajor scale | |||
|Do | |||
|Re | |||
|Mo | |||
|Fa | |||
|Sol | |||
|Li | |||
|To | |||
|Do | |||
|- | |||
!Downminor scale | |||
| Do | |||
|Re | |||
|Ma | |||
| Fa | |||
|Sol | |||
|Lo | |||
|Ta | |||
| Do | |||
|- | |||
!Mid scale | |||
|Do | |||
|Re | |||
|Mu | |||
|Fa | |||
|Sol | |||
|Lu | |||
|Tu | |||
|Do | |||
|} | |||
The downmajor and upminor scales are the same as conventional solfege. | |||
==Erv Wilson's Solfege== | ==Erv Wilson's Solfege== | ||
| Line 248: | Line 376: | ||
{| class="wikitable" style="text-align:center;" | {| class="wikitable" style="text-align:center;" | ||
|+ | |+ | ||
! | ![[41edo]] | ||
! colspan="2" |solfege names | ! colspan="2" |solfege names | ||
! colspan="2" |[[Ups and downs notation|ups and downs]] names | ! colspan="2" |[[Ups and downs notation|ups and downs]] names | ||
| Line 257: | Line 385: | ||
|- | |- | ||
!2nds | !2nds | ||
|Su So Se Si | | Su So Se Si | ||
|Nu Na Ni | | Nu Na Ni | ||
|vm2 m2 ^m2 ~2 | |vm2 m2 ^m2 ~2 | ||
|vM2 M2 ^M2 | |vM2 M2 ^M2 | ||
|- | |- | ||
!3rds | !3rds | ||
|Fu Fa Fi | | Fu Fa Fi | ||
|Bu Bo Be Bi | | Bu Bo Be Bi | ||
|vm3 m3 ^m3 | |vm3 m3 ^m3 | ||
|~3 vM3 M3 ^M3 | |~3 vM3 M3 ^M3 | ||
|- | |- | ||
!4ths | !4ths | ||
| colspan="2" |Du Da Di | | colspan="2" | Du Da Di | ||
| colspan="2" |v4 P4 ^4 | | colspan="2" | v4 P4 ^4 | ||
|- | |- | ||
!tritones | !tritones | ||
| colspan="2" |Gu Go Ge Gi | | colspan="2" | Gu Go Ge Gi | ||
| colspan="2" |~4/vd5 vA4/d5 A4/^d5 ^A4/~5 | | colspan="2" |~4/vd5 vA4/d5 A4/^d5 ^A4/~5 | ||
|- | |- | ||
!5ths | !5ths | ||
| colspan="2" |Ju Ja Ji | | colspan="2" | Ju Ja Ji | ||
| colspan="2" |v5 P5 ^5 | | colspan="2" | v5 P5 ^5 | ||
|- | |- | ||
!6ths | !6ths | ||
|Tu To Te Ti | | Tu To Te Ti | ||
|Pu Pa Pi | | Pu Pa Pi | ||
|vm6 m6 ^m6 ~6 | |vm6 m6 ^m6 ~6 | ||
|vM6 M6 ^M6 | |vM6 M6 ^M6 | ||
|- | |- | ||
!7ths | !7ths | ||
|Lu La Li | | Lu La Li | ||
|Ru Ro Re Ri | | Ru Ro Re Ri | ||
|vm7 m7 ^m7 | |vm7 m7 ^m7 | ||
|~7 vM7 M7 ^M7 | |~7 vM7 M7 ^M7 | ||
|- | |- | ||
!8ves | !8ves | ||
| colspan="2" |Ku Ka (Ki) | | colspan="2" | Ku Ka (Ki) | ||
| colspan="2" |v8 P8 (^8) | | colspan="2" | v8 P8 (^8) | ||
|} | |} | ||
Vowel sequences: -u -a -i for the 7 notes of the Dorian scale and -u -o -e -i for the other 5 notes. | Vowel sequences: -u -a -i for the 7 notes of the Dorian scale and -u -o -e -i for the other 5 notes. | ||
=== Example scales === | ===Example scales=== | ||
{| class="wikitable" style="text-align:center;" | |||
|+ | |||
!Plain dorian scale | |||
|Ka | |||
|Na | |||
|Fa | |||
|Da | |||
| Ja | |||
|Pa | |||
|La | |||
|Ka | |||
|- | |||
!Plain major scale | |||
|Ka | |||
|Na | |||
|Be | |||
|Da | |||
|Ja | |||
|Pa | |||
|Re | |||
|Ka | |||
|- | |||
!Plain minor scale | |||
|Ka | |||
|Na | |||
|Fa | |||
| Da | |||
| Ja | |||
|To | |||
|La | |||
|Ka | |||
|- | |||
!Downmajor scale | |||
|Ka | |||
|Na | |||
|Bi | |||
|Da | |||
|Ja | |||
|Pi | |||
|Ri | |||
|Ka | |||
|- | |||
!Upminor scale | |||
|Ka | |||
|Na | |||
|Bo | |||
|Da | |||
|Ja | |||
|Pu | |||
|Ro | |||
|Ka | |||
|- | |||
!Upmajor scale | |||
|Ka | |||
|Na | |||
|Fi | |||
|Da | |||
|Ja | |||
|Te | |||
|Li | |||
|Ka | |||
|- | |||
!Downminor scale | |||
| Ka | |||
|Na | |||
|Fu | |||
| Da | |||
|Ja | |||
|Tu | |||
|Lu | |||
| Ka | |||
|- | |||
!Mid scale | |||
|Ka | |||
|Na | |||
|Bu | |||
|Da | |||
|Ja | |||
|Ti | |||
|Ru | |||
|Ka | |||
|} | |||
* | |||
[[Category:41edo]] | |||
[[Category:Solfege]] | |||